30: Frontier Psychiatrist - The Avalanches
Ep. 30

30: Frontier Psychiatrist - The Avalanches

Episode description

A Scotsman, an Irishman and a Bulgarian are crazy in the coconut.

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0:00

[Transcript generated with MacWhisper] It's fine. Ireland is going to be united once again after whatever the fuck are they doing

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with the Black Friday Agreement. Good Friday Agreement, sorry.

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Black Friday Agreement.

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Agreement to get all your packages delivered on time. Thank God we got that, sorry guys.

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That'll be a first.

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The agreement to sell you is so too capitalist.

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Hello and welcome to We Can't Rewind, We've Gone Too Far, a podcast where we discuss the worst

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C-list and weirdest spoken music videos and uh... Dev, are you okay?

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I need a hug, do you need therapy? I can give you a number.

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Don't worry, it's purely psychosomatic.

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We're on our way up, but we haven't said hello.

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Oh, shit.

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Hiya.

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Hi, I'm Nealey.

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Hi, I'm Dave.

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Hi, I'm Neil.

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Besides my need for therapy, today we'll be discussing the video for

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Frontier Psychiatrist by the Australian band The Avalanches.

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You know how we always say the link in the videos are in the show notes?

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This is one you should watch before listening.

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There is no real way to summarize a video, there's no plot.

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Things just happen on screen that vaguely mimic the lyrics, we think.

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It's definitely more of an atmosphere video than a plot video.

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wine. The

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Frontier Psychiatrist was released in the year 2000.

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It was directed by Tom Kunst.

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It was directed by Tom the cunt.

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- I never noticed that when I read it.

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- It was directed by Tommy cunt.

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No, Kunst, I was gonna say Kunst, he must be German.

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- No, he's American.

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- Oh, is he?

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- You don't call him Kunst.

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- He might have like German ancestry, who knows?

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It was directed by Tom Kunst and Mike McGuire.

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It included a smorgasbord of visual references,

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sampled tracks and also featured the Canadian comedy duo Wayne and Schuster. These two had

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a sketch named "Frontier Psychiatrists". The video was released to critical acclaim,

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winning a bunch of awards and a few wanky sounding quotes from people who know more

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about music than us. But also, it was the beginning of the new millennium and that was

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a very simple time. Everyone was distracted by the millennium bug and entertained by arguably

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the best music decade in history.

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I know, don't worry, we can discuss that at the end.

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Snuck that in.

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OK, everyone. So, Dave, do you want to sit on this lounge chair?

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Yeah.

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And tell us your initial thoughts.

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Well, I think it all started when I was a teenager.

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Yeah, I remember seeing this video a lot.

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It's always stuck in my head.

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It just popped randomly into my head the other day and like, we should do this on a podcast.

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I've got a theory about this video, which is the spectrum of video.

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You've got your literal interpretation of the song video and you've got your complete

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an utter stream of nonsense video which has no relation to the song whatsoever and I'm thinking

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this one's kind of halfway because it's trying to interpret it interpret the song but the song is

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just a bunch of random samples that have no actual connection so this is what happens when you try to

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turn that into video form it reminded me of something which I'm sorry I'm going to talk about

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my child no sorry early 20s that's fine this is therapy after all so please do tell us about your

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your childhood. This is a safe space. Oh God. Apart from the five just getting broadcast

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in there. But don't worry about that. Safe space. My arse. The people who are going to

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listen to us. Hi, Daisy. How are you? Love my sister. Hi. That one guy in Italy. There

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was like one Italian guy according to the stats. Hi. Hi Steve. Ciao. Yeah. So what was

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the journey I was part of a filmmaking network / society. Once we did a thing where we recorded

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like a video set where we had a selection of songs and anyone who wanted to do something

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saved one song and created a video for it and we just had a night where we were playing

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those and getting drunk nowadays. It was quite fun. And several people created things including

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our own Richard Mitty who created our intro and outro song. He created a video for that

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as well. Also, whenever I watch this video, I just kind of keep reminding myself of the

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videos that we watched there because they were kind of the same vibe of electro tunes

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and visuals that work with them.

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It's quite interesting and I don't hate it, but I'm not too sure what I think about it

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because it's not traditional. It is sort of a genre of music I know nothing about and

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don't really listen to. I couldn't really tell you anything. I couldn't even tell you

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who is famous in that area, that genre. But yeah, initial thoughts. I'm not too sure.

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I need to let it sit with me. I feel a little upset and I don't know why, but maybe that's

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the therapy side of it. Everything that features, like all the people haven't done a count,

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but I think there's over 30 people.

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Does that include the ghosts? The ghosts or no?

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Well I included the ghosts and the mariachi band as one. So you're probably, yeah, you're

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probably talking close to 40 then.

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But yeah, it features quite a lot of people who have their own segments, any in particular that jumped out of you.

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I laughed a lot at the dangerous skit, that was quite funny.

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And also the ghost, I don't know, it just made me very chewy, kind of like semi opaque ghosts.

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And the lady occasionally lifting the sheet through this section, old lady there.

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It's very funny. It doesn't make sense unless you see it guys, or anyone else listening,

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you have to watch the video, because otherwise it does not make sense.

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Yeah, for reference for people home, Neil's made a, I think it was Neil, made a list of

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stuff that happens in the video. We've got germs with a horn, it's a ghost, granny, drummer,

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therapist, man, turtle with some man's head, crazy coconut, cowboys, horse whipping, woman,

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snake charmer, native American, DJ Skelly, Skeleton DJ, Benjamin Franklin. Where's Benjamin

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Franklin in all this?

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He's got a scroll at one point. I think I just, I just see, I just, it looked like one

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of those Benjamin Franklin people.

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a sailor man dressed like a baby rectangle woman golden eyes scale and flexible lady

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when will blender drunk rate or mini orchestra monkey drummer magician clock cat Egyptian

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dancer school teacher little girl big fucking bird dg in the sky marriage event. If you

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listeners can picture this, everything Dave's just said, picture that on a stage, someone

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black and white, what comes to mind and tell me your feelings and thoughts in your own

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time. But we have an hour otherwise a church over time. I think I was wondering about the

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The first couple of people that pop up, they're in black and white, but everything behind

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them is sort of in colour. I'm wondering how they did that. I don't know if it's a digital

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effect or if they've literally just painted them grey. I don't know.

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I presume when they were editing they just marked other people and it just desaturated

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it. Because eventually when everyone comes on stage they come back in colour, so it was

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shot in colour. You know how if it's done a bit cheatly, when you do shitty green screen

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Sometimes you can see the green aura.

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You didn't don't quite see anything like this.

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So presumably there was no green screen.

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I was, uh, yeah, that's why at first I was like, have they painted them gray?

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It would have been really good if they paid them gray, but I think you're right.

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Cause I know in, um, what was that famous film?

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Uh, but wizard of alls that one at the start of that, everything in the sets,

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including the, uh, the actor, they were all painted in sort of monochrome colors,

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like, um, makeup and the sets were all gray.

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I thought it was just turned into black and white.

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I'm sorry, shot in black and white.

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This is the thing.

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So it was shot in color.

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So that was all shot on color film, but all the setting made

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the look black and white.

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So whenever Dorothy opened the door, that was actually like a color set.

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So that was the sort of magical like transition between the two.

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That's why it always looks so seamless.

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Cool.

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Yeah.

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I can't remember where I've seen that, but yeah, you should, you should watch,

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watch that, even just the start of it.

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And it's quite, yeah, it's quite cool.

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It's almost say the video is like, um, a pistic on American culture and

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Americana style contexts.

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Context is what's the verb.

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I don't know.

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I think it takes the piss out of itself, but everything in there is

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American if you think about it.

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And cowboys are very American.

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Um, circuses are very American.

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Sailors are very American.

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Um, ghosts, notorious down in America.

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Ghosts.

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Yes.

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Ghosts are okay.

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Yeah.

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Ghosts are only found in America.

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I'm always hilarious because the, uh, Wayne and Schuster Canadian.

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[Music]

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What even would you call this genre of music for a dear psychiatrist?

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sample smorgasbord.

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Sorry, on Wikipedia they were called turntablism.

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Turntablism, I've never heard that before.

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It's very new.

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Yeah, that's a new word.

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Because I think everything in this song is sampled.

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Like, I think Neil was saying he recognized one of the tunes.

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I'm like, yeah, everything is sampled.

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Well, here's the question.

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There's stuff like this where everything is sampled.

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Is that a legitimate form of artistic impression?

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Yeah, of course.

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I think so, personally.

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Absolutely.

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I think in this context, yes.

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In other ones, it's debatable.

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In what context it wouldn't be?

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I think, well, the only thing I can kind of relate it to is images.

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I can't remember the name of the artist or photographer, but they took people's

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Instagram, their like their own Instagram images, including the caption and, you know,

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pretty much a screenshot of their profile and then stuck it in a fancy gallery.

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Made a fortune from that.

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That in that context, it's a bit, it's a bit wrong, but in music, I don't know, it feels

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a little bit more forgiving.

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Wouldn't it the direct comparison to this kind of music be more akin to collages as

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opposed to straight out?

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Yeah, because it's kind of a combination rather than just one thing.

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My personal opinion is that art is really nothing new.

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Like everything absolutely is stolen from somewhere.

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Sometimes it's a bit more blatant.

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I have an issue with people like Damien Hirst who directly steals stuff and makes a lot

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move money on it while claiming superiority and originality and

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authenticity and blah blah blah. I'm really sorry I'm gonna geek out for a second.

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So there was a case maybe a decade ago, maybe a bit earlier than that, a high school kid

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if I'm correct, who used the image of Damien Hirst's diamond skull for some

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collars that he did. I don't know if he did for school or forever but it wasn't

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like a big thing and Damien Hirst found out and sued the kid because they used

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the alike of his image. And there was the whole thing with a lot of artists coming out

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and saying Damien Hirt is a fucking cunt. And Damien Hirt is a fucking cunt. I completely

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agree with that.

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aeil - For a bit of context for Phil Stines, among us is Damien Hirt, does he go around

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necking other people's artwork?

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I understand fully that art is very personal and people don't...

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I mean, there's different tastes and different things that you like, that's fair enough.

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And I don't hate postmodern art and don't hate contemporary art. Like, I can see why a single

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square on a white wall is art. I can understand context. In his case, his ideas, they were a few

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original, like just the ideas themselves are just not very, like what exactly he's showing with that,

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like the golden skull, golden sorry, diamond, it was a skull of someone, some dead guy,

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he caught it in diamonds and he was like "look at this, it's the something of death or whatever"

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but it's just the golden skull that he made however many thousands of millions on it. And also,

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the reason, and that's, don't quote me on this, because I don't have the actual references,

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but from what they read is true.

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The reason why he's at sales for as much as he does

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is because he's like a visual art dealer person,

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buys them all for that much.

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Basically, it's money laundering, in a sense.

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Right.

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He like artificially increases the price of his own art.

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It's like I've seen a lot of that kind of chat

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with the whole NFT thing that's going on,

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where a lot of people are literally just taking

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like photos of other people's art and selling it as a NFT

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and saying, oh, this is a one of one of a kind thing, even though it's a thing you can

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copy and paste. But there is an idea for NFT that it's not inherently bad because it allows

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for artists to directly sell their art without any need for extra commissions and getting

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control. But, you know, I did have a massive joy of all the NFT dude bros getting fucking

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scammed. Fuck, it was hilarious. And in theory, it's a good idea. But I don't think the theory

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has worked out because humans have ruined it like they do everything. Humans always

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run for everyone don't they? Neil do you have any opinion on Damien Hirst and NFTs?

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Do you mean Hirst? No, I kind of like his stuff. Really? Really? Yeah, you know it's a bit out

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there, it's a bit mad, which you know it's good to be different but um. No it's not. NFTs I feel

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like I need to understand them but I just don't understand the, just don't get the point of it.

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Yeah nobody does. It seems I am more, I mean I've only sort of briefly read into the

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environmental impact on it, which doesn't really make sense the way things are currently.

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So no, this is a bit confusing, though I have three board apes.

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Angus You're going to retire.

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Angus I'm joking. I don't have any. I'll be stupid.

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Angus Just because I'm a nerd, I've looked into

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the NFT shit. I think the most offensive thing about them is just a lot of the art is just shit.

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If people were selling the actual good art, and I think there are people selling good art with it,

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but there's literally ones where they sort of generate with the AI variations,

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like say the board ape thing it's like it's like we've generated variations of the same

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same thing it's not really unique then you've just fucking like tweaked the parameters is that our

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maybe maybe not probably not definitely not worth shells of money no we should do an nft of the the

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ghost choir each one of these ghosts is completely unique even though it's all just the same person

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This is such nonsense of a video, it's pure joy to watch. The music is fun and while you

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can't quite tell if the band had fun filming it, mostly because you don't know which of

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all of these in the band. The directors definitely had film making shit up. The video is joy

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to the eye and it has been nice to watch a video on YouTube that it's not a potato scone

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quality. Scone scone quality.

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This is an incredibly random song and video. I did find it almost nightmarish but honestly

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it wasn't too bad. I found it interesting that the track was made using lots of source

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samples from other tracks. I know nothing about music apart from just the finished product

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So it was it was quite cool to see how it was kind of mashed together, which actually

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made me appreciate it a bit more because it's a very cleverly constructed piece in that

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regard. The video, I think, is quite solid and pretty damn entertaining. So I think they

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did a pretty good job. I think this would be a cracking song to put on, not the video,

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just, you know, background music with friends over just to kind of watch the reaction.

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What, with the video or just the song?

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Well, I think, you know, I would like to think people would go like, what the fuck is this?

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And then you'd be like, Oh, do you want to see the video?

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Yeah, yeah. Only gets weird.

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Exactly.

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I've always really enjoyed this video on thinking about it a bit further. I think it's quite

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a good interpretation of what the style of music is. Like, there's not particularly a

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plot that we can really solidly pick out, but it's just, it's fun to watch. And it clearly

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has a lot of production value for what it is. I think my favourite part, I've got it's

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hard to pick, is that the monkey is chasing the bird around. A person in a monkey suit

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there's a person in a bird suit and they're running around and they're chasing each other

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around during a little sort of breakdown in the song. And then after a few seconds of

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them chasing them around, they sort of come together and then they just start dancing

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with each other. It's hard not to be slightly delighted by that. Worst part, it's not really

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bad, but I think it's the only bit that doesn't really fit the style of everything else is

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when the DJ guy comes down. I feel like he's dressed like a character from the TV version

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of hitchhikers gate to the galaxy, which I'm a big fan of, but it seems like it's the only

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part that doesn't kind of fit in the theme of the rest of the video for me. Does this

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video have a theme? I mean, I've just noticed there's a snake charmer. I've never noticed

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him for,

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it's got everything. I'm telling you best bit. Um, the talking head turtle man. Um,

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I just can't get over the fact that he just looks so concerned. Like he doesn't know he's

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he's a turtle. But also I think the entire vibe of this, I don't know if he's ever played

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Jet Set Radio or Jet Set Radio Future.

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I've hairdropped, I've not played it.

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Yeah, the soundtrack is pretty similar with, you know, scratchy techno, whatever beats,

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not that this is techno, but the song reminded me of that. Well, the worst is kind of like,

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I don't know, it's more of a critical opinion. I think the song has grown on me, but this

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isn't really my cup of tea. I don't hate it. I just probably wouldn't choose to ever listen

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to it. I think if I heard it come on on a like a random playlist I would probably skip

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it before giving it a chance. So my favorite part is the ghost chorus.

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The chorus choir. Ghost choir. Yes. What was I thinking last night when I was putting this?

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Could be either. I think you can, I think you can legit say it's a chorus of ghosts.

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Can you? I think so. I may be wrong. English is hard. English is hard. Potatoes. The ghost

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choir brought me joy for some reason. I have no explanation why. It just, it was fun to

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just made me happy. So they kind of bob around with their sheets on their heads. And I'm not sure

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there was something to hate specifically for me. There was so many visuals and if you're not a fan

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of one of them, the next one that was going to pop in any second now, you're probably going to enjoy.

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And if you don't like this type of video, I'm not sure what kind of type of video you like,

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because I'll be doing just everything in one. Amalgamation of every video ever created.

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It's a smorgasbord of every single video that existed.

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A very big, big, big smorgasbordy eye for me.

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Same.

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Love the word smorgasbord.

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What is a smorgasbord?

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It's a board with like cheese on it.

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Right, okay.

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No, like everything.

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I think it's like fish and cheese and you both.

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As an onion, we both work the kyos.

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Yeah, I think it's like it's a random spread of food.

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Yeah.

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You would, uh, you would, you would know it as the term party food, a very big

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party food I from you sort of get them.

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Um, I don't know where you get them actually.

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Smorgasbord shop.

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That's the one.

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Yes.

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Yes.

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Um, yeah, I will give this an eye.

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Just normal.

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I know not no, it's ability to it.

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Well, yeah, I would, I mean, it'll probably grow on me.

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I'll maybe listen to, um, to other stuff, see other music videos just to see how

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they get on, but yeah, it's an eye for me.

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It's worth checking out and, um, it is quite good fun.

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Take a look at the show notes for links for today's video links, Instagram, et

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cetera.

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Also email us at gontofarcast@gmail.com.

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We would love to hear your thoughts and any recommendations for videos.

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So please send them our way.

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If you have them in mind, uh, if you're enjoying the podcast, leave us a review

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on Apple podcasts, Spotify, or your podcast player of choice.

20:27

Say goodbye everyone.

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Bye.

20:29

Bye all.

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Bye!

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Sorry, there's been calls all night, so we're like "Bye!"

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Byeee!

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We're not paying to Zoom!

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(upbeat music)

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(upbeat music)

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(door clattering)

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(electronic buzzing)