Explicit 32: Move Your Feet - Junior Senior
Ep. 32

32: Move Your Feet - Junior Senior

Episode description

A Scotsman, an Irishman and a Bulgarian encounter a mischievous squirel.

Episode Links

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0:00

It's been three years.

0:01

We've been doing this for three years and we just don't love it.

0:03

Fuck off, it hasn't been three years, has it?

0:05

It has been three years.

0:06

Our first recording was late 2019.

0:08

Was it?

0:09

It was before COVID.

0:10

Before COVID.

0:10

I want that to be noted.

0:11

We weren't a COVID podcast.

0:13

Yes.

0:14

I thought we were.

0:15

No.

0:15

Who do I remember?

0:16

We can't accidentally were because we released it during COVID.

0:19

Because it took us months.

0:20

Ahead of the curve.

0:24

It's a joke that probably doesn't age.

0:35

we're back

0:38

hello world

0:39

this is we can't rewind we've gone too far

0:41

a podcast where a scotman

0:43

an irishman and a bulgarian discuss

0:45

the silliest the worst the most memorable

0:47

music videos and today we're

0:49

returning after our small hiatus

0:51

with a figurative and

0:53

a literal squirrel induced

0:55

Bang. This is the 2002 Summer Bangor.

0:59

Move your feet by the Danish pop duo Junior Senior.

1:01

I'm not sure how I feel about literal squirrel and just bang.

1:05

Is that what the kids are saying these days?

1:09

It's what we said when we were kids.

1:10

Did you?

1:11

Probably. I don't know.

1:12

It's a squirrel. It finishes with a bang that's induced by a squirrel.

1:17

Oh, yeah, it actually does, doesn't it?

1:18

Yeah, fuck.

1:34

*music*

1:38

It's probably impossible to have missed this video if you owned a TV and were somewhat sentient back in 2002,

1:43

but equally so, the song disappeared from the consciousness as quickly as it appeared a few months in,

1:48

but yet the faint memory of the video lived on enough for us to want to talk about it in detail today in 2023.

1:54

The video was directed by British art collective Shinola,

1:58

who are the masterminds behind a whole lot of great visual things like your favourite Radiohead and Coldplay videos,

2:05

as well as some fantastic movie title sequences.

2:07

Basically, for once in this podcast, the low-res quality of the video is on purpose and not by expert.

2:12

What is the video itself about, though?

2:14

Well, I'm glad that you asked because we, as usual, are struggling with this one.

2:19

So, there are two guys and a crazy squirrel who loves causing mayhem.

2:22

And a peanut!

2:23

But the two guys are inside the peanut.

2:25

Oh yeah, here we go.

2:27

No, you should do it.

2:27

Oh yeah, I like that song.

2:30

Oh yeah!

2:33

Nailed it.

2:34

It's always good when we get Neil to do musical performances in this.

2:37

I have this in mind.

2:39

I am very musically minded.

2:42

I have a Spotify account

2:44

and I listen once a day

2:45

it's a single song

2:46

no more

2:47

yeah

2:56

I imagine some people

2:57

don't watch the videos

2:58

before the podcast

2:59

like watch this one

3:00

because we can't really

3:00

describe what's going on

3:01

it's just chaos

3:03

I don't think I ever really

3:04

appreciate how good a song it is

3:06

it's just like

3:07

pure joy

3:07

wrapped in a fucking

3:09

blanket of pixel art

3:10

the song has been on

3:11

like on regular circulation

3:13

on my Spotify,

3:14

like just the go-to generic album I have.

3:17

I haven't seen,

3:18

I haven't watched the video in a while.

3:19

I never appreciated how good the video is done

3:22

and like animated

3:23

and how well it flows,

3:26

which is, yeah,

3:27

it's surprising for pixel art.

3:29

Because of the style of the video,

3:31

it's kind of timeless anyway,

3:33

so it doesn't really get old.

3:34

You know, that style of art

3:36

that the way it's presented,

3:37

it doesn't really matter if you watch it

3:39

in 2001 or 2023.

3:40

it looks as good as it did you know it's because it isn't like a you know a filmed video it's it's

3:47

probably always going to be like that it's always going to be just cool because it's really well done

3:51

pixel art obviously it's simple but like ever since smooth and flows and all the art even though it's

3:55

like obviously made out of little blocks it's really is just really sort of charming i think

4:01

did you ever see like the like amiga or megadrive like demo things that people would do they basically

4:06

do like pixel art videos to kind of show off like how much sort of power they could get out of like

4:13

an Amiga or a Mega Drive or whatever and it kind of reminds me of that. And I've done a little bit

4:17

of diving into it so they the the Shinoa used a program called Deluxe Paint which was released in

4:23

1985 and it was basically a bitmap graphics editing software tool it was published by EA so

4:29

one of their early bits of software and I think that's really to me it's quite interesting because

4:34

they used a tool which you know the performers in the you know you know and in the band weren't even

4:40

born yet but yet this video was created with something that is almost twice their age and

4:47

you could probably use it today still to make exactly the same style of video which i think is

4:52

pretty cool yeah there's a lot a lot of that kind of stuff like people who make games for older consoles

4:57

or people who make chip tunes and stuff i remember i can't remember who it was but i saw a guy a gig

5:02

once where the guy with a Game Boy

5:03

with some special cartridge in it

5:05

and he was using it to make chip tunes

5:07

and stuff like that.

5:08

They say art thrives on restrictions

5:10

and stuff like that

5:10

and what better way to restrict yourself

5:12

than using a fucking

5:14

30-year-old piece of software.

5:16

Probably more than 30, actually.

5:17

But in this video,

5:18

it's kind of perfect.

5:21

You can make it high-res.

5:23

You can even make it more pixel.

5:25

Again, pixel art,

5:26

but more modern pixel art.

5:29

whatever the style of modern day pixel games would be.

5:33

But it just wouldn't feel the same.

5:35

There's no need for this.

5:37

Should we very briefly just actually talk about what the video is?

5:41

Hopefully all of you have actually seen the video,

5:43

so I've remembered it,

5:44

but just a very, very quick rundown of what happens.

5:47

So as you were saying, there was a squirrel

5:49

and there's two guys trapped inside a peanut

5:51

and then the squirrel tries to break the peanut

5:55

and there's a horse jumping over some buses.

5:57

So we've got a more coherent way of describing this.

6:00

Any of you watch Adventure Time?

6:02

Yeah.

6:03

Did you?

6:03

I think this is the idea that conceptualized Adventure Time.

6:09

I don't know.

6:09

I watched it and I was like, that's all I can see.

6:12

It's just that same ridiculous madness, which doesn't have to make any sense,

6:16

but you just keep watching the little journey kind of, you know, take place.

6:20

That's a fantastic way to put it.

6:22

Honestly.

6:23

There's a description which is for a completely different video.

6:27

which I'm not going to mention here now, but

6:29

it was described by the artist

6:31

as a Dave Mayhem

6:33

and I kind of feel like this is

6:34

perfect for it as well. It's just

6:36

mayhem, just things happening. You have a

6:39

squirrel who's trying to

6:41

clearly cause pain to

6:43

the band. Quite physical

6:45

and literal pain. And also this

6:46

squirrel drinks. He kills a bird

6:48

at one point, he blows up a guy's cigar.

6:50

He blows up the whole world at the end.

6:52

Everyone in this video is like happy and

6:54

dancing and having fun apart from this fucking squirrel

6:56

just wants to ruin everyone's day.

6:58

No, Squirrel's having great fun.

6:59

Yeah, he's having fun in his own way, I suppose.

7:01

Yeah, it's...

7:01

But he's being a dick, though.

7:03

You're being a dick, Squirrel.

7:04

Oh, yeah, a dick.

7:06

Speaking of dicks,

7:07

oh, boy, all the Inuans,

7:08

which are nice.

7:10

When I was a child.

7:11

Yeah, the one where there's

7:13

some very white fluid going into a glass,

7:16

a champagne glass.

7:17

It's champagne.

7:18

I was like, that happened.

7:20

I was like, no, no, no, it's not an Inu.

7:22

And then the glass winks at you,

7:23

and I'm like, oh, fuck.

7:24

Oh, yeah, right now.

7:25

Dirty.

7:26

Glasses got a face, by the way.

7:27

Decken glasses.

7:28

Yeah, it's important to mention that everything is anthropomorphized.

7:33

Is that a word?

7:34

Yeah, yeah.

7:35

Yes, thanks.

7:36

I'm anthropomorphized.

7:38

It's hard to say about it.

7:40

Everything has faces, smiles.

7:43

It's a bit disturbing occasionally.

7:46

Yeah, the champagne, but also the scene of the hot dog

7:49

when you have both guys doing the hot dog squirt on the hot dog.

7:54

A lot of fluids. I've got the video playing in the background and I just saw the toast.

7:59

It's quite near the start. There's a couple of slices of toast with faces sort of jumping up and down

8:04

rhythmically from the toaster. This isn't an ennuendo. I just saw it was cool.

8:09

I think that was the moment where I was like, yes, this video has got me.

8:12

It still generally feels like with time still, it's like someone in the zaniness of happiness

8:21

since year and as of 2002, well, actually it was post 9/11. But it was the deep end afterwards,

8:28

I don't know if all the wars had started yet. So everyone was still kind of like, "Oh, it's early 2000s."

8:34

The pre the world going to shed joy. Yeah.

8:37

It was potentially there. Although I'm sure it was shed in different ways.

8:39

Oh, definitely. But you know, that was pre all the crashes and everything. And I don't know,

8:45

there was a lot of innocence in early 2000s, which I don't think we quite appreciated because

8:49

We are sales for children.

8:51

Speaking of innocence, I can give you some popular events which happened in 2002.

8:56

Oh, God.

8:57

Which you might remember.

8:58

Oh, God.

9:00

It was a year of the World Cup in South Korea.

9:05

For you football fans out there, definitely not me, but there you go.

9:08

The euro.

9:09

The euro, just the euro.

9:11

Became the official currency.

9:13

You showed up.

9:14

Had a face.

9:15

Ireland moved away from the beloved punt.

9:18

That's right.

9:18

I didn't say cunt.

9:19

I said punt to the Europe.

9:22

The Queen Mother died, for those who are into that.

9:28

What else happened?

9:30

That's pretty much anything worth.

9:34

Tornadoes.

9:36

Tornadoes.

9:37

Oh, they killed quite a few people in Pennsylvania and Louisiana.

9:40

Oh, that's a shame.

9:41

I'm sorry for laughing.

9:42

They're both Pennsylvania and Louisiana.

9:44

Another gym chat.

9:45

Oh, that's it.

9:45

Now that I got to the end of my list, everything else is rather dull.

9:48

Very important, but rather dull.

9:50

So you've heard the facts.

9:52

Speaking of numbers,

9:53

I don't understand how this song

9:56

didn't get a number one.

9:57

I agree with you.

9:57

It's got this should be number one

10:00

in the charts in the UK, at least.

10:01

I don't know about other countries,

10:02

but it's like this should be number one

10:05

written all over it.

10:07

And I'm surprised.

10:08

What was number one, do you know?

10:09

I can look that now.

10:11

It better be something fucking good.

10:12

Yeah, it better be really fucking good

10:14

or else I'm going to be pissed.

10:15

Oh, boy.

10:16

Well, no, actually.

10:17

Oh, it's also bonkers that year, actually.

10:20

Girls Aloud,

10:21

Suns of the Underground.

10:23

Oh, that's a pretty good song.

10:24

That's a good song.

10:26

Blue featuring Elton John,

10:27

so it seems to be the hardest word,

10:29

word, word, word,

10:31

which is not a good song,

10:33

but, you know,

10:33

two big British names at the time.

10:36

Well, Elton John forever.

10:38

Eminem, lose yourself.

10:39

No, you can't really.

10:40

Fair enough.

10:40

Okay, so they had

10:42

Steph competition.

10:42

I'm not finished.

10:43

Christina Gillette.

10:44

Oh, fuck.

10:45

Yeah.

10:47

My Namesake

10:48

Nelly featuring Kelly Rowland

10:49

You did a great job

10:50

in that song

10:51

Well done

10:52

Last Ketchup

10:53

The Ketchup song

10:54

Holy shit

10:55

I forgot about the Ketchup song

10:58

Pink

10:59

Atomic Kitten

11:01

Sugar Babes

11:01

There is a lot of that

11:02

at the time

11:03

I think it was probably

11:04

very difficult to

11:05

fight against it

11:05

Yeah that feels

11:07

feels like all the

11:07

like the big pop

11:09

artists all at once

11:10

Yeah

11:10

From that decade

11:13

Three

11:13

Yeah three is respectable

11:14

concerning that

11:15

Were they a one hit wonder?

11:16

I don't remember any of the other songs.

11:19

I think they probably would be.

11:20

Yeah, I think they were.

11:21

I'm going to download this album though because it's piqued my interest,

11:24

but I don't remember anything else breaking out like this one.

11:27

Yeah.

11:28

They only had two studio albums over the space of like three years.

11:32

So yeah, I don't think they've done too much after that.

11:36

Although, let's be honest, if this song came out,

11:39

if it was released now and it was put in Eurovision,

11:43

it would probably be in all the tunes.

11:46

Denmark next year, junior, senior,

11:49

although it kind of might just be senior

11:52

sort of senior at this point.

11:54

Senior, senior.

11:56

Senior, senior.

11:58

Senior, anyway,

12:01

Denmark, get it done.

12:02

Get them back.

12:04

Eurovision, you'll smash it.

12:06

Junior, senior

12:08

walked, so whoever the fuck

12:09

was who won Eurovision, no sorry,

12:11

the British guy who was Eurovision

12:13

last year could fly

12:15

in the sky

12:18

sorry

12:20

sorry that just

12:22

amused me greatly

12:23

well his first his song was about

12:26

spaceman or something

12:27

it was spaceman wasn't it

12:29

something space

12:30

yeah I'm sorry I'm in the minority

12:33

I really hate that song but it's very

12:35

similar the video for a memocrit

12:37

it was still like

12:39

low-rise poly pixel

12:41

video

12:42

I didn't see it

12:44

I'm really bad for not watching Eurovision

12:46

I'm a terrible European

12:48

Maybe next year

12:49

It seems like every time I hear about people watching Eurovision

12:51

they're having a lot of fun

12:52

so I think I might jump on the bandwagon

12:54

Oh no, Eurovision is really dumb

12:56

but that's his appeal

12:57

I think Graham Norton in the UK at least

12:59

he narrates it in the UK

13:01

He doesn't give a fuck

13:04

he'll throw the shades to shades

13:05

He takes the piss in the most beautiful way

13:07

to be honest

13:35

*music*

13:38

There are many indie games that are just pixel art and all of them are really good, but also

13:43

all of them are just, well, just cheap mobile games.

13:49

You need to be really good at it and not just rely on the cheap aspect of it to make it look

13:55

not generic.

13:56

Although when they put their real faces into it, it was quite interesting.

14:01

Halfway through the video, they take off the pixel art mask and their actual faces are on.

14:06

It's still pixel art faces though.

14:07

It's like pixel-sized photos, I guess, is it?

14:10

Or would they have actually drawn it?

14:11

It's a really low-res, dithered-style image.

14:16

I think it would have been like 16 colours.

14:18

That's why it looks so sketchy, but that's why it looks the way it is.

14:21

But that's a quirk of the software.

14:23

It would have maybe been able to do a real photo,

14:27

but it still would have looked really different

14:30

because it can only do so many colours.

14:31

It's like opening a picture on a 90s web browser.

14:36

Yeah, pretty much, yeah.

14:38

but I think if I was to have a complaint

14:41

and this is literally my only complaint

14:42

of the video is that their faces are kind of disturbing

14:45

but that's purely subjective

14:47

to me I don't know why

14:49

I'm looking at it going

14:51

When you watch the video for a second

14:53

at the beginning

14:54

and obviously because the band is called Junior Senior

14:56

might kind of think that they're

14:58

you know father and son

15:00

I did wonder that

15:02

because some of the questionable scenes

15:05

become even more questionable

15:08

let's not go into incest as a context the concept basically the the younger because when you see him

15:16

in like real life he just looks like a twin literally um so he's animated kind of like almost

15:21

as a child it's like when you actually see the you know the pixelated his face doing air quotes

15:28

like pixelated version of his face you kind of just see okay so he's just a young man um peanut

15:34

dimension. Put that in the notes.

15:36

What do you mean by that? That was me.

15:39

It's just purely because

15:41

the thing opens with

15:43

the evil squirrel with his hammer

15:45

bashing a peanut and then it zooms

15:46

into the peanut and Junior Senior are

15:48

inside the peanut dancing. My question is

15:50

does this entire video take place inside

15:52

the peanut? And then when the world

15:54

explodes, is that just him breaking the peanut?

15:56

You can take the shelled peanuts.

15:58

You can take the unshelled peanuts.

16:01

The list is all.

16:03

Nellie literally got a pair of sunglasses and put them on to say that.

16:08

And then did the Morpheus.

16:10

Morpheus.

16:12

It was good.

16:13

I'll take the unshielded peanut.

16:14

Which one's the one that takes you to the real world?

16:17

Yes.

16:17

Because I'm sick of this one.

16:19

That'll be the salted peanut.

16:22

Chocolate-covered peanut.

16:24

That's all I really had for peanut dimensions.

16:27

Oh, I have a peanut-related question.

16:30

What's your views on Snickers bars?

16:31

I'm a fan.

16:32

I used to, for the listeners who don't know,

16:34

so Dave's obviously from Scotland.

16:37

Nelly lived in Scotland for a while.

16:40

I've either of you had a battered peanut

16:43

or Snickers bar.

16:45

Sorry, just picturing a single battered peanut.

16:48

Not at the Snickers.

16:50

Once I've had a deep fried Mars bar.

16:52

I know it's a stereotype,

16:53

but I did try it once because I had to try it.

16:55

And it was so wrong yet so right,

16:59

is how I describe it.

17:00

I had the Snickers bar.

17:04

And how was that?

17:06

I don't remember

17:07

Because I was very drunk

17:07

In my first week in Glasgow

17:09

Back in 2009

17:11

The first week?

17:12

Oh my god

17:13

You fucking didn't miss right?

17:15

You were drunk

17:16

And eating a deep fried mouth

17:17

Well it was

17:18

Yeah

17:18

It was like

17:19

You knew people

17:20

And they were like

17:20

Yeah let's

17:22

Let's try

17:22

That's the thing it's called

17:23

And I was like

17:24

Is it?

17:24

Okay sure

17:26

Who thought of this?

17:27

There is a robot

17:29

Doing the robot

17:30

While singing a song

17:32

Is robots doing the robot cheating if you're doing the robot competition?

17:37

Humans technically probably invented the robot because they were making fun of robots.

17:42

If robots invented the robot, then us doing the robot would be cultural appropriation.

17:48

Oh, jeez. That's a deep topic there, Dave. Let's not touch any further than that.

17:54

But I don't think they actually invented the robot. I think we did.

17:58

but maybe that's

18:00

we're making

18:00

this is going to become

18:01

a much bigger issue

18:02

when AI becomes sentient

18:03

and shit

18:03

because the robots

18:04

are going to be like

18:04

fuck you

18:05

we remember the videos

18:08

it's not how we move

18:09

we have human like limbs

18:11

now you bastards

18:13

that's my answer

18:13

to that question

18:14

so basically saying

18:15

it will be

18:16

playing field

18:17

equal field

18:18

so robots have like

18:19

metal joints and shit

18:20

so I guess like

18:20

they would only really

18:21

move like that

18:22

so maybe they do have

18:22

a better advantage

18:23

because they're

18:24

like they're predisposition

18:25

to move like a robot

18:26

so do we

18:27

do we go down the route of when we say robots do we mean like as you say like specifically

18:31

the robots made of like metal or do we go down the route of androids as well see robots made of

18:36

metal because this particular robot is like a classic like robot with a square head mr robot

18:41

something something although i just scrolled to the bit and there's a bit where his limbs kind of fly

18:46

sideways and do a full 360 degree spin and even for a robot that's fucking impressive so i think

18:52

i'm going to give it to him it's fine it's fine yeah but then he gets destroyed by the squirrel who

18:56

which kind of gets me down the road to face.

18:58

Is that squirrel actually just trying to...

19:00

Fucking squirrel, man.

19:00

I know, but like, maybe the squirrel just wants to...

19:04

Maybe it's anarchy squirrel.

19:06

Some squirrels just want to watch the world burn.

19:09

Next question on Nailie's list.

19:11

What is the best way to outdrink a squirrel?

19:13

Or what drink would be the best drink to outdrink a squirrel?

19:16

The context is that after the squirrel,

19:20

the squirrel in the video tries to destroy things,

19:24

does shots of some drink,

19:27

which is implied,

19:28

might be champagne,

19:29

which is a bit of a shitty thing to do shots on,

19:32

but, you know,

19:33

shots of alcohol,

19:34

and squirrels are not always tiny,

19:35

so maybe talk about it.

19:36

Well, this is like a fucking gangster squirrel.

19:38

He's like,

19:39

he's like in the club,

19:41

drinking champagne,

19:42

spraying it everywhere.

19:43

So what would be your shot drink of choice then?

19:48

Aftershock.

19:49

I don't know why.

19:50

I just,

19:51

I just had forgotten about aftershock

19:53

until you asked that question.

19:54

so

19:55

yeah

19:56

dragon soup

19:56

yeah

19:58

I mean it

19:58

definitely gets me

19:59

drunk and I'm

20:00

bigger than a

20:00

squirrel so I

20:01

imagine it'd be

20:01

fine

20:02

I can probably

20:02

deal with

20:03

four shots of

20:04

Sambuco if I've

20:05

had plenty to

20:06

eat before that

20:06

and then don't

20:07

drink absolutely

20:07

anything else

20:09

the squirrel is

20:10

tiny

20:10

I mean he has

20:11

he has what

20:12

four or five

20:13

shots of

20:13

champagne in

20:14

that shot

20:14

yeah

20:15

lots of shots

20:16

in that sense

20:17

and after

20:18

yeah he's

20:19

pissed at the

20:19

end of that

20:20

because he

20:20

sees the

20:21

the champagne

20:21

bottle in the

20:22

glass I've

20:22

now got

20:22

faces on her

20:23

dancing

20:24

So maybe this whole video is just this squirrel's like bender.

20:28

Maybe.

20:29

He's just been out of his tits for days and now he can see his face.

20:33

He's on things dancing.

20:34

Maybe the squirrel accidentally came across some campers who were having acid in the forest

20:39

and accidentally took their acid.

20:41

It's basically cocaine bear, but with the squirrel.

20:58

Well, it's kind of just getting towards the end of winter here as we're recording.

21:02

And it feels like this song has just transitioned me into summer just from listening to it this morning,

21:09

which is quite impressive.

21:11

My favourite point is Don't Stop the Beat

21:13

and Arm appears out of nowhere and stops the record.

21:15

That was quite good.

21:17

And the worst part was the real pixel art faces

21:20

are a little bit disturbing.

21:21

That's my only mild complaint.

21:23

Especially when he's getting the massage.

21:25

Oh yeah, that's actually...

21:27

Well, it helps to convey the emotions of pain.

21:30

I think this is one of these songs you know,

21:33

but I personally don't remember when I first heard it,

21:36

but it definitely sticks with you.

21:37

I'm going to be totally honest,

21:38

and I'm going to quote the San Francisco Sunday Chronicle.

21:42

As they said, this is probably one of the best songs ever,

21:45

which I think is quite true to word.

21:47

It's super slick, visually charming presentation,

21:49

and it's the sort of song that would win at the Eurovision.

21:51

I personally can't believe it's taken until 2023.

21:55

That's 21 years after it's released it for me to actually watch this.

21:58

But as Nelly alluded to earlier, I'm pretty sure I've seen it.

22:01

I just can't remember.

22:03

Stupidly can't remember when and where,

22:05

but I'm a little gutted about that.

22:07

I kind of wish I'd seen it sooner.

22:08

I think it's

22:09

everything's fantastic

22:10

and I personally

22:11

can't fault it

22:11

and if there was

22:12

one song

22:13

that could stop wars

22:14

I think it might

22:15

be this one

22:15

it's a world piece

22:16

was very well achieved

22:17

because it's

22:18

going to destroy

22:19

the world

22:19

yeah exactly

22:22

my favourite part

22:23

was the hot dog

22:24

it just brings me

22:25

joy to see it

22:26

covered in sauce

22:27

every time

22:28

I personally like

22:29

sauce on everything

22:29

I eat

22:30

if I had my way

22:31

everything would be

22:31

covered in ketchup

22:32

I had to

22:33

travel with Neil

22:34

for about two weeks

22:36

several years ago

22:37

and oh god

22:38

He literally had everything covered in ketchup.

22:40

He had ketchup covered in ketchup.

22:43

That's right.

22:44

And there was a point where you would just steal ketchup packets

22:47

so you could put more ketchup on top of your ketchup.

22:49

Honestly, Nelly, nothing's changed.

22:51

I'll tell you something.

22:52

Yesterday, I was having something and I was using three types of barbecue sauce

22:58

just to see if there's any difference.

23:02

Yeah, barbecue sauce is like one step above the client's ketchup this whole thing.

23:07

That's true.

23:08

But yeah, lots of sauce

23:11

What does it do with IKEA ketchup?

23:13

Is it like Heinz?

23:14

It's Heinz

23:16

Like the small red pack that packs the shijuans

23:20

I mean, I'm sure you know the good show of ketchup

23:23

Actually, I was

23:26

I visited an IKEA the other day

23:28

And I just got some chips

23:30

And I got some ketchup

23:31

And the ketchup they use now is incredibly salty

23:34

Really?

23:35

It's almost too much

23:37

yeah okay so my final points so uh i know when we started this podcast was to look specifically

23:43

at bad videos but it's always so much fun when we look at good videos instead and this is probably

23:50

the most fun a mainstream video could and has been and the video is equally unforgettable and it just

23:56

brings smile every time i watch it though again i haven't actually seen it in a fair few years

24:02

because it just hasn't been on my mind to watch.

24:05

My favorite part is the head-banging pineapple.

24:09

It makes me cackle every single time for some reason.

24:12

There is a big fun because it's a fun video.

24:13

It's great.

24:14

It's for anyone who still hasn't seen the video for some reason.

24:18

There's a pineapple where the leaves of the pineapple move

24:22

as the pineapple head-bangs.

24:24

And it's so much fun.

24:26

It's a great we've seen.

24:28

And my worst moment is what?

24:30

It's not worst moments we're talking about here.

24:32

It's three and a half minutes of pure joy.

24:37

Take a look at the show notes today for links to today's video,

24:40

links to Instagram, etc.

24:42

Also email, gone to farcast.gmail.com.

24:44

We'd love to hear your thoughts and any recommendations for videos.

24:47

If you're enjoying the podcast,

24:48

leave us a review on Apple Podcasts, Spotify,

24:51

or your podcast player of choice.

24:53

Say goodbye, everyone.

24:54

Bye, everyone.

24:55

See you later.

24:56

Bye.

24:56

Can't stop the beat.

24:59

Go!

25:00

Go!