Explicit 6: If I Ever Loose My Faith In You - Sting
Ep. 06

6: If I Ever Loose My Faith In You - Sting

Episode description

A Scotsman, an Irishman and a Bulgarian question their faith.

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Download transcript (.srt)
0:00

I think it's fine having like a swearing opinion on something.

0:02

It isn't like it's a negative thing.

0:04

You can fucking love something as well as fucking hate something.

0:16

Hello and welcome to We Can't Rewind, We've Gone Too Far.

0:19

A podcast where a Scotsman, an Irishman and a Bulgarian

0:23

review the most terrible, silliest, weirdest-as-fucked music videos.

0:26

Hello, I'm Neil.

0:27

Hi, I'm Neil.

0:28

Hello, I'm David.

0:29

This is the first episode that we've recorded after releasing the show, so we're now aware that actual people are listening to this, so hello.

0:37

And I hope we're not all too hard to understand.

0:40

Good luck.

0:42

People don't understand it on a good day, so...

0:45

That's true. Podcast the accents. The accent podcast.

0:49

In case you can't tell, I'm the Bulgarian one.

0:51

Yeah, yeah, yeah, of course.

0:53

Today we are trying to keep our faith in music videos for Sting's If I Ever Lose My Faith

0:58

in You.

0:59

You've guessed it, it's from 1993 again.

1:02

What happened in 1993?

1:03

Who hurt all the music video directors?

1:22

Directed by our old friend Howard Greenough and collaborating with Doug Nicol, an American who has done some movies and music videos.

1:32

I'm sure we'll tumble across some of his works as we go on with this podcast.

1:35

By far, most symbolism-ridden video yet, yet very easy to follow and understand, because even 8th grade English-lit symbolism is still symbolism.

1:43

The video is full of references to historic and biblical figures.

1:46

Joan of Arc, Danish king, the first Danish king to ever get canonized.

1:52

Also patron saint of Denmark, Moses, Louis the...

1:55

Fourteens.

1:55

Fourteens, thanks.

1:58

For listeners at home, there's Roman numerals happening here

2:01

and I don't speak Roman numerals.

2:03

There are also references to what I believe

2:05

is the times during the Black Death

2:07

via imagery reminiscent of the movie The Seven Seals,

2:11

which would make sense since one of the motifs of the film

2:13

is the silence of God and the loss of faith.

2:16

Also, pick transformation,

2:18

which doesn't really have anything to do with anything else.

2:35

it's an interesting video there's a lot of different things going on which i guess it

2:39

connected in the sense of faith and lots of faith and different forms of faith a lot of the sort of

2:46

characters that pop up are they all like i'm not i'm not a man of faith are they people who have

2:50

lost their faith along the way or something like that moses is a biblical character i

2:56

does anyone know what specifically happens who was it that wandered in the desert in the burning

3:02

bush not like shit jesus was that jesus that did that oh shit i think so was it not i don't know

3:09

neither of us did like fucking sunday school actually i don't know neil did you do sunday

3:14

school you might have i probably did i just can't remember it all i remember about sunday school was

3:19

every christmas santa came and gave us you know selection boxes so that was the highlight everything

3:24

else is everything else is a blur so it's so long ago i can barely remember but in primary school

3:29

they did have reception or something like that where you all get into a room together and sing

3:34

hymns and shit like that and they i think they told some stories so i have a vague recollection of

3:39

they didn't tell this story no no they didn't tell the story of sting

3:43

wandering through the desert.

3:45

So unfortunately.

3:46

If they did show music videos

3:49

that were kind of like this,

3:50

you know, in those sort of classes back in school,

3:52

I think I would have remembered more.

3:54

Though I don't think it's totally factual

3:55

because there is a mermaid.

3:57

Yeah, the mermaid does kind of come out of nowhere

3:59

because everything else loosely hangs on the same theme,

4:02

but then there's just a mermaid.

4:04

I don't know.

4:05

I kind of thought the mermaid was something to do with

4:08

the little mermaid story.

4:10

is that disney you're talking about no the the story the disney movie is based on which is an

4:16

actual like story oh okay didn't know that you know that there is a there is a famous statue of

4:22

the little mermaid in copenhagen nope okay well there is i'm not 100 sure what does this have to

4:31

do with like loss of religion or loss of anything loss of faith because it doesn't i don't know it's

4:38

This video gives me a headache.

4:41

I would like to believe in our old friend,

4:43

friend,

4:44

Harry,

4:44

that there is a deeper meaning to it.

4:45

Yeah.

4:45

It was definitely full of a lot of,

4:47

a lot of weird magic and whatnot.

4:50

I mean,

4:50

we had the,

4:51

the scene where,

4:52

um,

4:53

is it,

4:53

was it Sting transformed into a pig or is it someone else?

4:56

I think it's a random guy.

4:58

I think.

4:59

Yeah.

4:59

Like why can anyone tell me why?

5:02

Uh,

5:02

magic.

5:03

This is Sting.

5:04

He plays a son and a cross and,

5:07

all sorts of objects in this video so i guess it must be magic uh two minutes 55 there's a bunch

5:15

of old men surrounding it wait no that is sting that is sting yeah it is what about the old man

5:22

surrounding sting of what looks to be the start of a possible orgy you see i saw this in the notes

5:29

when about says this it's not the same old man as a pig is it it's yeah it's the same old man i

5:33

I think it's towards the end.

5:35

Oh my god, I guess.

5:36

Yes.

5:36

The world you guys are looking for is bestiality.

5:38

3 minutes, 26 seconds.

5:40

35 seconds.

5:42

Just watch his face, okay?

5:43

He's in the middle, by the way.

5:45

Just watch his face go from smiling to, oh, shit.

5:50

Or it kind of looks like, why am I doing this video sort of face?

5:53

There's a couple of points where I'm watching it go, and I don't know if this is acting or

5:58

just Sting being pissed off.

5:59

A lot of the scenes where he's standing in or near the castle,

6:02

he looks like he's genuinely freezing to death

6:05

because he's just kind of rubbing his shoulders and going like,

6:07

oh, when can I go home and have some tantric sex?

6:12

Because he's into that kind of thing.

6:13

What about you tantric sex?

6:14

You put it in the notes as well.

6:15

Yeah, there was a news story that he was bragging about

6:19

his tantric sex prowess

6:21

and that he'd go for like seven hours and shit like that.

6:24

Yo, peace for a wife's vagina.

6:26

I think later on he admitted he was talking shite.

6:30

I'm shocked Sting's talking shite never.

6:34

There's Joan of Arc,

6:36

which not sure again how it's connected to loss of faith.

6:39

I think it's more about having faith.

6:41

The one thing that kind of tripped me over was

6:43

Sting's character when he's sitting in the chair.

6:45

It's kind of what was referring to as the philosopher from the Enlightenment.

6:50

It reminds me of someone that just can't quite place who he's supposed to be.

6:55

It's kind of like very enlightening when they're starting to question everything,

6:59

including religion and science and life in general.

7:03

It's definitely a good chair to be sitting in and philosophizing.

7:06

It's a good quill to have.

7:07

It's a very philosophical quill.

7:10

There's a scene in it where he's on stilts.

7:12

You guys pick that up?

7:13

Yeah, that's when they're going through a desert.

7:16

No, 129, he walks out of the castle on stilts.

7:20

Oh, yeah.

7:21

That takes skill.

7:22

But also, why?

7:23

Why is he on stilts?

7:24

Was that something maybe they did back in the day

7:26

To make themselves look grander

7:28

Maybe

7:29

Because they'd basically do anything to make themselves look a bit fancy

7:32

Big feathers and shit

7:34

Three feet

7:36

Hold on, I didn't realise he plays

7:39

He doesn't

7:39

He doesn't play the Moses, does he?

7:42

Yeah, he does

7:42

That's not Sting, is it?

7:43

Yeah, he's Sting and

7:46

Big Beards

7:47

Oh, come on, really? I didn't pick that up

7:49

That's ridiculous

7:50

I think that's one of my favourite parts of the video

7:52

because he's standing there,

7:53

kind of looks like he's on a stage,

7:55

starring in a primary school production

7:56

of some Mosey thing,

7:58

and he's just taking it way too seriously.

8:01

He's a full method actor there.

8:03

I will see.

8:04

There isn't actually a single blink from him,

8:06

so that's, yeah, that's talent.

8:09

Yeah, I think just in general,

8:11

I think his performance in this

8:12

is pretty on point.

8:14

Basically playing everyone

8:15

apart from a couple of the odd

8:16

support characters,

8:17

Joan of Arc and stuff.

8:18

I'm happy that he doesn't play,

8:20

he's not in drug.

8:21

Yeah, that wouldn't have aged well.

8:22

Not really, no.

8:22

He does play that mental knight in the ocean.

8:25

That's King Canute.

8:26

Who is King Canute?

8:27

I don't know who King Canute is.

8:28

Danish king.

8:30

I think he's the first Danish king, isn't he?

8:32

Well, like, actually, no.

8:33

Is he a water king?

8:35

Did he hit the waves?

8:38

I don't know.

8:38

He could be him.

8:39

But yeah, he is sitting in the ocean,

8:42

kind of slashing away at the water,

8:43

which I appreciate at multiple levels,

8:45

because it's kind of just, it's funny to look at,

8:48

funny to think about him actually filming that.

8:51

Maybe he's trying to fight the mermaid.

8:53

Hold on, Neil.

8:54

I need to read this out because Wikipedia.

8:56

So there is a story of King Canute and the tide.

9:01

It's a proclifical anecdote illustrating the piety of humility of King Canute the Great.

9:08

In the story, Canute demonstrates to his flattering courtiers, people from his court, I guess,

9:15

that he has no control over the elements, the incoming tide,

9:20

explaining that secular power is vain compared to the supreme power of God.

9:25

Wow.

9:26

The episode is frequently alluded to in context where the futility of trying to stop the tide

9:31

of an exorbitable event is pointed out,

9:35

but usually misrepresenting Canute as believing he has supernatural powers,

9:41

where the actual story is in fact the opposite.

9:44

So that particular shot of Sting waving his sword at the water

9:49

actually does have a historical backstory.

9:52

So maybe I wasn't giving this video enough credit.

9:55

Maybe everything in it has some sort of historical backstory.

9:57

No, but they do.

9:59

Everything has a story, but it's still not...

10:01

I don't quite understand why the song is about losing your faith.

10:05

And some of the things are about losing your faith,

10:07

but then some are about having stronger faith in religion,

10:10

where he's literally thinking that he has no faith in religion.

10:14

It's just a bit baffling.

10:15

I think they just kind of gathered different religious allegories.

10:20

without actually connecting them to the point of the song

10:22

and they were just like, oh, it's religion is good enough.

10:24

They got a couple which were actually about people losing their faith

10:27

or their faith being challenged or whatever.

10:29

And then they thought, fuck, we've still got two more minutes to fill up.

10:33

Put the Little Mermaid in there, it's fine.

10:35

I'm going to quickly look up and try and find out what the story behind that pig is

10:39

because I need to know.

10:41

Talk about yourself.

10:42

Yeah, the pig must mean something important.

10:45

Hopefully it's a bacon-related biblical story.

10:48

I can't find exactly the pig, but I did find a page on there and it called 14 Bible Verses about pigs.

10:54

So a boar from the forest eats it away and whatever moves in the field feeds on it.

11:00

Deep.

11:00

Anyway, right.

11:01

So the video.

11:02

Sure, yeah, the video, yes.

11:05

The whole thing with like the beginning with the people walking through the desert, it just keeps on reminding me of the movie The Seventh Seal.

11:12

Like the imagery that they have there, which is like a traveling circus.

11:16

And the movie itself is about loss of faith and God kind of abandoning people.

11:23

And it's about a crusader who comes back and he's dying, basically.

11:27

And the whole thing is about him trying to speak to God and realizing that God is not there, but death is there.

11:34

So it's kind of on point.

11:36

I've seen the scene where he's playing chess with death.

11:39

I've never watched the full thing.

11:41

Well, there's like different scenes where there's several main characters and one of the

11:47

like part of the cast is the traveling theater group, kind of.

11:52

And the final scene, like which is a very fucking famous scene, is them doing the death

11:58

dance, I think.

12:01

Hold on, I'll try to find it for you.

12:03

Like when you see it, you kind of immediately get why.

12:05

So he's kind of continuing

12:08

we had with the Black Hole Sun video.

12:10

We were talking a lot in that one

12:12

about how he's basically

12:13

ripping off Blue Velvet

12:14

or not ripping off

12:15

but homaging Blue Velvet

12:17

by David Lynch

12:18

and in this one

12:18

he's homaging another film.

12:19

He's going for the

12:20

the great artist's steal

12:22

sort of approach maybe.

12:23

There you go.

12:24

I'm just going to take a break

12:25

in the podcast

12:26

to watch some

12:27

some old art films.

12:36

yeah oh yeah no it does look like he has definitely taken some inspiration from it i don't think

12:40

there's anything wrong with that it's uh no like if anything that actually makes perfect sense

12:46

um because it is actually something directly related to losing your face which is what the

12:51

kind of thematically on point yeah even like i would have not held it against how he had he decided

12:58

to make the whole video kind of um reproduction of the whole movie but sting like i would have

13:06

i would have understood it it would have made sense yeah it's quite interesting seeing go west to

13:12

black hole sun to this you can kind of see maybe a sort of maturing of his kind of style no that's

13:20

this is before Black Hosson

13:21

ah fuck that ruins that whole idea

13:22

I think

13:23

Black Hosson is 94

13:26

isn't it

13:27

no it's actually probably the other way around

13:29

he started with

13:31

something a bit more

13:33

grounded

13:34

although you know

13:35

go west

13:36

which

13:36

we don't go there

13:37

but he started with something a bit more grounded

13:39

because he didn't have access to CGI

13:41

the way he wanted to

13:42

then something

13:43

something hit in 94

13:44

and he was like

13:45

oh CGI everywhere

13:46

just throw it

13:46

that's quite interesting

13:47

because this one actually

13:48

I think it looks a lot better because he's not

13:51

going full hog with it so maybe this is

13:52

a lesson in sometimes a little bit

13:54

of restraint or limitation

13:56

is a good thing. Could be. We kind of get

13:58

back to my point with Black

14:00

Olsen that had they gone for

14:02

physical makeup as opposed to CGI

14:05

would have probably worked better

14:06

due to limitations they had at the time. It's got

14:08

some similar stuff in it like, sorry I was

14:11

vaping there, I probably shouldn't do that while talking

14:14

It's got some

14:16

similar stuff in it like

14:17

there's like kind of Dutch angle-y shots of Sting standing about

14:21

and you can see the sky is all weird looking

14:23

and going faster than it would in real life,

14:25

which they also have in Black Hole Sun.

14:27

Definitely you can see elements of his sort of style in there,

14:30

but in my opinion, this actually works better

14:33

because it's more, I don't know if you can call this video grounded,

14:36

but compared to Black Hole Sun, it's more grounded.

14:38

It's more on the nose, but that makes it a bit more concise.

14:42

You have four and a half minutes,

14:43

So I don't want to feel existential dread.

14:48

Existential dread?

14:50

Dread, thanks.

14:51

Words.

14:52

Like, I don't want to feel existential dread

14:54

because I didn't understand your fucking music video.

14:58

It makes you think more of this.

15:00

I've been looking up pig stories.

15:03

It seems like it definitely makes you think a bit more of this one,

15:06

the Black Hole Song,

15:06

which just makes you kind of want to run into a corner

15:08

and go into the fetal position.

15:10

It definitely expanded down origin history

15:13

and like biblical apocryphical stories.

15:16

Yeah.

15:17

So we learned something today.

15:19

Learned something new every day.

15:36

Right.

15:37

I really, really like this video.

15:39

Not sure why,

15:39

but I just think it's technically solid.

15:41

It's full of energy.

15:42

And I think what gives a slow paced song enough visuals to not make, well, me bored.

15:47

I think it's got a great use of props, makeup, lights and whatnot are all standout points to me.

15:51

Now, I think this is a point.

15:52

I just want to ask you guys.

15:53

I don't think there's CG in this.

15:55

I think it's clever camera work, especially with him looking like the moon.

15:59

Oh, really?

15:59

Not the moon, like the sun and whatnot.

16:01

I don't know.

16:02

It just sort of stands out to me that looks higher end than other stuff we've seen before.

16:05

That's quite interesting.

16:07

I never really clocked that maybe the whole moon, sun, face, whatever it is, isn't CG.

16:12

So you think it's some kind of camera trick or something like that, maybe.

16:14

It looks a bit smoother than what you would think like a CG, you know, fire, for instance, would look like.

16:21

Or the way it's blended and whatnot.

16:22

I mean, I might be wrong, but it doesn't look like there's any green screen put into this.

16:27

It looks like most of it was in camera.

16:29

Maybe like basic effects and whatnot, but nothing too ridiculous, I guess.

16:33

Well, he is on the screen for a couple of shots, you know, as a cross.

16:37

So that has to be some sort of, you know, CG whatever overlay stuff.

16:40

But I thought it was quite slick regardless of it.

16:42

But I mean, it wouldn't have been too out of the ordinary

16:44

if a big badly rendered CG dragon just flew in.

16:50

But I'm kind of glad it didn't.

16:52

But it does feel kind of epic.

16:53

It feels like a bigger story.

16:55

I kind of liked it.

16:56

It has a similar sort of vibe and style to it as other videos,

17:00

like Black Hole Sun and stuff like that.

17:01

I think it's just a bit more sort of tastefully done, shall we say.

17:07

but it does continue the sort of tradition of just being a big long stream of nonsense but i think it's

17:12

a much more well-constructed stream of nonsense this day i mean we think i think we all kind of

17:16

agree that in the grand scheme of howie videos uh this one is actually not that bad it's it still

17:23

keeps the symbolism but it makes more sense and it doesn't try to be it's still like symbolism

17:33

like eighth grade symbolism but it doesn't try to be more than it is it's definitely better than

17:40

many other videos especially at the time where everyone was just kind of going crazy with colors

17:47

and cgi and effects and it's it's just overall like it's a video that i wouldn't necessarily mind

17:54

watching again even though i'm not actually a stink fan so i might mute it it's like it's

17:59

Surprisingly, as Dave said,

18:02

it's not...

18:04

It's fine.

18:05

Yeah, I enjoyed it.

18:07

For a change of the videos we've been watching.

18:11

I think for me,

18:12

best part would be

18:14

sting fighting in the water in full armor.

18:17

Definitely a highlight.

18:18

Worst part would have been

18:19

the nightmare-inducing floating cross

18:22

and moon faces.

18:24

Not a fan.

18:24

Not gonna be asleep tonight.

18:26

Oh, yeah.

18:26

Forgot about that.

18:27

Yeah, shout out to the wooden throne,

18:29

which makes multiple appearances,

18:31

including getting drenched in the water

18:33

and it still freely spins afterwards.

18:36

I thought it really stole the show.

18:39

They must have had a good supply of WD-40.

18:41

I mean, I feel like they really got their value out of that prop.

18:44

Yeah.

18:44

I'm going to say the same as Neil.

18:45

My favourite part was him sitting in the water

18:47

on his throne, waving sword at the sea.

18:51

Yes.

18:52

And he's generally given it.

18:52

Good choice.

18:53

Given it what for?

18:54

Good choice.

18:56

I've heard of getting the fucking sea,

18:58

but I've never heard declare war on the fucking sea.

19:02

Although I wrote that before we realised

19:04

that there was a deeper meaning to that part.

19:06

So there you go.

19:07

Oh, the more you know.

19:09

And I do have a runner up for this,

19:11

which is at three minutes, 25 seconds,

19:13

the group of guys who transform Sting into a pig.

19:16

It sort of cuts to them clearly singing along with the song

19:20

and just having what looks to be a grand old time.

19:23

So I enjoyed that.

19:24

And the worst part was when Sting's in the castle or around the castle

19:29

and he's kind of hugging himself, looking like he's freezing,

19:31

because I genuinely believe he actually was freezing.

19:33

And it gives me a lot of flashbacks to being out filming

19:37

and nearly dying of hypothermia,

19:39

which happens quite a lot when you film in Scotland.

19:41

I believe the first movie we shot together was that.

19:43

Yes, I was actually thinking of that, yeah.

19:45

Yeah, me and Ellie worked on a film years ago,

19:47

and it was cold.

19:49

It was really fucking cold.

19:50

It was great, but...

19:51

The film was great.

19:52

Phone box, look it up on YouTube.

19:53

uh my favorite part was actually the desert scenes and the norm breaking the the collective

19:59

here but i kind of really enjoyed the theatricality and kind of the fantasy feel and the soft

20:05

of soft um focus like filter it i just it was just kind of very like it felt fake in a good way

20:16

if that makes sense i quite like that um and the worst part for me or the least favorite at least

20:23

for me was the louis 14th scenes um i just didn't quite get what did that have to do with losing

20:32

face at all it's it's just like a french king who thought he was god or whatever so it was just kind

20:40

of whatever symbolism they were trying to do with that it was a bit lost on me but feel free to correct

20:45

me if i'm wrong please do which which parts were louis the whatever it was sting's face in the sun

20:52

I am pretty 100% sure that that was supposed to be a reference to Louis XIV

20:57

because he did that a lot.

20:59

He put his face in the middle of the sun.

21:02

He's known, clock really, as the sun king.

21:05

Well, he must have had one hell in marketing department.

21:09

Yeah, I'd imagine French kings did have that.

21:13

Up until they stopped having heads.

21:15

A great lesson for us all, UK, anytime now.

21:18

Eat the rich.

21:22

And it's an I from me?

21:26

Definitely an I from me.

21:27

Yep, an I, yes from me.

21:35

What do we do next?

21:36

I don't know, I'm thinking maybe we can go something very cheesy like

21:40

Bonnie Tyler or Whitesnake,

21:44

holding out for a hero.

21:46

I see an explosion right off the bat, that's a good sign.

21:48

We're standing in the desert, shouting at the world.

21:53

it's like

21:54

definitely a video

21:55

that has to

21:55

happen in it

21:56

and it looks like

21:57

it may have a bit

21:57

of a story which

21:59

I think some of

21:59

these have been

22:00

lacking so

22:01

looks terrible

22:02

but love it

22:04

what year was

22:04

the shot

22:05

we'll talk about

22:06

that next week

22:07

2011

22:08

it's like

22:09

Michael Bolton

22:10

all over again

22:11

yeah but

22:12

with actual

22:12

story plot

22:13

well I think

22:14

and a bit more

22:16

bondage

22:17

a bit more

22:18

bondage

22:18

everybody loves

22:19

a bit of bondage

22:19

in the podcasts

22:21

Thanks for listening to...

22:23

Thanks for what we called again.

22:24

Thanks for listening to We Can't Rewind, We've Gone Too Far,

22:27

and join us next week for Bonnie Tyler holding out for a hero.

22:31

Yeehaw.

22:33

Bye.

22:33

Bye.

22:34

Bye.

22:36

Never darken my door again.

23:04

Thank you.