Explicit 24: Always - Erasure
Ep. 24

24: Always - Erasure

Episode description

A Scotsman, an Irishman and a Bulgarian have a camp float about.

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0:00

You know when you get the Google suggestions?

0:02

Did you go on DeviantArt again?

0:03

Yes.

0:13

Hello and welcome to We Can't Rewind, We've Gone Too Far,

0:16

a podcast where Scotsman, an Irishman, and a Bulgarian

0:19

discuss the worst, silliest, and weirdest as fuck music videos.

0:23

Hi, I'm Nelly.

0:25

Hi, I'm Dave.

0:25

Hi, I'm Neil.

0:27

Why was there a massive pause before you introduced yourself?

0:31

Because I had to check which order we were.

0:33

I forgot how to read briefly.

0:34

Oh, okay.

0:36

That happens to the best of us, it's fine.

0:38

This month, we are discussing the absolutely fantastic and fabulous 1994 synth-pop ballad hit

0:44

Always By Erasure, also known as the Robot Unicorn Attack Song.

1:06

Directed by Dutch French filmmaker Jan Coonan, the video features lead singer Andy Bell and

1:11

an unnamed woman in a Chinese scroll painting inspired background, where they play music,

1:15

sing and fight a giant monster dragon.

1:18

This video is definitely something that couldn't be pulled off successfully by many bands, but

1:21

Razor are definitely in the top 3, which I think should end them a little respect.

1:34

Eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

1:48

and a tiny bit of cultural appreciation slash appropriation can do.

1:53

There we're kind of like, I guess,

1:56

relatively level ground here,

1:58

because I don't have any particular background

2:01

slash history with the video, which is a good start.

2:04

So what were your initial thoughts when you watched it?

2:06

It's quite mad.

2:08

Yeah, it just reminded me of what's to come.

2:10

It's quite a fitting song,

2:11

because it's summer whenever the snow goes away,

2:13

and then it's winter whenever the snow is back.

2:16

We're recording this at the end of the summer, end of August.

2:21

Yeah, I don't look forward to a cold house, let's put it that way.

2:23

But yeah, I mean, it is.

2:25

It's quite a charming video.

2:26

Unlike most stuff that we tend to review on here, it's actually good fun.

2:31

And you don't really, I don't know, it doesn't offend me, put it that way.

2:36

I don't remember hearing this anywhere.

2:40

Usually, you know, when you hear a song, it sticks in your head,

2:44

Even if you don't like it.

2:45

But this one just, no.

2:47

The video has a good opening five seconds

2:49

because it looks like you're looking at some sort of ancient postcard sort of thing.

2:52

A little bolt of energy.

2:54

And then your man, Andy Bell, just teleports into this snow globe looking place.

2:59

Attention grabbing is a very good way just to describe the whole video.

3:02

It's a very, it's a relatively long video, but it's not really boring.

3:06

There's always something happening.

3:07

So he comes in, then he starts, they unfreeze this frozen lassie.

3:11

And then adventure ensues.

3:12

Adventure ensues.

3:13

Not immediately, though.

3:15

At the beginning is very...

3:16

They kick about for a bit.

3:18

Yeah, for the top of the song, braiding hairs and shit.

3:21

Yeah, that was one of your notes.

3:22

Casual gal pal night in.

3:24

Very much felt like that.

3:26

I've definitely had nights in where we didn't quite braid our hairs.

3:30

But, you know, just kind of chilling, fighting dragons.

3:32

Because initially you think it's going to be the usual sort of romance stuff,

3:37

but as you're watching it, I was getting kind of a...

3:39

He's some sort of teleporting man-servant,

3:41

goes around helping Nobility with their hair and gardens and stuff.

3:45

He does have that look about him.

3:46

He doesn't look like he's a king or a prince

3:50

or, you know, anyone in a great noble role.

3:53

He looks a bit ordinary.

3:55

So I want to say that when the master appears,

3:57

he first does a very, like,

4:00

I'm very scared and kind of, like,

4:03

curls up into her as opposed to, like,

4:05

being very immediately, like,

4:06

I'm going to protect you or something.

4:08

Which is a fun point, I guess.

4:11

But yeah, I guess what you both mean.

4:13

I guess I never really looked at it that way.

4:15

I genuinely thought that it was supposed to be romantic,

4:17

but kind of almost like queen-queen, nudge-nudge way of romantic,

4:20

because I'm fairly certain Andy Bell was out by then.

4:23

Also, it's a very, very comfy video,

4:25

so I don't know if anyone watched this and thought,

4:28

oh, yes, he's incredibly straight.

4:29

I don't know if it's just because, obviously, we already know,

4:32

but you don't get the impression he's trying to get his hole better that way.

4:37

He just wants to comb in the hair.

4:39

Yeah.

4:40

It's good hair.

4:41

Having a nice night in

4:42

and then this fucking dragon monster appears.

4:44

Is it actually a dragon?

4:45

Or is it...

4:46

I'm guessing it's some ancient Chinese thing.

4:49

Maybe we should look this up.

4:50

We should probably look this up.

4:52

Okay, pause.

5:04

By the way, Wikipedia said it's a dark dragon-like creature.

5:09

It's interesting, if you ever read things about where all the monsters and Pokemon and all that stuff come from,

5:14

they always seem to be based on some ancient Japanese in that case.

5:18

What's the word I'm looking for? Mythic?

5:20

Folklore.

5:21

Aye, folklore.

5:22

So it seems like, obviously this probably wasn't made by actual Chinese people,

5:27

but it's probably kind of drawn from folklore somewhere.

5:30

Do we know that the director is a Dutch French guy?

5:35

Yeah, we mentioned this earlier.

5:36

Yes, we did.

5:37

Obviously, there's a lot of appreciation towards the culture, but also, you know, I guess it

5:42

worked in the early 90s.

5:44

But nowadays you get like, you know, the woman who is styled to look Asian and her makeup is

5:50

kind of like making her look Asian.

5:51

And I'm not 100% sure whether the actual actress slash model slash whoever she is.

5:56

By the way, just a note, absolutely no record who this woman is.

6:00

Nobody.

6:01

There's just no mention of her name.

6:03

And I was looking for so hard and so long.

6:06

Just a random person, they picked up on the street or something.

6:08

I'm sure that she was probably a model.

6:10

I was trying to figure out if she was actually Asian, but I'm not.

6:13

I don't know.

6:14

I don't think so.

6:15

Whenever they give a close-up of her face, it looks like her makeup is very obvious.

6:20

As in what they were doing with her makeup.

6:22

I don't think she was Asian.

6:24

I don't want to presume because Jamie

6:26

don't know but it kind of

6:28

just felt like oh I can get away with

6:30

it's 94 nobody thinks about

6:32

it. You know what's

6:34

funny on IMDB

6:36

they have you know directed by

6:38

they have casts

6:39

you know the music department

6:41

and it's just Andy Bell and Vince

6:44

Clark and there's no mention of

6:46

this woman. The guy

6:48

Vince the other guy

6:50

by Erasure he's in a picture

6:52

at the end and he gets a credit

6:54

one doesn't it doesn't make any sense the only thing i found was a very long article by some guy

6:59

who was explaining in excruciating detail about the video like because in what we're doing now

7:05

but the difference is he absolutely hated it and kept saying how it's bad and it doesn't stand the

7:10

taste of time and it's bad cgi and i'm like where do you even see the cgi there's no cgi in there it's

7:15

all physical effects but yeah this guy absolutely hated the video and saying how bad it is and i'm

7:19

like mate what kind of videos do you watch he's obviously not went as far down the rabbit hole as

7:24

we have it's well made i think obviously it looks all the time but i think it's well made for what

7:29

it is and evson evson works you know it's clearly professional people made the sets made the costumes

7:33

made the big monster thingy the snowball to me my technical eye sees that this was shot on like a

7:39

theater stage um because the lighting's really theatrical lots of flashing and you know it changes

7:46

from daytime to darkness

7:49

whenever the dragon comes on.

7:51

I think that adds to the charm.

7:53

Judging just by the opening couple of shots,

7:55

it's like they're in a postcard, basically.

7:57

You know, so it's like,

7:58

I think it feels right for it

7:59

to be a little bit theatrical.

8:00

I mean, there's several scenes

8:01

where like the background, the set,

8:04

what's that word?

8:06

Pavilion, I guess.

8:07

It literally shakes when they touch it.

8:09

I just wonder whether that was on purpose or not.

8:12

I wonder whether they just decided,

8:13

well, we don't have the money,

8:15

So we may as well completely embrace the schlock and go for it.

8:19

But it kind of reminds me if you've ever seen,

8:21

like, don't really know what the word for this is,

8:23

but like theatrical shows where it's not really talking so much.

8:26

It's more kind of a visual performance

8:28

where it's just people kind of doing shit at each other.

8:30

It reminds me of that, if that makes any sense.

8:33

I want to say panto, but you don't mean panto, do you?

8:35

No, not panto.

8:36

No, like wanky physical theatre sort of stuff,

8:39

which I have seen in the past and it feels like this.

8:42

Like kind of a theater of shadows kind of thing.

8:45

Is that what you mean?

8:46

Yeah.

8:46

Yeah.

8:46

Something like that.

8:46

Yeah.

8:47

I mean, I think we're probably overthinking this.

8:49

I don't think even Dave put that much thought into it.

8:52

Yeah.

8:52

Well, fair enough.

8:53

Beyond making it look aesthetic.

8:56

Although we do have to commend the fact that the video has nothing to do with the song itself.

9:00

Well, does it?

9:01

It does a bit.

9:02

Because kicking about with this lassie in this sort of little bit of purgatory that they seem

9:07

to be living in.

9:08

And they'll always be together in this little garden.

9:11

That's what I was getting from it.

9:12

Why purgatory?

9:14

I don't know.

9:15

Just not purgatory.

9:16

More like just I keep coming back to being like a postcard or a snow globe.

9:19

It's like they've been trapped there by some magical being.

9:22

And this is just their life now.

9:24

But they're kind of happy to be together.

9:26

When you actually explain like that to me, it is kind of like a nightmare.

9:29

You're in that one place.

9:30

And maybe they're in limbo and they're repeating themselves in an endless time.

9:34

And keep getting frozen and thawed.

9:37

Kind of like the way the seasons come and go.

9:40

earth spins and seasons come and go when the earth spins...

10:10

Hold on to the noise, there will be no shame

10:21

Always I wanna be with you and make believe with you

10:27

And live in harmony, harmony, oh love

10:31

Always I wanna be with you and make believe with you

10:37

And live in harmony, harmony all over

10:44

Seasons go and go and the earth spins

10:46

And then the seasons...

10:48

Oh, sorry.

10:49

Got stuck on a lip there.

10:50

Indeed.

10:51

You can play a little respect over this

10:52

and apart from listening, it totally works.

10:54

Did you try this?

10:55

Yes.

10:56

Yeah, I did.

10:56

Yeah, because before the show,

10:59

the show, the podcast,

11:02

Before the show, guys,

11:03

I was watching this and it all played on to respect

11:06

and I was like I wonder if this would work over the other video and I put it on and apart from

11:09

the lip syncing being weird it actually kind of does work because like the monster comes down when

11:14

it's when it's like show their respect and the monster's like so yeah I recommend the listeners

11:20

try this erasure video mashup the erasure version of watching um dark side of the moon while sorry

11:28

playing dark side of the moon while watching the wizard of Oz yeah it's not quite that good but

11:33

It does work.

11:34

It's better.

11:35

Come on, it's better.

11:36

What was the monster trying to achieve?

11:38

That was a question I had.

11:39

Or was he just being a generally mischievous spirit?

11:41

Maybe he just wanted to be part of the party.

11:44

They just were like, no, fuck you, you know.

11:46

You know, Awa Pao, go away, you monster.

11:49

You keep coming in and snowballing everyone a little bit.

11:52

Turning people into ice.

11:56

Wow.

11:57

We're leaving this inside.

11:59

That was a party I don't want to be part of.

12:01

Maybe the gym wants to be part of it.

12:03

We've talked about this. No thanks, ancient monster.

12:06

No, no, no, no. That's just your kink, mate. We don't... No, no. Stop snowballing.

12:14

You've told the new save, babe. This is what you were thinking about while you were watching us videos.

12:18

Was that a Freudian slip?

12:19

When you say one thing, but you actually meant getting snowballed by a giant monster.

12:23

Unfortunately, that video probably exists on the internet, but let's not worry about that.

12:27

But yeah, so apart from snowballing, what is the monster trying to achieve?

12:31

I was wondering whether the characters, they're actually the bad guys

12:35

because they completely judge the monster based on its appearance.

12:40

It's actually a good monster and just want to be part of the party

12:42

and want to be one of the pals.

12:44

And they're like, no, fuck you.

12:45

Yeah, they're like the cool kids kicking about the garden.

12:49

You can't sit on our table.

12:51

Poor monster just wants to play a board game or something.

12:54

These guys are being dead.

12:54

He's supposed to make a fright, just moved into town.

12:56

Just literally flown into town and they're like, no going.

13:01

They are the monsters all along.

13:04

The crazy backflips.

13:05

Yeah.

13:05

Because they're hilarious.

13:07

They're very obviously done by Andy Bell, clearly, 100%.

13:10

Oh, yeah, yeah, yeah.

13:11

He was notorious for his backflips.

13:13

He would backflip on stage all the time.

13:14

He's still doing it.

13:15

Can we just agree that they're completely pointless?

13:17

What is he doing?

13:18

He's doing fucking 10 backflips to get to a bush that's like two and a half meters away from him.

13:22

You can just walk, get some flowers.

13:24

It would have been objectively less effort to walk, but it wouldn't have looked as cool, though.

13:28

Yeah, I mean, you do get those cool like, what the word, kimono, I guess?

13:32

Just kind of like flowing around, floating.

13:34

It's pretty cool.

13:34

If you're potentially stuck in some sort of snow globe postcard for eternity as well, then

13:39

you may as well.

13:40

Get snowballed.

13:40

You may as well do a backflip before you get snowballed and then it'll kill a bit of time.

13:45

We need to put a proper rating on this episode.

13:50

Warning, may contain explicit.

13:51

May?

13:52

Does.

13:52

Does.

13:53

I don't think we've said cunt yet though, so there you go.

13:55

There you go.

13:57

That's covered now.

13:58

explicit tag confirmed

14:00

Neil do you have anything

14:00

to add

14:01

inappropriate to this episode

14:03

now?

14:03

No I'm going to be

14:04

the odd one out here

14:05

and just let you

14:05

get the

14:06

the bad feedback

14:08

emails that we tend

14:09

to get every week

14:10

Neil's just sitting back

14:11

and watching us

14:11

embarrass ourselves

14:12

the Scots and the Bulgarians

14:13

are the worst

14:15

that's my opinion

14:15

as the Irish man

14:16

the editing

14:18

is like

14:19

probably the one thing

14:19

that really worries me

14:20

I was very

14:22

frustrated

14:22

I guess

14:23

by the constant

14:24

for the changos

14:25

and then the

14:25

very harsh cuts

14:27

with those

14:28

Plane's clear is...

14:29

I don't know how you kind of like the light flashes.

14:33

Every cut, it was flash, flash, flash, flash.

14:35

I could imagine that would get a bit exhausting.

14:37

Considering that everything else is quite like,

14:39

it's sluggy but consistent,

14:40

I just didn't quite understand what was this supposed to do

14:42

and why was it there.

14:44

I felt the illusion of the dream was very well captured.

14:48

When it goes from, you know,

14:50

summer to winter, light to dark,

14:52

it felt very...

14:54

It felt like you were in their heads

14:56

and I didn't think that the flashing really took me out of that.

15:00

If anything, it's sort of, I don't know,

15:02

helped with the franticness of their situation

15:04

where they're getting fucked by a big snowman.

15:07

Well, I'll try against snowman, whatever you want to call him.

15:10

I don't know.

15:12

But yeah, I guess the flashing could be distracting,

15:14

but I think, you know, compared to stuff we've seen before,

15:17

this holds up.

15:18

Quality-wise, it's a bit, you know, yeah, it's a bit aged,

15:21

but I think the actual execution was done pretty darn well.

15:24

I think it was pretty good.

15:26

I just wanted to look in there.

15:27

I think they kind of, I don't know what you call it,

15:29

make up special effects on when they're frozen,

15:31

both when she's frozen at the start

15:32

and when they're frozen in the snowball.

15:34

I think it's pretty well done as well.

15:37

Yeah, it's definitely like,

15:39

it kind of goes back to something

15:40

that they've been harping about

15:42

for pretty much every single video

15:43

we've happened this year.

15:45

I understand that CGI technology existed already

15:47

and in some videos was really well done.

15:50

But overall, if you didn't have the money

15:52

and skills to pull it off,

15:54

just done and it wasn't good enough to not just look like it didn't be immediately dated yeah and

16:01

i'm kind of very happy that they did not go down like yeah with a few exceptions with it just like

16:05

here and there they did not go down the route of we're doing this fully cgi because we can or whatever

16:12

they just went for like no we're doing the shorty effects you know it doesn't look convincing it

16:16

doesn't look real but it looks cool physical effects and stuff like you can tell it's not

16:21

it's not real obviously but but it is same time as real if you don't mean it's gonna you can tell

16:27

what i'm trying to say here doesn't do the uncanny valley thing you see it you can see it's not it's

16:31

an effect but you also forgive it pretty quickly i do anyway don't know about everyone but whereas

16:36

when you see some ropey cgi you instantly just go oh that was made in a computer and it takes out of

16:42

the experience i think yeah i mean you get you see the snowballing monster and you don't think

16:46

that's a snowballing monster, you think that's a man in a costume. Because it's consistent

16:50

with the shaky set and the very fake backflips. You know, it's consistent in the shitiness

16:58

and you have to respect that.

17:09

It's a video that grabs your attention straight away and although it's a bit ropey and theatrical,

17:13

I think it works perfectly for what it's trying to do.

17:16

The effects are good.

17:18

Sets are good.

17:18

Costumes are good.

17:19

Big, scary, snowballing monster is good.

17:21

You know, so yeah, I liked it a lot.

17:23

And the song's a bit of a tune as well.

17:25

I had never seen this video before.

17:28

And after the first watch, it had me laughing out loud.

17:31

The premise is utterly ridiculous.

17:33

And it made me feel like the idea was picked out of a hat

17:36

then adapted while on Magic Mushrooms.

17:38

To be honest, I still don't know what's going on,

17:40

but that's no bad thing.

17:41

The video has charm.

17:42

And most importantly, it is fun.

17:44

I absolutely adore the low budget B-movie vibe of the video.

17:48

It is really far from perfect.

17:50

And the acting is kind of high school theater drama club level.

17:54

And the set is literally shaking whenever someone touches it.

17:59

But it's so charming and so comfy and so fun.

18:01

Just you can't fault it.

18:03

And it's a solid B plus for effort for me.

18:06

Favorite part is just the set slash location, whatever you call it in general.

18:11

It feels like you're inside a snow globe, inside a postcards, but with better music.

18:16

Serves the video very well.

18:17

But there is a runner-up, which is at 1 minute 40, where he has just a little float around in the background.

18:22

He kind of just campily floats there for a bit.

18:25

Campily floats.

18:26

Yeah, and nobody really knows why, but if I could float, I would just float about literally as much as I could.

18:32

Would you campily float, though?

18:34

If the mood took me, yeah.

18:36

Worst part, I've not really got any complaints about the video, to be honest.

18:39

But, you know, don't you just hate it when an ancient magical creature

18:42

traps you in a snowball?

18:43

We've all been there, you know.

18:45

That now seems a bit weirder after the whole snowballing thing.

18:48

It's fine, I'm going to leave it in.

18:49

One minute 31 is a creepy back lip into a front lip raise

18:53

followed by a resting bitch face.

18:55

Yeah, it's a little bit strange.

18:56

Definitely recommend checking that out.

18:58

That made me laugh a lot.

18:59

Was that when you'd deliver in the flowers?

19:00

Yes, yes.

19:01

Yeah, right.

19:02

It's proper...

19:03

Yeah, I think it would have been shot in reverse because...

19:06

So it just looks a little bit strange.

19:09

And then the worst part, the worst bits, more of a technical critique.

19:14

I'm not a fan of the Dutch angles in this.

19:16

Felt a bit like I was on a boat.

19:18

Dutch, Dutch, Dutch.

19:19

They hadn't figured out the balance cameras yet at that point.

19:22

The tripods did not exist before 2010.

19:25

Tripods only had two legs.

19:27

Really, really bad system.

19:28

Dual pods, yes.

19:30

Anyway, so, yeah.

19:31

So my fave part is actually my fave and worst parts are basically the same as Neos more or less.

19:37

So my favorite part was just the crazy backflips.

19:40

They never failed to put a smile on my face.

19:43

Putting so much effort into just walking into the nearby bush and picking some flowers.

19:48

You know, just walk to the bush.

19:50

And the worst part is, again, the technical aspect, but not about the Django series,

19:55

but also the constant cuts and flashes that we discussed.

19:58

I understand what Neil was saying earlier when we were discussing it,

20:01

but it still kind of bothers me a bit and it just feels a bit...

20:04

And you need to tune it down a bit, basically.

20:06

But that's it.

20:07

Otherwise, well done, mate.

20:09

It's an eye for me.

20:10

Big old eye.

20:11

Fuck yes.

20:11

Yeah, why not?

20:13

It's an eye for me.

20:14

Does nothing wrong.

20:15

Eye for me as well.

20:16

Nothing wrong, which is a true CEO of approval with our podcast.

20:20

They can put that in their YouTube comment section.

20:24

Always I wanna be with you

20:27

And make believe with you

20:30

And live in harmony, harmony

20:50

Take a look at the show notes for links to today's video, links to Instagram and our social medias.

20:56

Also please email us on gontifarcast at gmail.com.

21:00

We would love to hear your thoughts and any recommendations for videos.

21:03

If you're enjoying the podcast, please leave us a review on Apple Podcasts, Spotify, or your favorite podcast player of choice.

21:10

Peace, yo.

21:11

And listen to us in October.

21:14

This is a September episode or something.

21:17

Yeah.

21:18

Yeah.

21:19

Bye.

21:20

Bye.

21:20

See you next time.

21:21

Bye.

21:22

Bye.

21:51

Bye.