Explicit 3: Black Hole Sun - Soundgarden
Ep. 03

3: Black Hole Sun - Soundgarden

Episode description

A Scotsman, an Irishman and a Bulgarian get too close to the event horizon.

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0:00

Some might say stuck on the edge of the horizon.

0:05

Does that sound, Gordon Larkin?

0:06

No, no, it's like on the edge of a black hole.

0:09

What's at the event horizon?

0:12

I'll cut it out so we all laugh.

0:14

Just everyone laugh.

0:26

Hello and welcome to We Can't Rewind, We've Gone Too Far,

0:29

a podcast where a Scotsman, an Irishman and a Bulgarian review the most terrible,

0:33

silliest and weirdest as fuck music videos.

0:36

Hi, I'm Nelly.

0:37

Hello, I'm David.

0:38

Hello, I'm Neil.

0:39

Today, we will be discussing one of the most memorable 90s videos,

0:43

Black Hole Sun by Soundgarden.

0:45

Strap in because we're going to be sucked into a giant black hole.

0:49

Get it?

0:50

That was really bad. I loved it.

0:52

Not you, your delivery was fine, my cheesy writing.

0:56

Bad by design.

0:58

Black hole sun, won't you come?

1:04

Wash away the rain

1:07

Black hole sun, won't you come?

1:12

Won't you come?

1:15

Won't you come?

1:17

We have a bit of history with the director of this one,

1:19

Howard Greenhalgh.

1:20

Howard Greenhalgh.

1:22

He also directed Go West,

1:23

which was the first video we attempted to talk about

1:26

and utterly failed because it's a pretty much constant stream of nonsense.

1:30

And you never hear about this podcast ever again.

1:33

I'm determined we're going to redo it at some point.

1:35

Yeah, this is a similar one where just lots of random shit happens in quick succession

1:40

and you're not really quite sure what's going on.

1:41

Do you think Howard's sort of unique selling point was, you know,

1:45

he can do really high quality motion graphics and make things look...

1:48

High quality. Define high quality because that's not high quality.

1:52

Well, he can put you on any planet by the looks of things.

1:56

That's high quality to me.

1:58

I don't know.

1:59

My issue is that, okay, so I had a lot of free time last several days.

2:02

I watched through a lot of his videography.

2:05

It just genuinely feels like he had access to a computer or like people who can do stuff.

2:11

And he was like, okay, that's the reason why I'm going to search CGI in every single video I do.

2:16

Because that's high concept, isn't it?

2:18

Was it impressive at the time?

2:20

I can't really remember because it was around then.

2:22

You know those, you know where you can get like plugins for stuff now?

2:25

of plugins for after effects i feel like he stumbled across like a late 80s early 90s version

2:30

of these and thought shit i can make really hot like music videos make them like i do this world

2:35

these days it does look like someone had a bit too much fun in after effects but i don't know if

2:39

back in the day it was impressive i can't remember oh it kind of looks like look mom i've discovered

2:43

the warp tool yeah warp mouse i remember i actually remember it as a kid um when i first watched it

2:49

it was like it was really fucking creepy yeah which to understand that there was not the target

2:53

audience but it was still fucking creepy as a kid this is probably a good point to say if you haven't

2:57

seen this video go watch it on youtube we're trying something a bit different and not just going through

3:01

the whole thing as a summary because it's a pain in the ass and it's probably going to be totally

3:05

impossible for this video so just go watch it on youtube well i actually i i will elephant in the

3:10

corner and all that i mean it's a song that i've listened to many times my brother is a really big

3:15

sound garden fan and it's always been creepy to me but you know it's a song i know and i've listened

3:19

too and i think i played it many times in rock band or guitar hero whatever one it was in um and

3:25

i've only recently seen the video oh really i feel like i'm i'm getting my uh i don't know i feel like

3:31

i'm getting you know a glimpse into you know a history that i've not actually touched when i know

3:36

the song but i don't know the video i've never wanted to go see the video because i've never

3:40

really thought you know what i'm gonna search on youtube or black old sun and see see what happens

3:44

but my god what a fucking visual feast it was yeah it was ridiculous i don't know it's a video you

3:51

just need to keep watching because he just keeps on giving i don't know if i'm jumping the gun here

3:54

but i think as much as the visual effects look a bit cheesy today i think it still has the desired

3:59

effect i wasn't a huge sound garden fan but i was a huge audio slave fan so i guess i got there a bit

4:04

later maybe it's a good point to like point out in the video like none of the south gardens guys

4:09

actually had anything to do with the video.

4:12

Like it was all the director's idea completely.

4:15

It's probably a good thing

4:18

because if you look at all the other videos they did

4:21

were very much like, oh, we're a rock band.

4:23

We're going to look like a rock band

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standing in the crowd playing music.

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As much as I would be bashing the video later

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because I would be.

4:28

It's still like conceptual about it.

4:30

Chris Cornell said he kind of just left

4:33

the actual direction of the video to the director,

4:35

obviously, and his role was, and I quote,

4:37

pretend to play and not look that excited about it.

4:40

I think they nailed, personally.

4:42

No, definitely.

4:43

I think their performance in it was definitely the odd thing,

4:46

or the odd one out.

4:47

It just felt really disconnected from the landscape,

4:49

dreamscape, whatever you want to call it,

4:51

that's going on in the background.

4:52

It actually felt like it was two videos put together.

4:55

Or maybe they're summoning the Black Hole

4:57

with their raw rock energy

5:01

to get rid of all these weird fuckers.

5:03

Do they get 16 again?

5:04

I can't remember.

5:05

I don't think they ever shown being 16.

5:07

and plot seconds it's like inception you know does it happen is it real is it a dream plus i mean for

5:12

a rock song and for the you know lead singer guitarist and whatnot to not look interested

5:18

it's quite a curious um bold move especially by the director i wonder what his uh his plan was to

5:23

that one um i felt like it might have just been you know talking your way into having total control

5:28

over to how to make this thing look the way you want it to look and making the band just there to

5:32

provide the you know the soundtrack the song oh it actually did read a couple of interviews and he

5:38

said in one of them that chris cornell specifically or just the band specifically said that they don't

5:44

want their faces digitally like changed manipulated and they said that i presume maybe that was the

5:50

original idea that they would be part of the like surreal dreamscape that's hilarious because i mean

5:55

every single shot of them they're warped they've been sort of weirdly yeah weirdly yeah weirdly i

6:02

it just looks like they're slightly distorted.

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I didn't know that was intentional.

6:07

I guess they were trying to get them a bit more

6:09

in tone with the race as opposed to just

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static images of them on green screen.

6:13

I think he said that the

6:15

opening scene, sorry, the video is supposed

6:17

to resemble the opening scene

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of Blue Velvet, which completely

6:21

bi, but also it kind of means that he

6:23

completely misunderstood Blue Velvet.

6:25

I think that's one of my biggest problems with the video

6:27

is the warp, like the

6:29

CGI. I understand that it was

6:31

very of its time but the problem is that it's immediately dated now and it was dated by the end

6:36

of the 90s as well i mean it looks ugly it really does like yeah the cgi looks ugly but i don't know

6:40

what you would you make of the rest of the video is it well shot from your guys points of view i

6:44

really like the colors it definitely conveying the whole idea of a very 50s style neighborhood in the

6:52

states like steppard wives that's the vibe i was yeah which is good but i think that's my problem

6:57

with the like the warping because i don't know i kind of feel like it wasn't needed because you

7:01

got some amazing shots of all the actors both kids and adults who just before they got warped

7:06

they're like psychotic eyes and very unnatural smiles because they were still them and it felt

7:13

like it felt more off for me as opposed to the moment when they start getting warped it would be

7:17

creepy regardless of whether they actually warped anything i think about it and there's generally

7:22

quite a lot of weird shit going on like the fucking what looks like an actual alive fish getting

7:27

caught up i'm sure it was life it just didn't get caught up oh well it doesn't get caught but it's uh

7:32

it's not in the water so it's not happy and there's also an insect at one point which looks

7:37

alive as well so oh it's at the like the cockroach there is a scene for whoever hasn't seen the video

7:43

yet there is a scene where a couple of kids are holding a cockroach close to a uh like um magnifying

7:49

glass yeah magnifying glass things uh trying to set you some fire that's the vibe of the video we're

7:53

talking about today uh there's definitely a lot of high concept scenes like the family the kind of

7:59

watching static tv father is on his knees in front of the tv it's kind of vaguely sexual i don't want

8:06

to say i guess you could kind of argue a lot that's kind of my first metaphorical images sort

8:11

of situation crouching staring at a static tv like oh he's a slave to television blah blah but i don't

8:16

do you think that's what i was trying to say slave to tv no not really actually i know that i'm actually

8:20

saying one of the interviews he did say that it's just meant to be a like a surreal dreamscape which

8:26

it certainly is so i don't know if ever really meant to be a point to it particularly just kind

8:31

of reflect the lyrics and do some weird shit the same director directed a couple of other videos

8:36

that are very similar to this one like there's kunkanansi's lately video which is basically the

8:43

same one as this sounds a giant black hole son right but it's still like kind of as neil said

8:49

stepford wives aesthetic with like warped images and kind of off feeling the whole thing and then

8:57

there is nancy boy by placebo which also uses the warped images oh yeah it's all the same guy and

9:03

it's kind of like when you find when you realize this it's kind of like did that video actually have

9:08

any high concept or was it just this guy trying to force himself into the video scene as the guy

9:15

to use the cgi i guess this is stale i think i kind of feel that the four guys priests are the

9:20

religious people i think they're kind of meant to be like a metaphor of the four horsemen for them

9:26

they're they're all very different um and they're all they're all doing like specific things yeah

9:30

they're all freaky fuckers what do you think they're representing because you're right they're very

9:35

very different the conquest the famine plague and uh yeah i can't remember the other one there is a

9:40

plague of locusts okay yeah yeah it's maybe what the whole video is trying to be built around but i

9:45

the whole black hole thing,

9:48

which looks nothing like a sun.

9:49

I don't know.

9:50

I don't know.

9:50

Well, apparently I was reading as well

9:51

a version of the video

9:53

initially released without that

9:54

and then they re-released it

9:55

with allegedly more impressive CGI

9:58

of the sun and shit.

9:58

So I don't know.

9:59

I've not managed to find the original version.

10:00

I don't know if I had something else.

10:01

I don't remember ever seeing the version without it.

10:04

I don't quite understand.

10:05

I don't think it's explained very well

10:07

whether the people,

10:08

why are they getting warped?

10:10

Are they getting warped

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because of the whole,

10:12

whether they're getting

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all the weird things they're doing.

10:15

Are they just a weird place or are they all being infected by the black hole?

10:19

I just don't understand the video.

10:20

Maybe that's okay because the music is not supposed to be understood.

10:23

Like it's just random, honestly just random string of words.

10:26

Chris Cornell said he basically, he came up with a song when he was driving his car.

10:30

And yeah, it wasn't particularly meant to mean anything.

10:33

Maybe the video is not supposed to mean anything then.

10:35

It's just images.

10:37

It's a real dreamscape.

10:38

But there is a woman who fucking has like a lizard tongue at one point.

10:43

That's interesting.

10:44

So that's a good question.

10:45

Did she always have a lizard tongue?

10:47

Is this just how this place goes?

10:49

Maybe that's what America's like.

10:50

I've never been there.

10:50

I don't know.

10:52

You know what's in America like last year?

10:54

I can confirm that lizard tongues are a common occurrence,

10:59

especially in San Francisco.

11:00

Not as much in New York.

11:02

Out of people or out of lizards?

11:04

Yes.

11:05

Oh.

11:06

Well, actually it was out.

11:07

Yeah, the lizard tongue woman was curious

11:10

because she was trying to catch the flies,

11:12

which I don't know.

11:14

I feel that the whole thing about their faces getting warped because they're all smiling.

11:19

Everyone's like, well, most people are doing weird sort of massive grins and then the faces

11:23

are warped into sort of, you know, sad, frowny faces.

11:26

I think it's meant to be like a message towards like everyone's going on, everyone's happy,

11:31

but everything's actually really miserable and dark.

11:34

And, you know, it's not too dissimilar to, you know, current times, which maybe makes

11:38

the video itself kind of timeless because maybe it's making a message or sending a message

11:42

that everything's always miserable.

11:45

Everything's always dark,

11:46

no matter how good it looks.

11:47

The British mentality

11:48

of just keep calm and carry on.

11:50

You know,

11:51

everyone's just trying to do their thing

11:53

and then they know

11:54

there's a massive fucking black hole above them.

11:57

And then when it starts sucking everyone up,

11:58

then that's when they start freaking out.

12:00

Yeah, yeah.

12:00

They're like,

12:00

oh shit,

12:01

we can't ignore it anymore.

12:02

Something I've actually never noticed before.

12:04

There's like a shot of bees

12:05

with one of the little girls

12:06

running around

12:07

and then you see a beekeeper

12:08

dead on the ground.

12:09

He doesn't seem to have died

12:10

through any black hole related activities.

12:12

That's really good artwork, actually.

12:14

Just this kid in a pink tutu and a dead beekeeper.

12:17

I was going to say, I think my favourite character is the woman sunbathing,

12:20

but she has like a massive heat lamp.

12:22

Of course, that's your favourite scene.

12:24

Not because of the woman sunbathing.

12:26

It's just, you know, there's a massive heat lamp.

12:28

It's 2.15 in the video.

12:29

Oh, fuck it.

12:30

Yeah, I'd never noticed the heat lamp.

12:32

I don't know.

12:32

There must be irony in that.

12:34

I don't know why.

12:35

Apparently, I haven't watched this video enough.

12:37

That CGI still irks me.

12:38

Not because they decide to use CGI in 94.

12:41

fine well means but they could have gone into uncanny valley without the cgi the people all

12:46

really fucking creepy without their warped eyes i agree with that but i think you have to bear in

12:51

mind it was the 90s it had to be edgy and using all these crazy effects and shit like i've seen

12:56

yesterday about the logo reminding me of of a 90s video game show if you ever go back and watch any

13:00

shit like that it's all like this it's just fucking it's a 90s aesthetic i mean you're probably right

13:06

just irks me because it's it's kind of hailed as this quintessential 90s video but it just feels

13:11

really dated. I'm not saying it's bad, just dated.

13:15

Some might say stuck on the edge of the horizon.

13:40

Okay, so let's talk about what our favourite moments were.

13:44

God, there's so many.

13:45

There's a guy who's like brushing his hair in the mirror

13:47

and there's a woman with a great day in the bath.

13:49

For a little while, I thought that was the same guy

13:52

played Bob in Twin Peaks, but I looked up and it's not.

13:54

I think that'll probably get my vote purely

13:56

just because it's potentially a Twin Peaks rip-off.

13:58

That's a very good point.

13:59

Why does he never have any of the people

14:01

from any of Lynch's movies?

14:04

I understand Kyle MacLachlan might be a bit too expensive

14:08

for that video but yeah Bob or just some of the cut the sorry the background I actually have to

14:13

change that answer because I'm I'm just I've got it playing on a loop in the background and I forgot

14:18

about the fucking the baby there's a woman with a pram and the baby just turns into some sort of

14:23

fucking ectoplasm jelly floats off because I'm like I know everyone's getting sucked into the

14:28

black hole I don't know at what point that you literally just disintegrate uh just after the

14:32

event horizon I guess let's not go into the actual physics of this video because it's gonna get

14:37

fucking crazy.

14:38

I have to throw out

14:39

all my calculations.

14:40

There's a woman

14:41

who's just putting on

14:42

makeup while getting

14:44

vibrated by one of

14:45

those Vibro belt

14:46

machines.

14:46

It's casually doing it

14:48

and then there's just

14:48

a random guy just

14:49

doing push-ups

14:50

who's bright pink.

14:52

He's tanned.

14:53

Oh, there you are.

14:54

They're so tanned,

14:55

yeah, burnt,

14:55

whatever you want to

14:56

say, burnt by the

14:56

black hole sun.

14:59

It all just feels

15:00

so out of place

15:01

and it's just so

15:01

random.

15:02

It's just the way

15:02

the camera casually

15:03

pans up as she's

15:04

getting vibrated.

15:06

yeah to me the whole the whole the whole song and videos like feel for nightmares and i think all

15:12

the modern day tropes referencing real world problems i think it's that maybe time shows that

15:16

it's quite timeless and you can kind of uh associate it with pretty much modern day especially with a

15:21

guy getting you know sucked not sucked into the tv but just watching tv you know there's all that

15:25

screen culture it can reference to and i guess how people can be happy all the time in the video as

15:31

the world crumbles around them can director howard uh greenhut whatever his name is um predict the

15:38

future that's that's what i'm trying to find out what do you guys think of that it's like these are

15:42

just kind of constant problems disregarding whatever the current apocalypse is uh and we're

15:47

currently in quite a big one the problems are kind of continuous throughout humanity and he's kind of

15:52

possibly accidentally i don't know kind of struck that chord i mean i won't say that it's probably

15:56

accidental i think it probably is just more stuff is yeah just because yeah i'm not saying there has

16:01

to be more to not be so for free to have a point it could be like very very subtle but it just kind

16:09

of feels like that we're just assigning thoughts into it like it just kind of feels like the video

16:13

should be taken at face value it's still creepy it's still things to talk about but i don't think

16:18

it's quite the social commentary that's that we're thinking it is yeah yeah no i i i do agree with

16:26

it's it's it's just ironic that i can find so many links i think maybe it's just the way it was

16:30

constructed and made you know it's it's it's just obvious that everything's falling apart in that

16:34

video and i guess it is kind of easy to link things falling apart in real life to that yeah i mean

16:40

possibly whenever we're watching any kind of media when it comes to looking at ideal society that's not

16:45

actually ideal it's very easy to assign features to it that probably were not intended when you watch

16:51

david lynch movies you kind of like it's even he doesn't have that word like he shows in uh blue

16:57

velvet i don't know neil have you actually seen it no no i'm actually not really a fan of david

17:02

lynch but i've not really give uh give him a chance he's not for everyone i guess but when you

17:08

watch like the movie is about yeah it's about a suburban like almost idyllic place where shit goes

17:13

down but like yes people pretend i think it's okay when things are not okay but it just feels

17:20

more directed.

17:22

Yes, everything is a bit creepy

17:24

under the surface level

17:26

but on the surface level

17:27

you don't need to show

17:28

or he doesn't need to show

17:30

the inhabitants of that neighbourhood

17:32

with warped faces

17:33

to make it feel like something is off.

17:36

Like people having their day-to-day lives

17:38

it's just that there's always something

17:39

kind of a bit off on the background

17:41

that makes you feel like

17:42

there's something happening there.

17:44

One thing I've kind of noticed

17:45

from years of being forced to watch

17:47

terrible independent art films

17:50

thanks we've worked in two of those films like two is it present company excluded i think the

17:58

reason someone like david lynch works is that there is kind of a logic to it even if you can't

18:03

really figure out what the logic is because it's batshit fucking insane there's usually some form of

18:07

logic potentially something like this doesn't have the same amount of logic it can just come across

18:12

like just nonsense being thrown at a screen yeah can we just also just kind of agree on the

18:17

on the statement that's probably Howie.

18:20

I'm just going to call him Howie from now on.

18:22

Our good friend, Howie, friend of the show.

18:24

Yes.

18:25

Future club later.

18:26

Give us a £2 on Patreon.

18:28

If you're listening, Howie.

18:30

We don't have a Patreon yet.

18:30

We don't have Patreon, no.

18:33

I just kind of feel like he really wants to be David Lynch.

18:36

Yeah.

18:36

But he's kind of lacking the subtlety that David Lynch has.

18:40

I think that's what I was trying to say with my off-topic narrative about Le Velvet.

18:45

Yeah, yeah.

18:46

it's a bit more subtle usually calling david lynch subtle is not really anything to do

18:50

i think i've seen that scene even though i've not seen the full film it's where it's like

18:53

going through a idyllic suburban place and it goes underground and there's a bunch of bugs going

18:57

yeah i yeah that's one because i suppose you could argue even that's not particularly subtle

19:01

no it's not it did remind me of um i can't really go in the detail because i don't really want to but

19:06

really specific nightmares i had as a kid which just involved a lot of weird things going on a lot

19:12

of distortion a lot of shapes there was no black holes and no suns and none of that but sort of

19:19

brought it back a little bit it was quite uncomfortable to watch i presume that's the

19:22

point though i it definitely feels like it wants you to feel uncomfortable watching it kind of

19:27

rounded off as well i mean all the effects i think they still kind of hold up for the time i think as

19:31

we said earlier um but they're obviously very off the time very 90s whenever everything had to be

19:38

um you know magically put together using cg people who watched the video probably didn't know how that

19:43

happened they just thought it was you know movie magic um it doesn't hold up nowadays it just looks

19:47

like you know cheap rubbish but it's fine it adds to the charm and it makes the video sort of you know

19:52

you sit and watch it because visually there's so much going on in it i can't believe you just called

19:57

this video charming i think my favorite part and that not because of the video but because of the

20:02

background story of it is the Barbie that's getting spit-wasted but the girl who is watching the Barbie

20:08

she has a scene where she's eating the ice cream and then she has like a couple of scenes later

20:12

scene where she's spitting out the ice cream kind of drooling on over her the reason why I love this

20:17

scene is because I was when I was reading about the video the director was saying how the parents

20:23

that girl's parents were obviously like behind the camera and were completely horrified this

20:28

batshit crazy director will get their lovely very beautiful daughter to look so ugly in the scene

20:34

i kind of just love that because they were clearly like oh no what are you doing to our kid how dare

20:39

you which i just kind of found hilarious but um i'm gonna go gonna go with what you bald guy said

20:44

like even just ignoring the cgi a lot of interesting parts everywhere in the video so it's kind of like

20:50

every time when even now when we're just re-watching it we kept on finding some really cool shit it seems

20:54

to be our good friend

20:56

Harry's trademark

20:57

is just fucking

20:58

assaults on the senses

20:59

judging by

21:00

go west

21:01

and this so far

21:02

I haven't watched

21:02

the placebo video

21:03

in a while

21:03

I might watch that again

21:04

you should also watch

21:06

something that I was

21:07

I was laughing at

21:07

how cheesy it was

21:09

um

21:09

things if I ever

21:10

lose my faith in you

21:12

because it's so

21:12

on the fucking nose

21:14

I've always hated

21:15

that video

21:15

but I never knew

21:16

that it was this guy

21:17

who did it

21:17

a lot of users

21:18

will probably do

21:19

in this podcast

21:20

at some point

21:20

in the future

21:21

coming for you

21:22

Howard

21:22

Harry

21:24

Harry

21:24

parts that we don't like. Probably the only part I don't like is the open-ended ending.

21:28

It'd be nice to see if they actually got sucked into the hole themselves,

21:32

but the band didn't want to be distorted, which is ironic considering they were

21:37

pretty much distorted all the way through the video,

21:41

the way they were slightly warped. Yeah, that was probably my least ever bit.

21:45

Apart from that, no. I guess my thing that I've just kept talking

21:49

about is, I'm not a fan of the CGI. I think that he could have gone

21:52

actual physical effects he could have done something along the lines of i don't know like the the tim

21:58

burton's batman movie something a bit more physical where he could have still had like distorted faces

22:03

but be a bit more real like a bit more physical cgi just i'm sure that it was like older age in 94

22:10

but nowadays it just feels outdated and i don't know which one would be more expensive i'd imagine

22:16

the cgi 94 was hell expensive but that's my only beef is that the cgi just doesn't hold and it kind

22:23

of makes everything a bit ugly in not in the way he intended it to look like i think the only only

22:29

that i can find that i don't like because when it cuts to the actual black hole sun itself uh there's

22:34

a few times where it kind of looks like it's just been shoved in there i think because from judging

22:38

by what i read it was um but yeah that's my only real complaint with it does that mean that we are

22:44

all on a very strong eye for this movie. I keep covering a movie, it's a video. My beef with the

22:50

video doesn't take out the part of the video, it's like it's a staple of 90s video and staple of

22:56

Soundgarden videos and even if I'm not a massive fan of it, it still was noticeable enough that I

23:02

would remember it since it was four. If that reminds me, it's an eye for me as well. It's a

23:06

memorable video. It's an eye for me, it's mental, you don't really understand what's happening and I

23:10

quite enjoy that kind of thing so yeah eye for me yeah definitely an eye for me i mean i never want

23:15

to watch it again but yeah loved it you don't mind what we're doing next time neo you should choose

23:22

something because i think we keep on choosing but you should choose something now what will make us

23:27

very confused probably all of them to be honest i think i would like to do uh things can only get

23:34

better by d-rayim oh purely because i am a fan of professor brian cox so it'd be good to kind of

23:39

see him

23:40

good to see him

23:41

post post

23:43

astrophysicist

23:44

science

23:45

he's not in the

23:46

video

23:46

the semi-non-90s

23:47

classic

23:48

things can only

23:48

get better

23:49

I didn't know

23:49

that D-Rim

23:50

were Northern

23:50

Irish

23:51

neither did I

23:53

and the Labour

23:54

Party notably

23:55

used him as

23:56

the team tune

23:57

during the

23:58

party successful

23:59

campaign in the

23:59

general election

24:00

97

24:01

I forgot about

24:01

that

24:03

it's bringing

24:04

back Tony Blair

24:04

flashbacks

24:06

Tony Blair

24:06

should be like

24:07

a very

24:08

extreme close-up

24:08

of Tony Blair

24:09

with the episode thingy

24:12

images of the Iraq war

24:14

floating in and out

24:14

things can only get better eh

24:17

going great so far

24:20

oh god

24:22

that's not depressing

24:24

anyway so

24:26

shall we all say goodbye

24:28

bye

24:29

goodbye all

24:31

stop recording

24:47

Outro Music