Explicit 28: Breaking the Law - Judas Priest
Ep. 28

28: Breaking the Law - Judas Priest

Episode description

A Scotsman and an Irishman put some action in their lives.

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Download transcript (.srt)
0:00

Better than mine. I was just thinking of like a hardened baguette.

0:12

Hello and welcome back to We Can't We Rhyme We Gone Too Far, a podcast where we discuss

0:16

the weirdest, worst, silliest as fuck music videos. For this episode, we are without our

0:21

most favourite Bulgarian host, Nelly. He is currently indisposed due to having a wedding.

0:28

anyway congrats to nilly and scott from the now i guess getting married corner i'd forgotten

0:33

i'd written pause for cheers there and i had it muted so it's scrambling to unmute myself i'll

0:37

have to cheer yeah do you want to just insert like a cheer just in case okay

0:46

oh i don't know what the hell that was but hey today we are a podcast with nothing left to lose

0:52

we've assembled our crew, picked our target and synchronised watches.

0:56

All to the soundtrack of Judas Priest's Breaking the World.

0:59

There I was completely wasting

1:02

Out of work and down

1:05

All inside it's so frustrating

1:08

As a dream town in town

1:11

Feels though nobody cares

1:14

If I let what I

1:17

So I might as well be again

1:19

To put some action in my life

1:22

The video opens with the lead singer Rob Halfords

1:25

Riding in the back of a convertible

1:27

Lamenting his life

1:28

Apparently a breaking point and on the way to break the law.

1:31

Break the law.

1:32

He jumps out and regroups the rest of the band.

1:34

Bursting through the door of the bank, an expertly subdues the punters and staff

1:38

using the sheer power of their metal chops.

1:40

Antics ensue and it's revealed the band are after their own golden record

1:44

for the album British Steel, which they take an escape into the sunset.

1:48

For the 1980 album British Steel, the video was directed by Julian Temple,

1:52

best known for its work with the Sex Pistols and various other music-related documentaries and films.

1:57

Guitarist KK Downing later remarked in an interview,

1:59

We were young and it was exciting.

2:01

We were probably making the very first heavy metal conceptual video.

2:05

On another note, this is a podcast exclusive.

2:07

I actually photographed Julian Temple in 2018.

2:10

Oh really? I did not know that.

2:12

I photographed him with a filmmaker called Neil Fox.

2:17

It was a random job while at uni.

2:20

What was his chat like?

2:21

Well, he was talking about a documentary that he just,

2:25

I think he made like a year before

2:26

and it was about

2:27

was it about the Sex Pistols

2:28

or the Clash?

2:29

Yeah I think it was the Clash

2:30

he was fine

2:31

you know I had no idea

2:33

who he was

2:34

articulated everything

2:35

he talked about quite well

2:36

so yeah he was dead on

2:37

Talking about the director

2:38

Julian Temple

2:39

is it the director yeah?

2:40

Yes

2:40

The guy who directed this

2:41

but judging by his Wikipedia

2:43

he was quite an interesting guy

2:45

because he's done a bunch of

2:47

documentaries with his Sex Pistols

2:48

and loads of other stuff

2:49

in that kind of scene

2:50

at the time

2:53

I actually

2:54

do it i tried to change the wikipedia photo to one of mine but i couldn't i didn't know how to upload

3:00

it wikipedia is so hard to understand yeah you know people always talk about wikipedia like oh

3:07

you know anyone can edit it but i've tried i've tried it and like every single thing i've ever

3:13

added to wikipedia has been immediately removed it's like yeah it's true i don't i don't get it

3:18

i i don't understand it it's like like you literally you hit send and then when you hit

3:22

reload it's they've someone's already went and went nope you know what actually it's actually

3:26

in that respect it's the information on there should be the most up-to-date information about

3:33

anything you're looking for yeah yeah i think it gets a bad rap for what it is but previously he had

3:37

directed several kinks videos he's also referred to the name but that referred to by name in the

3:43

kink song too hot for the word of mouth album julian's on the street scouting out locations

3:47

says Larry

3:48

apparently

3:49

so apparently

3:49

he's popular

3:50

with the museless

3:51

but yeah

3:51

he's done

3:52

he's done

3:52

quite a lot

3:53

yeah so initial

3:54

thoughts do you

3:54

what do you think

3:55

uh initial

3:56

initial thoughts

3:56

is I fucking

3:57

loved it

3:57

um

3:58

yeah

3:58

yeah

4:00

I'm really

4:01

not familiar

4:01

with Judas

4:02

Priest

4:03

at all

4:04

sort of our

4:04

previous conversation

4:05

they had

4:06

I think I've

4:06

kind of always

4:07

bundled them

4:08

in with the

4:08

whole dad rock

4:09

thing

4:09

but I'm starting

4:10

to think that

4:10

was unfair

4:11

because this

4:11

is actually

4:11

a pretty good

4:12

song

4:12

I thought

4:13

for some

4:14

reason I

4:14

thought Judas

4:16

Priest

4:17

was Gene

4:17

simmons i i for some reason i thought they were the same thing i thought you know he was that was

4:25

something that he done he done separately it was a jane simmons side project yeah i feel like a

4:30

right twat and i think on that it's one of those videos where i didn't expect much and actually got

4:35

so much from it i'm sort of introduced now to a new uh a new show not genre music but a new sort

4:41

of you know a new band which i didn't really know much about i guess it's quite refreshing especially

4:45

from what I've mainly learned

4:47

during this podcast

4:48

is quite refreshing

4:50

especially a video

4:50

this sort of era

4:51

for one to have

4:52

an actual story

4:53

running through it

4:54

and a story which is

4:56

you know

4:57

told cohesively

4:58

in what like

4:59

two and a half minutes

5:00

something that's not just

5:01

a fucking

5:02

like a stream of nonsense

5:03

going into our faces

5:04

as frequently as in this show

5:06

but

5:07

Nelly's missed out

5:08

so badly on this one

5:10

because

5:10

it's just got so many

5:11

good points in it

5:13

well speaking of that

5:14

well what

5:15

what weapon non-weapon would you use to rob a bank i was thinking about this earlier all i could

5:19

really think of was weaponized hand sanitizer i've got one of those uh i've got one of those like

5:25

massive bottles that you hit the pump and it sprays and uh and i was using yesterday and for some reason

5:31

i think it's gotten clogged up and that and that alcohol just went like smacked me in the eye

5:35

that's where it it's yeah it comes out even more ferociously because the gap's smaller yeah

5:41

and ends up just going a direction

5:43

I'll insert a clip of Neely sniggering in the background

5:46

here

5:48

but I don't know

5:50

if you saw that picture of the guy going around Walmart

5:52

and he repurposed his gun holster

5:54

as a sanitiser holster

5:57

I'll just have that and I'll just be like rapid fire

6:00

and the fuckers you know

6:01

that's pretty clever I thought it's better than mine

6:03

I was just thinking like a

6:06

hardened baguette because then you know

6:07

you could eat the evidence

6:08

and there's no weapon to worry about.

6:11

I'm sure that was the story of like a Sherlock Holmes

6:15

or some other detective where someone got murdered

6:18

with an icicle.

6:19

Not an icicle.

6:19

What's the word I'm looking for?

6:20

An icicle?

6:21

An icicle, yeah.

6:22

Someone got murdered by an icicle

6:23

because you can melt the evidence away afterwards.

6:26

You'd be in there swinging your baguette.

6:27

Would you be wearing like, you know,

6:29

the stereotypical French outfit as well

6:31

just to throw people off the sense?

6:34

With garlic hanging around my neck.

6:36

Yeah.

6:37

So everyone will be looking for a Frenchman.

6:39

They won't be looking for an Irishman.

6:41

I think that's not a bad idea.

6:42

Tell you what, some baguettes I've got now,

6:45

Greg's are pretty fucking solid.

6:46

So yeah.

6:47

Depends what time of day you get them.

6:49

Would you use that to pry open the safe as well?

6:52

Yeah, it's one of those things

6:53

where you just get caught up in the safe.

6:55

I find it really, really curious

6:58

how they didn't actually spend any time

7:00

showing like a safe cracking.

7:02

I think they sort of missed the boat there.

7:05

Though I think, I mean, not to be really boring,

7:07

I think most banks actually don't have their safes locked

7:10

unless they're closed.

7:12

So there's a hint of truth there that the door just opened.

7:15

But yeah, they, a guitar, yeah, what do you think of that?

7:18

A guitar to open a safe?

7:19

I don't know if we're meant to get the impression

7:20

that they've opened it with the guitars or not,

7:22

but it looks, that's what I thought straight away.

7:25

They've just rifted the safe to such a degree that it's opened.

7:29

No, they definitely did, yeah.

7:30

Well, I'm just trying to watch it back.

7:32

Yeah, it just magically opened.

7:33

Wait, I'm trying to see if there's someone actually pushing the door open.

7:37

Yeah.

7:37

Someone was already inside.

7:39

Yeah.

7:40

Just saying that now.

7:41

You can see down like the slither, there's one of the bad memories.

7:44

Oh, yeah.

7:45

The inside.

7:46

Ah, okay.

7:47

Yeah, I feel like they've missed an opportunity where someone could be like climbing through the vents or something there to drop down into the sea.

7:52

Yeah, well, I mean, it could have got really Mission Impossible style, you know, where, yeah, they were, I don't know, using lasers coming from their guitars and dangling from ceilings to get in there.

8:02

but yeah, I mean, they just played a pretty brute force.

8:05

Would hand sanitizer work within a safe?

8:09

I guess you could kind of lubricate,

8:11

although no, I actually did try that.

8:13

Speaking of, my chair is very squeaky today,

8:15

and it needs some WD-40,

8:20

but I remember I did once on a job,

8:23

and there was a squeaky chair,

8:24

and I didn't have any WD-40,

8:25

so I tried hand sanitizer,

8:27

because it was like after the pandemic,

8:28

and it doesn't work.

8:30

Oh, I think it was like magic and shut it up.

8:34

So I can confirm.

8:36

If anything, I wonder if the alcohol would sort of strip away the grease.

8:41

So yeah, it probably made it worse.

8:43

Yeah, but you know, did it for science.

8:46

Breaking the law

9:20

If you're taking guitars out, it's kind of your stereotypical bank robbing sort of situation.

9:25

In this case, like they're using guitars and they're playing them so loud that a guy's glasses crack.

9:30

Yes, I think that's the bank manager.

9:31

I think he's in so much shock, which that's actually pretty violent because, I mean, he would probably go blind if anything got in his eyes.

9:39

So that, I mean, that was actually pretty, that was pretty rough on the band's part where they did.

9:46

it did bring a little bit of violence into this.

9:48

How loud does a sound have to be to break glass?

9:52

So we can get an estimate of how loud they're actually playing

9:55

without amplifiers, I'll add, but let's not worry about that.

9:57

I do think there's something really funny about it,

10:00

and I'm just realizing it now,

10:02

is the two guitarists and Rob obviously come in for the front door,

10:06

but the drummer's already in the bank.

10:09

Is he?

10:09

Just casually in the corner.

10:11

Yeah, well, you think about it, his kit's already set up.

10:14

You know, it doesn't show him coming in with the other ones.

10:18

I never noticed the drummer was even in there.

10:22

But I just find it really funny.

10:24

The people in the bank, I really wonder,

10:27

why is this guy in the drum kit just sitting in the corner?

10:32

The video might be a perfect example of like you're making a movie

10:35

and you're not cutting corners,

10:37

but there's stuff that the audience just won't notice,

10:39

but it doesn't really matter.

10:41

This is kind of the perfect example

10:42

because I genuinely didn't even notice

10:45

and I've watched this like 10 times.

10:46

No, I think that you can get away with it

10:48

because the charm's all there.

10:50

Well, I've found an article here.

10:52

How loud does the sound have to be to break glass?

10:54

100 decibels.

10:55

So they're playing at 100 decibels right now.

10:58

What is that relative?

10:59

Is that loud?

11:00

How loud is a jet engine?

11:01

I should know this, but I don't.

11:03

I think a jet engine's 140.

11:06

Between 140 and 153.

11:08

So they're not as loud as a jet,

11:11

but they're still pretty loud.

11:13

But yeah, it's probably gigs that have been how loud it.

11:15

What was the loudest gig?

11:17

Left field England, 137 decibels.

11:22

Sleazy Joe, 140 decibels.

11:24

ACDC, 130.

11:26

So yeah, they could have went louder.

11:28

They could have went louder.

11:29

Yeah, it's probably enough to crack your glasses.

11:31

Burst an ear drum, maybe.

11:32

But also on this article I found,

11:34

it's what frequency do you need to break glass?

11:37

It's roughly 556 hertz, apparently.

11:41

but then it also goes on to talk about

11:43

Mariah Carey, Blake and Grass, where I was.

11:45

We're getting sidetracked.

11:46

Point is, they may have futuristic

11:49

sort of sonic weaponry disguised as guitars.

11:51

Yeah, that's a very good point.

11:52

I mean, they are driving an American car around London.

11:54

Looks like London anyway, so anything can happen.

11:57

It's not in the notes, but I kind of thought

11:59

this when you were reading the history.

12:00

The guy saying we were making the first ever

12:03

heavy metal conceptual video.

12:04

Do you think that holds weight?

12:06

I don't know.

12:07

When I hear conceptual video,

12:09

Here, you know, I can visualize something which is really, really out there, really different.

12:13

This is as good as this video is.

12:15

It isn't conceptual.

12:17

Is it?

12:17

Am I wrong?

12:18

Well, if you take it from the point of view of it, like a concept album, I think usually

12:22

that just means an album with a story.

12:25

So maybe that's where they're getting the word that's conceptual from there.

12:28

If you're talking like a film, a conceptual film would be like something weird and out there.

12:32

But maybe there's kind of taking the music definition of it.

12:35

Yeah, I guess so.

12:36

Yeah, that would, yeah, let it pass for that.

12:38

But I agree with you.

12:39

If it's in the film definition, then it's a straightforward story,

12:44

which is what I like about it.

12:45

It's very straightforward.

12:46

I mean, as straightforward as that security guard

12:49

who literally does nothing apart from entertains himself.

12:53

Yeah.

12:53

For people who haven't seen the video,

12:55

you see the odd shot of the security guard for the bank

12:58

passed out on his table next to the monitors.

13:01

Once he notices the band and blowing people's socks off

13:04

and breaking glasses, he looks very excited

13:06

and kind of watches it with a look of glee in his face

13:09

and then eventually he picks up a cardboard guitar

13:12

and starts the air guitaring.

13:13

So he's not very good at his job,

13:15

but maybe made the right choice

13:16

not trying to fight off Judas Priest.

13:17

I mean, this is after they blew up a screen.

13:20

But also, maybe he's in on it.

13:23

Maybe they've already paid him.

13:24

I mean, at this point, it's probably an inside job, isn't it?

13:27

Yeah, well, the drummer was already there.

13:28

He must have unlocked the door and let the drummer in early.

13:31

Or maybe they just had it set up and he wasn't there and he ran in.

13:34

I think in return for a cardboard guitar, he was sold.

13:37

Yeah.

13:38

Didn't take much to buy him out.

13:40

Yeah, they promised him a real guitar, but he just didn't know it.

13:43

It looks real.

13:44

Just ignore the no strings.

13:45

My theory, the guard was in on it all along.

13:48

Also, I would also explain why the door was open.

13:50

Yeah, that's a good point.

13:51

Yeah.

13:52

Okay.

13:53

I'm going to go inside job.

14:03

So what do you think of them once they get in the safe?

14:05

What's your views on the quality of the...

14:09

I'm going to say that's a set

14:11

because I don't think they actually shot in a safe at that point

14:13

because going by those rubber bars...

14:18

It's fine.

14:19

I actually do like the bending the bar thing

14:21

because they're obviously trying to go for like a Superman bending the bars

14:23

but it's so obvious what's happening

14:26

but it's hilarious anyway.

14:27

So it's fine.

14:29

The reaction's great though.

14:30

Yeah, I think he kind of looks down the camera

14:33

like for a split second and yeah he does just as a just as he's starting to bend it so he kind of

14:38

looks like he's going like oh no time to go do you know i think they i think they shot this of two

14:43

cameras yeah you know i was just thinking that because it go i it goes straight from him bending

14:48

the bars into his face so yeah well yeah that's probably even more ammunition for being a studio

14:55

yeah i'm just trying to scrubbing through it because it's it's exactly the same look and position

15:01

and you can see the other guys behind him.

15:02

Oddly decorated safe in general.

15:05

It seems like.

15:05

It looks like they just went,

15:07

just fuck everything in the safe.

15:10

Just throw it in.

15:11

It doesn't matter where it lands.

15:13

Well, the walls are covered in what looks to be,

15:14

like, if you remember this sort of tacky background

15:17

from, what video was that?

15:20

It was Eye of the Tiger.

15:21

He ended up fucking background.

15:22

Yeah, they've just plastered that on all the walls

15:25

like gold foil.

15:26

Golden record, a bunch of golden cassette tapes.

15:29

Yeah, there's golden cassettes.

15:30

A lot of golden cassette tape.

15:31

Golden records.

15:33

There's a filing cabinet in there.

15:34

Possibly also golden, but that might just be the reflection.

15:37

So yeah.

15:37

But this is where you get the reveal of the video where you presume that they're just going

15:42

in to get some money and break the law, but they're actually stealing their own golden record

15:45

back.

15:46

Is that a metaphor for like, you know, musicians who work for record companies where, you know,

15:51

the thing they make they never really own?

15:52

Could be.

15:53

Yeah.

15:53

Yeah.

15:54

Yeah.

15:55

He's definitely, he's waving at the camera quite angry, the golden record.

15:58

So it could well be.

16:00

It makes me laugh every time I see it.

16:04

Whenever he picks up his own record and sees his own name,

16:07

he's almost surprised.

16:09

If you can watch a video, it's 1.34 is the timestamp.

16:13

And then, as you said, he just literally breaks out

16:16

and shouts at the camera with his prize.

16:18

He kind of looks like he wasn't expecting it.

16:22

Yeah, it's like breaking into your bike

16:24

and you just find your family photos.

16:27

It's a bit surprising.

16:29

So maybe they were just wanting to rob the bank

16:31

and they just happened to find their own.

16:33

They're like, what the fuck?

16:34

How did you guys get this?

16:35

What the fuck?

16:36

Taking that back.

16:37

That was actually his safety deposit box

16:40

he's broken into.

16:41

Lost his password.

16:43

There's no other way in.

16:44

There's actually a really,

16:45

I've just noticed it this time, Ryan.

16:47

There's a point when he's shouting at the camera,

16:49

if you look where the drum set is,

16:51

the drummer just appears and just runs

16:54

for a split second.

16:56

That drummer, he's always popping up in weird places.

16:58

Yeah, he's literally popping up.

16:59

In fairness, when he's in the car at the end,

17:01

he's still selling the idea and just drumming away.

17:05

Obviously without a drum kit.

17:06

I was going to bring that up because there's a split second at 2 minutes 12-ish.

17:10

He's just smiling away at the bottom.

17:13

Just slapping his hands on what I guess is either a bongo or his lap or whatever.

17:18

Driving off into not the sunset, but driving off at the end is pretty cool.

17:21

I thought it did sort of sell the idea of the car being a convertible.

17:24

They're all shutting out the top.

17:25

Pretty dangerous, but pretty cool.

17:26

Yeah, it looks like fun that they're all in the convertible

17:29

and still playing away and shouting away.

17:31

And it looks like they're having a lot of fun.

17:33

That would be a nice way to travel in, around London.

17:35

There was less health and safety back in the end, then.

17:37

So they were told, go and get it.

17:39

There's way too many of them in the back of that car.

17:41

In fairness, when it did drive off, when they were out,

17:44

escaped the bank, it looked like the base almost fell out

17:48

because he's literally just one foot in the car

17:51

and it's starting to drive off.

17:52

I'm trying to figure out how they would have done that car shot.

17:54

Which one?

17:55

The one where it's like the close-up of them in the car.

17:58

Yeah, okay, so that must have been really, really tight

18:03

because there's too many of them in the car in the first place.

18:05

But who's driving the car?

18:07

Come to think about it.

18:07

Well, now I'm looking at you can't actually see the car,

18:10

so maybe they're on like the back of a lorry and it's kind of faked.

18:13

That'll be the safe way to do it.

18:14

I think Julian's literally in the car with them.

18:18

One, two, three, four, five, six, seven.

18:20

I mean, there's seven people in that car.

18:22

It does give me a bit of a flashback to a student film once where the cameraman was the only person who could drive.

18:27

So he was driving while he was operating the camera.

18:33

Yeah, that was unsafe.

18:34

Yeah, that's absolutely ridiculous.

18:36

Why didn't someone else just hold the camera?

18:37

I don't know.

18:38

I can't remember.

18:39

But no one died.

18:40

Oh, good.

18:41

Well, that's...

18:41

This was before all the big hoo-ha about health and safety in the film industry, unsurprisingly.

18:45

I don't think you'd get away with that anymore.

18:47

No, you would not.

18:51

one of the notes here,

18:53

the video was shot before this album,

18:56

British Steel album,

18:56

went platinum.

18:57

I think the upshot of this,

18:59

which is quite funny,

19:00

is that they put this video out

19:03

before the album came out,

19:04

or at least before it went platinum.

19:06

So they were just that confident

19:08

that they were like,

19:09

oh yeah,

19:09

just stick a golden record in the video.

19:12

We know it's going to at least sell that much.

19:14

I guess, yeah,

19:15

kudos to them.

19:16

I mean,

19:16

they must have,

19:17

yeah,

19:18

they must have really believed

19:19

in what they were doing.

19:20

One tiny thing I will add is

19:23

one of the band members comes out of a

19:25

love shop at the start

19:26

I love, oh my, I missed that

19:28

Cinema Club, video film, videotapes, mags

19:31

sex aids, oh wow

19:32

yeah, I did not notice that

19:34

Peep machines

19:37

Oh wow

19:38

So he's got a good night out planned after

19:40

they finish rubbing the bank apparently, or night in

19:42

I guess. Which band member is it?

19:44

Oh, it's one of the guitarists

19:46

Yeah, it's one of the ones who are dressed up, but

19:48

I can't tell which one

19:49

because he's hiding his face

19:50

because he's coming out of a dirty shop.

19:52

You know, I'm actually just noticing as well.

19:55

The, it's like 12, 13 seconds in.

19:58

The security guard's napping.

19:59

On one of the screens,

20:00

you can already see them.

20:03

Really?

20:04

Like, I think it looks like a guitar.

20:05

They're already robbing the bank.

20:07

Maybe this is a dream.

20:08

The whole thing is the security,

20:10

it's either the security guard was an inside job

20:12

or it was his dream all along.

20:13

Again, probably reading into it too much.

20:15

Probably, yeah.

20:36

all right fun points i don't really have much to say about this video i i thought it was fantastic

20:41

and original um the concept was simple and it wasn't overdone uh i do think it looked like it

20:47

would have been great fun to make and everyone involved looks like they gave um 110 percent um

20:53

i think the song's pretty darn good too i think this is probably one of the probably the best

20:59

videos we've had a chance to look at originally we're going to have rob back on this episode uh

21:04

but he was too busy working stuff unfortunately but he suggested this so thank you rob for

21:08

suggesting this fine video.

21:10

Pretty refreshing seeing a video which is

21:12

funny, short, to the point.

21:14

Just sort of tells the story well

21:16

and gets out of the way.

21:17

I really don't have much. Many complaints about it.

21:20

It's just a good laugh.

21:21

Favourite part? I think if I had to choose one

21:24

53 seconds in, Rob

21:27

the singer's literally just

21:28

shouting to people. I just, I don't know, that just

21:30

made me chuckle. He got really into it.

21:32

You know, these poor people are on the ground

21:33

with their hands but their head.

21:36

He's just singing away to them, but really, you know, really violently singing.

21:42

I mean, there's lots of other honourable mentions, but yeah, I like that bit.

21:45

He's a true showman, even if he's weaponising his showmanship.

21:50

Oh, worst part.

21:51

You know what?

21:51

First time in a while, can't find anything I don't like about it.

21:55

I mean, even the bits he chatted about, I'll let them pass for this one.

21:59

Yeah, I'm the same.

22:00

Couldn't really find a fault.

22:01

just for the sake of finding a fault

22:03

I'll pick out the mild continuity error

22:05

with the monitor but

22:07

I don't actually care it's just

22:09

the only thing I can actually

22:11

think of which is very impressive

22:13

yeah so it's an eye from me

22:15

yeah eye from me so Nelly

22:17

you have missed out

22:43

take a look at the show notes for links to today's video links to instagram etc

22:46

or email us at

22:48

gone too farcast

22:49

at gmail.com

22:50

if you have any

22:51

thoughts or if you

22:52

would like to tell us

22:53

what you would rob a

22:54

bank with that isn't

22:54

a weapon I would

22:55

like to hear that

22:57

if you're enjoying

22:59

enjoying the podcast

23:00

please leave us a

23:00

review on Apple

23:01

podcast Spotify or

23:02

podcast player

23:03

rejoice see you next

23:04

time bye everyone

23:06

Nelly says goodbye

23:08

in spirit getting

23:09

married what an

23:16

excuse

23:16

*gunshot*