21: Knights of Cydonia - Muse
Ep. 21

21: Knights of Cydonia - Muse

Episode description

Two Scotsmen and a Bulgarian blend the genres.

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0:00

The problem is that they have subsequently shat in buckets.

0:12

Hello and welcome to We Can't Rewind, We've Gone Too Far,

0:15

a podcast where a Scotsman, an Irishman and a Bulgarian discuss the worst,

0:19

the silliest and the weirdest, the spock music videos.

0:22

Say hello.

0:23

Hello.

0:23

Hi, I'm Neil.

0:25

Hi.

0:25

Are you guys sounding like robots?

0:27

Dave or Nelly, say bacon.

0:28

Yeah, bacon.

0:29

Neil.

0:30

Say bacon.

0:31

Bacon.

0:31

Neil.

0:32

Oh, well.

0:33

Oh, fuck.

0:33

Let's carry on.

0:35

Oh, well, yeah.

0:37

He's lost.

0:37

We are taking a break from our socially distant international travels to bring you yet another

0:42

video showing the eternal fighting between good and bad cowboys and blonde ladies in peril.

0:46

However, this time we are taking a very hard turn into the future past to present to you

0:51

the actual masterpiece that is Knights of Sidonia.

1:02

Yeah.

1:23

Yep, it's fucking Muse time, and we have the best guest host to help us.

1:29

Say hello to my oldest friend and fellow reformed Muse cultist, Robbie.

1:33

Hello, thanks for having me.

1:34

Welcome to the podcast.

1:35

Long time listener, first time caller.

1:38

The day the podcast speaks back.

1:41

Exactly, yeah.

1:42

We lived across the street from each other when we were younger, and in our teenage years,

1:45

we pretty firmly believed that Muse were the best band in the world.

1:49

Yeah, I often used the analogy that if they were to shit in a bucket, I would have bought the album.

1:54

Oh, you're one of those people.

1:56

The problem is that they have subsequently shat in buckets, and I haven't bought those albums.

2:03

Bit of a heartbreaking experience when Muse embraced the cheese and just became cheesy as fuck.

2:09

And we were very disappointed because we were edgy teenagers, I guess.

2:12

There will be no cheese in our favourite band.

2:15

I get mocked mercilessly at school for a lot of years.

2:19

You told me a story about this recently, but we were drunk, so I can't really remember what it was.

2:23

A name that someone called you online or something like that?

2:26

Matt Bellamy-

2:27

Oh, no, a muse-loving perma-virgin-pollating-matt-bellamy or something.

2:36

Chris, I didn't even know I told you.

2:39

Yeah, you were steaming. It was on my birthday. Virtual birthday.

2:42

I will write this down and I will present it to my partner as, because it's basically the description of him in high school, I guess.

2:53

Like a muse-loving perma-virgin sounds about right.

2:58

Perma-virgin is actually pretty witty for a teenager.

3:00

I know.

3:01

Whoever it was that called you that, that's pretty good.

3:03

I was angry but impressed, yeah.

3:05

Was that like the original term for incel?

3:08

We invented incel.

3:09

Oh God.

3:10

Oh God.

3:11

We didn't invent N-Sales.

3:12

We didn't invent N-Sales.

3:16

I'll take that back.

3:17

Mews proceeded to get cheesy

3:19

and in our opinion at the time,

3:20

I've actually gone back

3:22

and listened to some of it since

3:23

and I've got a significantly higher tolerance

3:25

for cheese these days.

3:26

Hence why I'm on a podcast

3:28

talking about bad music videos.

3:29

And yeah, it's all right.

3:30

It's still not the same.

3:31

I would absolutely call this video cheesy as fuck.

3:34

It's a fantastic video, don't get me wrong,

3:36

but there's nothing, like, you know,

3:38

masterpiece about it.

3:39

This was the album where

3:40

they started transitioning into the cheese and i think we all liked this album at the time it is a

3:46

good album it is but this was the point where we were all starting to get a bit worried and then it

3:50

was the next album where we just we just went god damn it i think you went i personally went for

3:56

another couple of albums that personally own the i forget the name the one that has the pricing and

4:03

united states of your age resistance i think yeah that one pretty decent i like it i listened to it

4:08

recently again, I was like, actually, it's pretty good. My younger self is shouting in

4:14

through time at me. You bastard. But anyway, okay, enough flating Matt Bellamy.

4:19

He's had plenty of that himself. What else have we got? Oh yeah, history.

4:23

History.

4:31

The third single from Blackhawks and Revelations, the song was an immediate success internationally

4:38

and cemented Muse as one of the main forces in rock music to be reckoned with.

4:42

The song when they debuted at number 10 in the UK charts never actually went past this,

4:47

but it's Muse and we know where all they went.

4:50

Sidonia refers to... or terraformed Mars.

4:54

Album cover is two guys sitting in a chair on what looks like Mars playing chess,

4:58

so yep, that checks out.

5:00

I'm just gonna quickly close my window because some kind of grass.

5:04

How dare he terraform his land?

5:08

The video was directed by Joseph Kahn, the director of virtually every single music video you can think of.

5:13

The current count is 182 music videos, 4 films and 3 TV shows.

5:18

It shows a futuristic depiction of what I would make a guess to be as a New Yorkish area.

5:22

It is, as Wikipedia describes it quite accurately, a thematic smorgasbord.

5:27

It has cowboys, laser guns, motorcycles, unicorns, CDs, holograms, jukeboxes, Asian style, martial arts and many many more things.

5:35

all of this removed. It is a basic story of an archetypal western character, the man with no name,

5:40

going to a new village where he fights the evil corrupt sheriff and saves his main love interest

5:44

from certain death. They then ride away into the literal sunset on a motorbike, cause why not?

6:04

In my head, I described it as it looks like someone's taken their DVD collection of B-movies

6:09

and smushed them all together into one glorious hole of a video.

6:15

One glory hole, someone might say.

6:19

This video is a glory hole.

6:21

W-H-O-L, you dirty-minded bastards.

6:26

No, no, no, it's H-O-L. It's H-O-L. It's fine.

6:29

Overruled.

6:30

We know our listeners. It's fine. We can make sex jokes. It's understandable.

6:34

Especially with a video like this.

6:35

I mean, it's not as horny as Bonnie Tyler, but it's close.

6:39

Well, is it not?

6:40

It literally has a sex scene.

6:41

I think the whole of the Bonnie Tyler video was about sex,

6:44

so this just happens to have a sex scene, isn't it?

6:46

I don't understand why it was cut off.

6:48

Which, by the way, if someone doesn't know,

6:49

it was cut off from the original MTV release.

6:52

Because, you know, people having sex.

6:54

Oh, no.

6:54

And it's not even...

6:55

It's kind of humorously shown.

6:59

Humorously shown?

7:00

Humoristically shown?

7:01

What's the fucking word?

7:01

I don't know.

7:02

I can't talk anymore.

7:03

They did it funny.

7:06

Yes.

7:07

Thank you.

7:09

I remember a DVD came with a single.

7:11

Yes, I bought the single of this.

7:12

I had the director's cut on it.

7:13

I think from what I can tell,

7:15

the only difference is one shot in the sex scene,

7:18

which is like mildly runnyer and that's it.

7:20

There's a couple of different versions.

7:22

There's one that is shown on Joseph Kahn's website.

7:25

I mean, there's numerous differences in with,

7:27

you know, cutting the sex scene out and putting the sex scene in.

7:30

But there's even details down to,

7:33

You know, at the very beginning where they have a Gustav von Musterhausen production and all that stuff.

7:39

They have, you know, the little copyright Roman numerals that shows the year.

7:44

One of them is completely incorrect.

7:46

And that's the version that's on YouTube at the moment.

7:48

Ah, okay, that's one I'm watching.

7:49

But the one that's on his website is the correct Roman numerals.

7:53

So I don't know how many versions have been cut and how many have been released.

7:57

I do actually remember the version on the DVD being more sort of veering towards pornographic than the one that I just,

8:03

Because I just found a Vimeo of the supposed director's cut.

8:05

I'm just going to throw it out on the limb

8:07

and probably say that you're, what, like 17, 18,

8:10

and you just found, oh, it's a Titi.

8:12

Oh, my God.

8:14

It probably was not quite as raunchy as you remember it.

8:18

This is entirely possible.

8:19

So the video is still on his website, J-Zero.

8:22

Yeah.

8:23

I don't remember seeing anything like that.

8:27

So I don't know if there is a version I haven't seen.

8:30

But if you want to provide, you know, a link or anything like that,

8:35

it's in the show notes, right?

8:39

I'll leave it behind the bike shed.

8:44

But yeah, I think, Rob, you were saying before Nelly came on

8:47

that you went into alarming detail.

8:49

58 seconds when it comes in with the title card,

8:52

you know, Gustav von Musterhausen Production.

8:56

Gustav, the way that it's spelt in the video,

8:59

G-U-S-T-O-F isn't actually, you know, a name.

9:03

I think it's kind of a deliberate bastardisation of the real name,

9:07

which would be Gustav.

9:07

So I think they've gone to some detail or some effort

9:11

to deliberately make things ridiculous.

9:13

Mr. Housen wouldn't have...

9:14

You don't say it.

9:15

Yeah, I know.

9:16

The circumflex, the little, like, the hat on top of the U

9:21

and the name Mr. Housen, it wouldn't be used in that kind of name.

9:25

So I think, yeah, they've gone into a ridiculous amount of detail.

9:29

So they couldn't also get called out on doing things deliberately or accidentally.

9:33

Definitely the spelling was the most ridiculous thing in this video.

9:37

No, that was my opinion, yeah, definitely.

9:40

If you start this video and you think,

9:42

oh yes, that would be a very serious production,

9:44

there's something very genuinely wrong with you.

9:47

I'm saying this with the point of view of a person

9:49

who actually shot the video for the first time last night

9:52

because I'd never seen it before.

9:53

Up until I saw the unicorn, maybe four fifths into the video,

9:58

I was on the fence.

9:59

I didn't know if this was serious.

10:02

I don't know.

10:03

It immediately gets confusing what genre it is

10:06

because obviously it opens up kind of looking like a cowboy film

10:09

and then there's a robot walking along

10:11

and then he's doing martial art moves in his bedroom

10:14

and it's popping up like snake style, flying eagle style.

10:17

Tiger style.

10:18

Flaming energy boil.

10:19

Circle of death.

10:20

Shell in bear strike.

10:21

It's a great training montage slash tooling up scene.

10:25

I thought immediately of Rocky IV, where Rocky's training to fight Ivan Drago, kind of Russian Soviet boxer.

10:33

And while Ivan Drago's, you know, in labs with oxygen masks and scientists and clipboards all around him,

10:39

Rocky's doing these, you know, he's lifting up hay bales and punching wooden walls in his cabin in the woods.

10:46

So it reminded me a lot of Rocky IV.

10:49

It's Quentin Tarantino. He's like super Tarantino-esque in the good point because he's a disgusting human being, but he's aesthetic, like his style. I actually wanted to double check when Kill Bill was and it's 2003. So there you go.

11:05

Quentin Tarantino was kind of half copying the greenhouse films and stuff like that a lot of the time.

11:08

I think there's also, they're borrowing a lot from, you know, the old spaghetti westerns.

11:14

And you can see that right at the end where there's the kind of PowerPoint presentation

11:18

of scenes while the credits roll.

11:20

And it's, you know, just all these Italian names.

11:23

So this kind of European impression of what the Wild West would have been like.

11:28

Directed by an American Korean.

11:30

I've just spotted another shot on location, the People's Republic of Socialist,

11:35

Romanistan.

11:36

Yes.

11:36

You haven't noticed that one before?

11:37

This is something that me and Scott

11:39

when we were watching it last night

11:41

when he was showing me the video

11:43

because he got very excited

11:43

when he heard this possible recording today.

11:46

He stopped it specifically

11:47

because that's obviously something

11:48

that he noticed before.

11:49

He couldn't stop laughing.

11:50

It was quite funny.

11:53

It's a fact of the world.

11:55

The more words you have in your country's name,

11:57

the more free it is.

11:58

Free People's Independent Republic of blah, blah, blah.

12:01

Especially any direct reference to people or democracy.

12:05

Obviously democratic.

12:07

Obviously.

12:08

I also loved at the very end,

12:09

while they go through the imaginary cast and the crew,

12:13

it shows a production finance services

12:16

by Euroballistic Rockets and Aerospace Film Company.

12:20

Raytheon, basically.

12:21

Oh, that's a reference to another podcast.

12:23

I'm not sure if anyone will get Behind the Bastards.

12:25

It's fine.

12:26

They make Raytheon jokes all the time.

12:27

Behind the Bastards is a really good podcast.

12:29

It is actually fantastic.

12:30

I think they're an American weapons company,

12:34

And the joke is that they produce rockets with knives at the end of them.

12:40

It's better when Robert Evans makes the joke.

12:44

The mental image is pretty good.

12:45

It is, but he's actually really good at making the joke.

12:47

He makes it literally in every single episode.

12:49

So if you just play a random episode from behind the bus,

12:52

they will make that joke.

12:53

Okay, I'm going to add that to my never-ending queue podcast.

12:57

Top of the queue podcast.

12:58

I wonder if this reference to the Euroballistic Rockets and Aerospace Film Company,

13:03

I don't know if it's like an urban legend or if it's true,

13:05

but movies like Top Gun were all funded by the Pentagon

13:09

and were used essentially as American military propaganda.

13:13

But that's not an urban legend.

13:15

Is that true?

13:16

That's terrifying.

13:17

The American military provides money for pretty much any movie

13:21

in the last more or less 30 years.

13:23

That's absolutely true.

13:25

They're not hiding this, including all the Marvel and DC movies.

13:29

At the end, they always say thanks to support from American military or devil's victim.

13:34

Who would have thought Ant-Man was part of the military-industrial complex?

13:38

Well, basically, any single movie that you see where they have any resemblance of the military showing up,

13:45

they always have the support of the American military,

13:49

mostly because they need access to, as you say, like tanks and shit.

13:52

Reminds me of the Frankie Boyle joke that only Americans will invade your country

13:56

and then come back two years later

13:57

and make a movie about how invading your country made them sad.

14:01

Pretty much.

14:02

Going back to the music video,

14:04

it was partially shot in Romania,

14:06

which maybe contributes to the last joke at the end.

14:09

Right, okay.

14:10

Romanian style.

14:10

Who knew that Muse were secretly comrades?

14:13

Comrade Belmay.

14:14

Yeah, there's a ring to it.

14:15

He won't be the first one on the guillotine list.

14:17

Okay, make a decent album where we're cutting your head off.

14:21

I thought you were things about the latest-ish albums

14:24

or later-ish albums.

14:25

I decided to make an effort to go through and listen to them

14:28

and try and forgive them.

14:31

I haven't yet made that commitment.

14:34

I don't know if I can bring myself to it.

14:49

If you were to make a genre combining sort of B-movie,

14:54

what genres would you combine?

14:56

I would like to make a

14:58

like a heist movie

15:00

and maybe it's just the time

15:01

for living in

15:02

but a kind of pandemic

15:03

or you know

15:04

like contagion or something

15:05

where a heist movie

15:06

has to be socially distanced

15:08

that movie exists

15:10

it was shot last year

15:11

in Harrods

15:12

while it was in lockdown

15:14

it'd probably be pretty easy

15:15

to do a heist during the pandemic

15:16

because everyone's working from home

15:17

yeah that's true

15:18

you'd have security guards

15:20

shouting at you over Zoom

15:20

it's not a movie

15:21

but I've always wanted to make a

15:23

post-rock elevator music band

15:25

oh yeah

15:26

that'd be good

15:26

you walk into the lift

15:27

and there's just this

15:28

ambient soundscape

15:29

going on

15:30

I've just seen that movie

15:31

Lockdown

15:32

it's called

15:32

yeah I just saw it

15:34

it looks as bad

15:35

as I thought it would

15:36

look

15:36

coronavirus

15:37

heist

15:37

yeah

15:38

can I take my answer

15:39

back

15:41

no

15:42

no

15:42

yes

15:43

no

15:43

take two boxes

15:44

I'll own it

15:45

there was another movie

15:46

taking advantage of

15:47

I remember in the trailer

15:48

it was like

15:48

COVID-22

15:49

and I was like

15:49

oh for fuck's sake

15:51

it literally came out

15:53

towards the end

15:53

of the first lockdown

15:54

a little bit too soon

15:55

not going to lie here

15:56

I know

15:57

Connie fuck off

15:58

can I feel like

15:59

anything has been done

16:01

I don't think there's

16:01

anything original

16:03

that exists

16:04

ever in the universe

16:05

wow

16:06

nothing new under the sun

16:07

yeah

16:08

imagine the amount

16:08

of bad movies

16:09

we have seen

16:10

combined

16:12

a lot

16:12

a very big

16:13

very very big number

16:14

I genuinely cannot think

16:15

of a combination

16:16

that has not happened

16:17

before that they want to watch

16:18

has there ever been

16:20

a film

16:21

which combines

16:22

yodeling

16:24

and

16:24

I'm going to say the sound of music exists.

16:27

So very possibly.

16:29

Well, that's a combination of yodeling and Nazis.

16:31

So yeah, that's actually pretty good.

16:33

Yeah, but yodeling and Nazis is like one step removed only

16:36

because they're all contained in the same part of the world, more or less.

16:40

An apocalyptic musical.

16:41

Oh, that 100% exists.

16:43

We're not going to be able to do this, I don't think.

16:45

It's not possible.

16:46

Okay, you may be right.

16:47

I'm going to say a reality TV show,

16:50

but actually it turns out to be real life.

16:53

The Tribune Show?

16:55

this seems coming to life

16:57

there was a movie last year

16:58

it was about cities that had been turned

17:01

into tanks and they were

17:03

fighting each other

17:04

Peter Jackson film, yeah, it's literally about

17:07

cities that can move and they fight

17:09

each other

17:10

I swear to God, look it up

17:12

oh it's called Mortal Engines

17:15

well, I think I'm watching that tonight

17:16

anachronistic movie where

17:18

trying to think of two bands from completely different times

17:21

oh no, that would be basically

17:22

Back to the Future though

17:24

it doesn't exist

17:25

it's not possible

17:26

anything we come off

17:27

with someone has

17:28

made it better

17:29

okay we've proved

17:30

that everything is a

17:30

remix

17:31

because we're doing

17:32

the only thing they

17:32

had left to do

17:34

smoosh everything

17:34

together

17:35

guys I've got it

17:36

a kung fu courtroom

17:37

drama

17:38

oh

17:38

literally all in the

17:39

courtroom they never

17:40

leave the courtroom

17:41

but all the judgments

17:43

take place in some

17:44

sort of martial art

17:45

form

17:45

like 12 angry

17:47

ninjas

17:48

yes

17:48

I like this

17:49

it's the court case

17:50

after a kung fu

17:52

movie where they're

17:52

all getting charged

17:53

the grievous bodily iron.

18:21

I think my favourite part, I'm just running through the kind of plot of the video,

18:28

it's when the unnamed man, he first arrives at the town.

18:32

The lady looks out of the window, sees him arriving.

18:35

Good man gets jumped by a thug and then there's just a guy playing trumpet.

18:40

And obviously it matches with the music, but just this sudden trumpet playing bandit with a toy gun.

18:46

But during the fight, there's a scene where there's like a crash zoom on these two women

18:52

watching on and they look thoroughly unimpressed.

18:54

You stole my favourite moment, yeah.

18:55

It's like, aye.

18:56

Because it just zooms into both of them and one of them looks like she's laughing

19:00

and the other one just kind of looks bemused.

19:01

And I love the transition from the kind of future saloon to the sex scene

19:07

where it's those three slaps.

19:08

It was really good.

19:09

I was quite impressed with it when I was first watching it.

19:12

I'm just, I'm a sucker for something that's like perfectly, like replicated.

19:16

it and like centered and i was like oof that's nice i didn't even care about the 16 itself it was

19:21

like whoa that's a good shot i appreciate what they did there and there must have been a moment

19:25

in the writer's room where they're thinking right how does this go from saloon to bedroom how can we

19:30

do that you know between the verse and the chorus how can we do that to be fair joseph khan is

19:37

incredibly prolific it's a very prolific video director he just genuinely always felt like an

19:45

absolute creative force.

19:47

The majority of his videos

19:48

are so fresh and just good.

19:52

There's just a lot of references

19:53

to like to pulp movies

19:56

and like Western,

19:58

like spaghetti Westerns

19:59

from the 70s.

20:00

I think my favourite point of that

20:01

is I think it's during the sex scene

20:04

when you just get a brief glimpse

20:06

of the film crew in the mirror.

20:08

That is my best part.

20:09

Sort of shit movie 101.

20:11

You just told my favourite part

20:12

of the movie, thanks.

20:13

Music video.

20:14

So we all don't have any favourite parts anymore.

20:16

No.

20:17

An interesting thing about his kind of video-making career,

20:22

Gustav von Musterhausen's kind of alter ego,

20:25

it appears again in another video.

20:27

Oh, is it?

20:27

Taylor Swift's song, Wildest Dreams.

20:30

I think the video is kind of set in the 1950s,

20:34

and he's kind of like...

20:37

In the Savannah, kind of, yeah.

20:39

At one point, there's a clapperboard,

20:40

you can see that the producer of the movie is G. Mr. Housen.

20:45

So it must be just like a character that he falls back on

20:48

for these kind of shots.

20:50

I like to think he is the guy in the mirror.

20:53

He's not, but...

20:54

Well, interestingly enough,

20:55

there's social media profiles for Gustav von Mr. Housen

20:58

and he uses that shot from the mirror as the profile picture.

21:04

MySpace one and a Facebook one.

21:06

MySpace, well, have they posted anything of late?

21:08

I don't know, because MySpace, the format of MySpace has changed like a million times.

21:13

So I think what would have been posted before is no longer there.

21:17

Does MySpace even still exist?

21:18

It does.

21:19

I have no idea how to navigate it, but it's definitely there.

21:22

Why are we just not on MySpace to Facebook?

21:25

Go to MySpace and you'll immediately find out why.

21:29

I will.

21:32

Oh, fuck, what's going on here?

21:33

Did it not turn into like some sort of music site?

21:36

Yeah, it's basically...

21:37

I think it tried to become like a SoundCloud rival

21:40

and then it just didn't know what it was.

21:42

Does anyone remember Last.fm?

21:45

Yes.

21:45

I think that's still good.

21:46

As far as I know.

21:47

Or the one that you downloaded the plugin

21:49

and you connected to whatever player you're listening to

21:51

and then you showed to your friends

21:52

all the music you're listening to, blah, blah, blah, blah.

21:54

You could link MSN Messenger with Last.fm

21:57

so people could see what you're listening to.

21:59

I definitely listened to a lot of Muse

22:01

and it showed on my Last.fm all the time.

22:04

Another scene that I loved.

22:05

Bad guy turns up in town in his car.

22:08

There's a bar fight kind of coming to an end.

22:10

And our hero, he's fighting at the top of a set of stairs.

22:13

And he throws a guy down these stairs.

22:15

And then he just points like, you know, finger gun.

22:18

He finger guns at the camera.

22:19

I think there's another crash zoom there.

22:21

I think we have to just appreciate that crash zooms are always funny without fail.

22:25

Yes.

22:26

I don't know why.

22:27

That's a very Tarantino thing, isn't it?

22:29

He loves a crash zoom.

22:30

I feel like you could stretch this out into an actual TV show

22:34

or at least a short movie and I'd watch it.

22:36

I'll say a short movie, I don't think there's much...

22:39

Well, I mean, depends how they make it.

22:41

I feel like eventually, depending how they make it,

22:43

it might just feel repetitive.

22:45

Yeah, if you pad the shit out of it, I suppose it would work.

22:46

There were no lingering kind of foot shots.

22:50

That's the second time Tarantino's foot fetish

22:53

has turned up in this podcast.

22:54

Do you remember Anna's story about the guy who sniffed feet in Brazil?

22:57

Of course I remember that story.

23:11

I'm a sucker for intentional anachronisms, which this music video is literally what it

23:18

is.

23:19

And also, funnily enough, I had never seen the video before, before last night.

23:24

And it just kind of reminded me of how I used to like Muse as a teen.

23:27

So it was kind of very nice, warm feels.

23:29

Anyway, it's a great movie.

23:31

10 out of 10 would watch again and you should go and watch it as well.

23:34

It's pretty much every terrible B movie you've ever watched and loved smashed into one music

23:39

video comes at you at such an incredible pace that you can't quite take it all in one go.

23:43

So I recommend watching it and then watching it again.

23:46

My favorite part was the shot of the crew, quote unquote, in the mirror, recording the

23:51

sex scene.

23:52

Because honestly, who hasn't been there when making any production?

23:55

Just accidentally filming the whole crew in a mirror somewhere.

23:59

I fucking hate mirrors.

24:01

They always catch me like the bastards.

24:03

Yeah.

24:04

Shiny doorknobs as well.

24:05

Oh, that's very, very specific.

24:06

Like, who will be actually staring at the shiny doorknob to look at your face?

24:11

Sound guys all around the world just staring at the door knob.

24:14

The worst part for me is...

24:15

And that's a funny one, but it just somehow felt both too long and not long enough.

24:21

And it might be partially something to do with the rapid editing, I guess.

24:25

It's nothing that made me recall we wanted to turn off the video immediately.

24:29

Just something that kind of made me go,

24:30

that didn't entirely work for me.

24:34

But again, going off the video is actually great.

24:36

My favourite part was just crash rooms in general.

24:39

Just a bit of appreciation for that.

24:40

Specifically the bit we mentioned earlier,

24:42

which was the two uninterested women at two minutes in

24:45

when the main guy is just away kicking ass.

24:48

And the runner up for me is two minutes five when he walks into the sloon.

24:53

Not because it's funny.

24:54

They just nailed that shot in terms of a homage to cowboy films.

24:58

They did.

24:58

Yeah, they nailed it.

24:59

And the worst part is the fact that one day I'll have to explain to people younger than me what a CD is.

25:06

Well, clearly it's a reflection for all the laser guns.

25:09

Yeah, yeah.

25:10

Because it's a self-defense mechanism here.

25:12

It's a hologram projector in this.

25:14

You should make a suit out of it.

25:16

Yeah, a suit of CDs.

25:17

Out of a few favourite parts, I think it would have to come down to our hero throwing down a thug from the stairs and doing the finger guns at the camera.

25:28

But there was also a scene that I think if it was to stand on its own, would be really problematic.

25:34

Would be, you know, when the pseudo KKK turn up with their torches to capture the hero and then the hero then shouts to them, you and I must fight for our rights.

25:46

I just think the image of somebody shouting to a group of pseudo-KKK,

25:51

we must fight for our rights, I think that wouldn't stand up well in history.

25:56

You're like, which rights are you talking about?

25:59

Specify which rights, please.

26:02

Nothing specific.

26:04

Don't know what you guys want.

26:05

All of three seconds.

26:06

It's better than a lot of the videos we've watched.

26:08

Yes.

26:09

It could have been deliberate, who knows.

26:11

I don't think there's a portion of this video that it's not entirely deliberate,

26:16

Every single ridiculous

26:18

strange choice was thought through

26:20

by some fucking psychopath.

26:23

Well, I'm going to give this

26:24

a resounding eye because I'm a

26:27

Matt Bellamy flating

26:29

I'm not a

26:33

permaversion, but

26:34

definitely would flate Matt Bellamy.

26:36

I'm going to read it. I'm going to cut that out.

26:39

Leave it in.

26:41

You cut it.

26:42

Leave it in.

26:44

You'll see, I always say that and I never do, so we'll see.

26:48

Aye.

26:49

Aye.

26:49

Yes, aye.

26:50

Sorry.

26:51

I forgot what you were doing.

26:52

Yeah, it's aye.

26:54

It's a fun six-minute video for you to watch.

26:58

I give it a guest aye.

27:00

A standing aye.

27:01

I love it.

27:22

okay take a look at today's show notes for links to today's videos links to instagram etc

27:27

Also email, go into farcasts at gmail.com

27:30

if you have any other recommendations or thoughts.

27:33

If you're enjoying the podcast,

27:34

leave us a review on Apple Podcasts, Spotify,

27:36

or Podcast Player of Choice.

27:38

Please.

27:39

Please, please do.

27:41

Also, if you look in the show notes,

27:43

we now have a link to our co-fi page.

27:46

Basically, you can donate to the show

27:47

to help us not have to do Squarespace adverts

27:50

because we will fucking do it if we need to.

27:52

I swear to God.

27:53

And just because it's that time of the year,

27:55

We're taking a very short break of maybe four to six-ish weeks, maybe.

28:03

Anyway, follow us on Twitter and Instagram and Newgate updates

28:07

when we're actually on our way back to your ears.

28:12

I just want to go and have fun in the sun.

28:14

And you should do as well, and also distance and wear a mask.

28:17

Are we technically in the post-apocalypse now?

28:19

Because it's potentially after the apocalypse.

28:22

We're doing the apocalypse still, no?

28:24

We're still mid-apocalypse.

28:25

at the moment. It would make a lot of sense

28:27

if the post-apocalypse was also

28:29

incredibly disappointing.

28:31

No laser guns! On that note

28:33

say goodbye, everyone.

28:34

Bye. Thanks for having me, guys.

28:36

Bye.