Explicit 23: Freestyler - Bomfunk MCs
Ep. 23

23: Freestyler - Bomfunk MCs

Episode description

A Scotsman, an Irishman and a Bulgarian aggressively brandish PlayStation controllers.

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0:00

be voice-like girls, put your hands in the air, blah, blah, blah.

0:11

Hello and welcome to We Can't Rewind, We've Gone Too Far, a podcast where a Scotsman,

0:14

an Irishman and a Bulgarian discuss the worst, silliest and weirdest as fuck music videos.

0:19

Say hello everyone.

0:20

Hi, I'm Neil.

0:20

Hi, I'm Dave.

0:21

Hi, I'm Neil.

0:21

Today we're back to the year 1999.

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There's a good chance some of our listeners were not even born yet, but we remember.

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The Year of the Euro, SpongeBob Squarepants, and the Scottish Parliament, and ah yeah also

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that movie about a young man who discovers he has special powers gets teleported to a

0:39

new world and is maybe the one?

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Star Wars: The Phantom Menace, that's the one.

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And amongst all this madness, we got a glimpse of one of the most 90s videos to ever hit the

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90s: Pre-Styler by Bonfunk M.C.

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The video follows a 15-year-old boy played by the model and musician Marlo Snellman,

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who discovers he can rewind time with his minidisc player.

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What follows is approximately four minutes of pure late 90s alternative schlock

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masquerading for original and cool ideas.

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It was remade as a full feature film in 2006 under the name of Click,

1:35

a true masterpiece from the comedic genius Adam Sandler.

1:38

This was a film I actually cried during my first watch, and I shit you not.

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I think we need to dig into that a little bit.

1:44

Yeah, I think that's more interesting than an actual music video.

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I want to, I think, I don't know what it was, but I mean, I'm a fan of Adam Sandler, right?

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I like the Waterboy.

1:53

I like Happy Gilmore.

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I like all of his other classics of his time.

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And I thought Click was like a film which was serious.

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And there's a part in it at the end where I think he sees himself and he's old and it's

2:06

like raining and he's in like an old person's home.

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And I think it was when, whenever he was like dying and he was trying to shout out to his

2:13

daughter and she wouldn't hear him.

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Anyway, that was just very sad.

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I highly recommend you watch it and feel the same feeling.

2:21

I've never seen Click, so I can't remember it.

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I mean, it's not exactly a good film,

2:27

but it's mildly entertaining.

2:29

Let's put it that way.

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I mean, mildly entertaining is probably what you put on most of his movies.

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I'm sure I have seen one or two good Adam Sandler films.

2:38

He had a new movie, Got Gems.

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I haven't seen, but apparently it's amazing, from what everyone says.

2:44

Have you seen it now?

2:45

No, no, but I've added it to one of the watch lists.

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It looks actually quite serious.

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He's like a New York something or other.

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I think it's probably not directed by him or his fucking production studio.

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I think there was theories that his production studio was basically a tax scam, which, you know, fair enough.

3:01

Is that a legend or is that a fact?

3:03

That's a legend.

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We can't get sued for that.

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Anyway.

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Go, continue.

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Proceed.

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The song and the video were released in October 1999 and was mainly shot in the Helsinki metro.

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The song became an instant success across Europe and all the way to New Zealand.

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Because I think I remember, potentially, I'm not going to say this for a fact, but might

3:47

stumbled across on the uh you know the not so illegal music sharing sites back in the day on the

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line wires we've all been there on the line where yeah i know but i think that might have been the

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first time i heard it i'm fairly certain i downloaded this off napster at the time i'm fairly certain i

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did i think i heard it on the radio but i'm fairly sure i got it off napster didn't have a mini disc

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player though unlike this guy i remember it when it came out because they had mtv and there was on

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MTV all the fucking time for whatever fucking reason. And they also had another song which I

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can't remember the video for. I've seen it definitely. But it's called B-Boys and Fly

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Girls. Oh, is that them as well? Yes. Or I did that. Like, B-Boys, Fly Girls, Put Your

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Hands in, yeah, blah, blah, blah. The song's a cookie cut. The hip hop, is that hip hop?

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Uh, 90s. That's the only way I can describe it. 90s. But yeah, it was like, it's one of

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those videos where it looks really fucking dumb when you watch it and it's why we're reviewing it

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but then kind of like you just forget about it in like a month because it's all actually

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forget forgettable and daft i don't think i ever really realized how shit it was because i

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like i stumbled across this because i guess my youtube has been corrupted by this podcast and

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it was recommended i sort of stumbled across this and i was like i was like i forgot about that i was

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just watching going this is fucking awful we should talk about this on the podcast it's perfect

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But yeah, it's really bad.

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I like the concept, kind of.

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It's not that original, but I do like the concept.

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But I just think the execution leaves something to be desired.

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Probably had no budget whatsoever.

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So for the amount of no budget they had was, you know, fine.

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It's a 1999 music video from a completely unknown hip hop or whatever band.

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So I would expect.

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Let's not forget that.

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And I tried to make this joke at the beginning about, like, the good old switcheroo for, like,

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the one but it's actually

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The Phantom Menace but that movie

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came out like

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four months, three months, something like this

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after The Matrix

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and if you tell me that the creators

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of this masterpiece did not

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watch The Matrix I will laugh in your face

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because everybody watched The Matrix in 1999

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like fucking I watched The Matrix in 1999

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I was gonna say yeah, it felt

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like The Matrix a little bit, felt like the style

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looked like The Matrix

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I guess they've just replaced the leather jackets

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with tracksuits

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Well, they were probably more weather appropriate for Helsinki.

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Although Helsinki is quite cold, I'd imagine.

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But yeah, no, there's a lot of like just, I think we'll discuss this later anymore, but

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like the color correction, color grading and just like the dirtiness of how it looks like.

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It's a very Matrix-y feeling.

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Very clean, very clinical.

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How is it clinical?

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It's not clinical at all.

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Well, there's not like a lick of rubbish anywhere.

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No, no, I mean the actual colours, not the...

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Finland is fine. Finland is really fucking clean.

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Oh, yeah, yeah, yeah. It's really desaturated.

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It's really dystopian almost.

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Like it's Equilibrium. Do you have seen that before?

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Yes, yes, it does.

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Sorry?

6:52

The movie Equilibrium.

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I've not seen it.

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Oh, it's good. It's good film.

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When they're in the city sort of thing,

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being sort of ultimately controlled by something

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and they can't be themselves.

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Everyone looks very robotic.

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Like, with personal stances, they just try to be like, oh, we're in the Matrix, we can

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move around, blah, blah, blah.

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Or whatever they thought the Matrix is, which is what everyone probably in 99 in Finland thought

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the Matrix is, which is like, oh, cool, we can do cool shit, like move around and this

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point is not there, this point doesn't exist.

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Kind of like someone who's seen the Matrix attempting to do a similar style with no money,

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obviously.

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Yeah.

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So maybe that, yeah, that could maybe explain the look of it.

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but as Neil was saying there when I watched it again it was just the look of it just made me kind

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of go even the fact that they've obviously deliberately made everyone only wearing like

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white red and black and stuff like that which is I think pretty sure was deliberate the white and

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red was not necessarily signifying anything it's more like they were very fashionable colors like in

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my head when I was watching that I was like oh yes I've seen this in lots of places and it's very like

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of it literally of its time like that combination of very very harsh combination of like white tops

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red skirts which specifically the three women dancing for some reason i just kind of vaguely

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remember when i was a kid watching this and thinking oh yeah this is very like what cool

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kids wear like red and white fashion of the time and all that jazz yeah let's not talk about fashion

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we're clearly the podcast to talk about it

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*music*

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where they're from like they're in Finland but they don't know what their actual background is

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but just that music they make and especially that 15 year old boy who is like whiter than me and has

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fucking dreadlocks it just kind of made me feel like it's really fucking fake of course my point

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is I don't know whether it's fake for them it just it feels fake because of the that 15 year old boy

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they decided to go off with there is a whole thing on wikipedia which basically this boy's mother

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is apparently a very well-known model company owner magnate whatever she's known and probably

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super fucking rich and he probably never had to deal with any of this you know you know the general

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populace kind of thing so just the whole thing of like how he acts and have been like oh very tough

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look at how i'm dressed or whatever when you know who he is it just feels so fucking fake and just

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It made me feel like Ali G as a

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act. Yeah, I think this is

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the kind of thing Ali G was making fun

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of, if I remember rightly.

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Yeah, exactly, yes. I was pretty young at the time

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but yeah, looking back

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I think this is pretty much exactly what he was making fun

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of. Yeah, I mean Ali G

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was very much more like

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true and real than this wee boy.

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He doesn't massively

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pull it off either. I don't really think

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many people in the video do. They're all kind of

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you know, doing some sort of strange

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dance fighting at each other and it just it comes across pretty weird i'm like is it meant to be

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threatening is it or is that just how you say hello in helsinki i don't know i don't know

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i mean i guess it's trying to do the whole break dancing thing yeah which i kind of understand it

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was early to mid-notice in bulgaria there was a whole thing where a lot of people just like use

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clubs for break dancing like proper like teachers and everything and the song was played a lot because

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why we wanted to be.

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But yeah, I think that's what they were trying to do.

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But it's just honest, it just feels so fake.

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And it's those three women,

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which we should absolutely talk about,

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that he stops time off and kind of moves between them.

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They're just doing like fucking robotic movements.

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We're drunk at the club.

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We're just kind of swishing around.

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Yeah, I think the first time you see them is pretty bad.

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I think it gets slightly better after that,

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but the first one there is proper.

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Like dad at a wedding dancing, you know,

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It's not really, not amazing.

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The overwhelming sense of awkwardness from this video

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is just, it just attacks you from all angles, I think.

11:10

Any thoughts about breakdancing, Neil?

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Did you breakdance in your youth?

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Yeah, it just, yeah, I did back in the day.

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I was very good at it, yeah.

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Until I broke a hip and then had to retire early.

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Had to stop the age of three.

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Yeah, I don't know, I just feel,

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it's just, the whole, this whole video

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just feels a bit robotic.

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You know, everything just feels a bit stiff.

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Feels like no one's warmed up.

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you know 9 a.m okay and okay girls you sit here okay child you sit there man just kick that board

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and do a couple of laps around pull some shapes and then the robotic child just kind of waltzes

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around this station it just felt yeah just feels a bit stiff feels like everyone's made a cardboard

11:51

three minutes 44 the wee guy with the playstation controller what is his facial expression even meant

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to be is what is going on there?

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I don't understand.

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There's one amazing face at 3 minutes

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50. Oh no, you're right.

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You're right at 3 minutes 50.

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Look at your chapter on your podcast

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player of choice right now to hear what we're talking about.

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Oh, that guy. Yes.

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He's actually straightening as vanilla ice cream.

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Vanilla ice.

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You know when you walk through a cloud of smell?

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I don't know, like you've walked into like a fish factory

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and you can't really control your face.

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That's what the guy looks like.

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He just came across a really bad smell and he's not happy.

12:31

This is very spot on.

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I think he's just a bit annoyed the kid's looking at him.

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I mean, would you not be annoyed the kid looking at you?

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Look at this boy.

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Look at how he looks like.

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If someone looks at you in the street, what would you do?

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But would you start dancing immediately afterwards?

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That's the question.

12:44

Maybe.

12:45

I mean...

12:45

Do you always start dancing?

12:47

What kind of question is this?

12:48

I don't know about you guys, but I would whip by my PlayStation controller and just freeze.

12:55

Why is he carrying a PlayStation controller?

12:58

That's the question.

13:01

For the listeners at home,

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this guy we've been talking about

13:03

for the past however many minutes,

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he's also carrying a PlayStation 1 controller

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for no apparent reason.

13:08

My only theory for that is because

13:10

many discs were Sony as well.

13:12

So I think maybe Sony may have given them some money

13:15

and they were just like,

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give one of them a PlayStation controller.

13:17

We don't know.

13:18

He's on the way to play fucking Hogs of War

13:21

with his mate and he's about to fuck shit up.

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It looks like he's carrying that, like he's going to hold up a shop.

13:27

He's going to boomerang it at someone.

13:28

You know, if you didn't know what video games were,

13:31

you know, you didn't know that was a controller,

13:32

you'd think that was just a gun.

13:33

When he dances with it, it looks like Neo dodging bullets.

13:36

We're back to the Matrix again.

13:38

Now there was this particularly knowledge about breakdancing,

13:40

so maybe those are some legit moves.

13:42

I just keep coming back to this squaring up to each other.

13:44

I don't know if it's like, you know how people are having a rap battle

13:47

and they're like smack talking each other.

13:49

I don't know if it's like that in dance form, interpretive dance insults.

13:53

There is another version of this video,

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which is not a parody, allegedly.

13:57

I never really got to the bottom of why they made it,

14:00

but there was another version in 2019,

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similar to the original,

14:04

but with slightly, admittedly better dancing.

14:08

Less white?

14:09

Yes, less white, better dancing,

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and they're using a phone instead of a mini-disc player.

14:13

It's a lassie instead of a wee boy this time.

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It's still kind of weird,

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but it didn't give me that same sort of recoiling

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and sort of feeling as the original one.

14:24

All those amazingly talented dancers,

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they deserve a better video

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that actually highlights their amazing dancer skills.

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And that video ain't it.

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It's a really fucking pointless video.

14:36

A remake of a video,

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of a song and video

14:39

that should have been left in 1999.

14:41

Thanks.

14:42

Although, you know what?

14:43

Maybe after we get the new Matrix movie,

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which is due next year, I think,

14:49

or something like that.

14:50

Is it?

14:51

Yeah, I'm not sure when, but it's in production at the moment.

14:54

Maybe we'll finally get a new version of that with this video.

14:59

Updated one.

15:00

I didn't mind the new one.

15:03

Yeah, but I don't know the point of it.

15:04

It just feels like a bit of a vanity project.

15:07

It's all short.

15:08

Like, it's competent, but...

15:10

Not particularly inspiring either way.

15:14

Like, if we had only had this version, we probably wouldn't be talking about it that way.

15:18

Oh, yeah.

15:18

i feel i did version of the one just just a video whatever although i will defend i do quite like the

15:24

bit where she turns her iphone on the side and everyone slides down i thought that was quite funny

15:27

because the magic device seems to have gained new powers in the the 10 years 10 years 20 years

15:33

i have elapsed and then this one she and the new one she seems to like directly be making people

15:41

dance with her phone so i think that kind of confirms in my head the theory that all these

15:46

people are being controlled by some sort of

15:48

overwhelming force. 5G radio

15:50

terror thing.

15:52

They've all been vaccinated by a bit, clearly.

15:55

This is our future, guys.

15:57

We're going to be dancing in Helsinki.

15:58

Fuck yeah! Which sounds

16:00

pretty good.

16:02

Where did I sign up? Oh, I've already signed up.

16:04

Let's go. On that note,

16:07

what would

16:08

all you both do

16:10

if you had a device of your

16:12

choice that could stop and rewind time

16:14

and what would that device be?

16:17

that's a good question i'm thinking i'm thinking from a work point of view it would just be really

16:22

handy to have like a mixer that could not only rewind the take but wait i you rewind the take

16:28

and then the real life rewinds as well so if you fuck it up you can get another one isn't that just

16:33

having different takes or not yeah but everyone gets pissed off at you when you fuck it up so

16:38

if they're not aware that you're taking 15 takes then it's fine that's like oh there's a nicholas

16:43

there's a Nicolas Cage movie like that what's it called the Nicolas Cage that we've talked about

16:47

before in this podcast I'm pretty sure yeah yeah what was that one called is it was it the casino

16:52

one might have been next I think it's one I've not seen one of Nicolas Cage's masterpieces yeah it's

16:59

it's a 2007 Nicolas Cage film called next where he has the ability to see events minutes before they

17:05

occur oh that movie yes we have talked about this in the podcast because we were talking about this

17:10

when we were planning heists.

17:11

Oh, yes, yes.

17:12

For some reason.

17:13

I can't remember why.

17:14

Russian band.

17:15

Ah, Little Bag.

17:16

We really have to watch this film.

17:17

We can do a special

17:18

where we review that.

17:20

For our...

17:21

also with the coffee subscribers.

17:24

So would that be your choice, Neil?

17:26

Or what device would you use?

17:27

I don't know.

17:28

A pocket calculator.

17:31

Wow.

17:31

I don't know why.

17:32

I think a calculator

17:34

would be a good thing

17:34

to keep in your pocket, right?

17:35

Nerd.

17:36

Hey.

17:37

That's rude.

17:38

You can put in the exact date, though.

17:40

That would be quite handy.

17:41

You can also type boobies.

17:43

Yeah.

17:43

The world would be a better place.

17:45

What would your device be, Nelly?

17:46

A Nintendo Switch.

17:48

Because then you can be like,

17:50

oh, I want to plug in into this game.

17:52

Like, I want to be inside this game.

17:54

You know, Animal Crossing,

17:55

as opposed to Halo Infinite or whatever.

17:57

Yeah.

17:59

But, you know, if someone pisses me off,

18:01

I'm like, okay, off you go to this island by yourself.

18:06

Here you are on Cuphead Island where you have to murder bosses or they'll kill you.

18:13

So instead of time travel, you're going to have one that you can imprison people inside Animal Crossing where they have to spend their life paying off that raccoon.

18:22

What's his name?

18:22

Tom Nook.

18:23

The gangster of Nintendo.

18:24

It feels like a mobile phone, like a smartphone, is the most logical thing because you have a music player on it and you have a calculator on it as well.

18:34

and you can record sound as well.

18:37

Yeah, multi-purpose.

18:38

Although when you said Nintendo Switch,

18:39

that made me think the PlayStation controller guy,

18:42

maybe that's his time travel device.

18:43

Maybe they've all got one.

18:44

And that's why the world is so fucked up

18:46

because everyone's just rewinding

18:47

and fast forwarding each other constantly.

18:49

And people are not dancing.

18:50

They're just trying to move,

18:51

but they can't because someone's constantly rewinding them.

18:53

This is why it looks so robotic

18:55

because they're not dancing.

18:56

They're just trying to move forward,

18:57

but they can't.

18:58

Some cunt where Kindle is around the corner

19:00

fast forwarding them and they can't move.

19:02

It's terrible.

19:03

Imagine in a Kindle, like the same what I suggested with like plugging someone within a game, but plugging someone within a book.

19:11

And if someone really aggris you and annoys you, you get them and you put them in, not even in Fifty Shades of Grey,

19:18

but one of those like weird, very, very badly written offshoots of like someone's mom who read Fifty Shades of Grey and she was like,

19:27

I can write this and it's like for free on Kindle because nobody wants to spend money for it.

19:33

I have never read books the way I knew those books, I promise.

19:36

Total side rant, but if you remember Rob from the Muse episode,

19:41

we were drunk one night and he did a dramatic reading of Fifty Shades of Grey,

19:46

and it's the funniest fucking thing I've ever heard.

19:48

Nice.

19:48

I'll always remember the line,

19:50

do you not want my kinky fuckery?

19:52

Is that going to record somewhere?

19:53

Because that's going to be very funny.

19:55

I think it might be.

19:56

I used to have a habit of recording shit on my phone.

19:58

I'll have a look, see if I can find it.

20:00

Do you want a regular vanilla relationship with no kinky fuckery at all?

20:03

my mouth drops open

20:05

kinky fuckery I squeaked

20:07

my inner goddess is down

20:09

bended knees

20:10

with her hands clasped

20:11

supplication begging me

20:12

I like your kinky fuckery

20:14

I like

20:15

maybe we can

20:16

maybe

20:16

that's what we can do

20:18

for

20:19

like our Patreon

20:20

special episode

20:21

I think that's an OnlyFans extra

20:24

we can't rewind

20:26

we've gone too far

20:27

on OnlyFans

20:28

anyway

20:29

moving swiftly on

20:31

look is that

20:33

like filmmaking thing

20:35

doesn't work out

20:35

for both of you

20:36

there's always

20:37

other outlets

20:38

there's other options

20:39

out there for you guys

20:40

good to hear

20:41

you could do

20:42

Scottish Irish

20:43

ASMR

20:43

that'd be pretty good

20:44

actually

20:44

yes that's

20:46

yeah

20:46

I think we've

20:47

a good market there

20:48

yeah

20:49

potato bread

20:50

and soda bread

20:51

really close to the

20:52

microphone

20:52

that'd be good

20:52

anyway

20:53

back on to

20:55

I'm back on track

20:56

yes

20:57

where we

20:58

get the train

20:58

back on the rails

21:00

the rails

21:01

are off

21:02

the

21:02

planet and we're into outer space

21:04

I put in the notes have you ever

21:06

had someone dance aggressively at you on the

21:08

subway or any form of public transport

21:10

is this a thing and then someone has put

21:12

yes who has had

21:14

someone dance at them aggressively on the subway

21:17

I live in London everyone

21:18

everyone does everything aggressively in here

21:21

have I

21:22

you must have like should you

21:24

have taken the fucking subway

21:26

on a football Sunday and someone

21:28

very aggressively shirtlessly

21:30

like wiggled around you or something

21:32

Yeah, but not at me.

21:33

It's Glasgow.

21:34

More around me, but not at me.

21:36

But in terms of stories about strange interactions

21:39

and public transport,

21:40

probably funniest one was a drunk guy on the train

21:43

back to Glasgow one night.

21:44

He decides to crawl up into the Joe Heatherwee

21:47

luggage compartment above the seats.

21:50

He crawled up there and planked himself in there

21:54

and fell asleep.

21:55

And he was there for the rest of the journey.

21:57

I've got photographic evidence as well.

21:58

That's nice.

21:59

Who put in the purgatory

22:02

temporal torture sort of thing?

22:04

I can sort of see that. It's just because he

22:06

kind of gets rewinded back to the start

22:08

at the end and I was like, is that just him stuck there

22:10

forever? Is he never going to escape? Yeah, God help him

22:12

if he is. It feels like that

22:14

is the end of that. Actually no, that's the

22:16

beginning. Oh my god, can you imagine being in that loop?

22:18

What a shitty loop. That's why there's

22:20

two different versions of the video because

22:22

it's two different victims of this

22:24

strange mini-disc purgatory.

22:26

You did realise that

22:27

It isn't the same person in each video.

22:30

They got like another

22:32

actor, performer. I didn't, first

22:34

couple of watches, I didn't know that.

22:36

The first time I watched it, I did go as,

22:37

because I couldn't figure out if the wee boy was a girl or a boy

22:40

to be honest. And then

22:42

I looked up and, okay, he's a boy.

22:44

It would have been cool if they'd got the boy back for the

22:46

remake, but just older.

22:48

It just would have been like, they've literally just

22:50

done it again. He's still stuck in the

22:52

time loop, and technology has

22:54

somehow evolved, but he

22:56

is still there. Sounds like a boomer.

22:58

Sounds like a boomer.

23:00

So I don't know where that came from. I apologize.

23:03

What would someone

23:04

what would he be? Would he be? I always forget.

23:06

Is he a millennial? Am I a millennial? I don't know.

23:08

You're a millennial. We're all millennials.

23:10

Yeah, we're millennials.

23:11

So what would he be? Same?

23:15

Yeah, because he's like

23:16

what, six years older?

23:18

Yeah, he's like

23:20

top millennial, like old millennial.

23:22

The elder millennial.

23:23

Yeah, I'm trying to be.

23:48

So my final point for this video is that we should just leave it in the 90s. It's a very quintessential

23:55

90s video but we should just stop trying to make it modern. We don't need this. We genuinely don't.

24:02

It genuinely don't. It's a very... the idea of having a device that stops and rewinds time is so

24:09

old and so worn out. Just bury it. Leave it. We don't need to zombify it. It's fine. It's fine guys.

24:16

it's fine let's have new ideas we can do this yeah i think it might be one of the first videos we

24:23

watched on this podcast where i just instantly just went like i had a physical reaction of like

24:30

and i actually i could never really quite put my finger on it but it just looks

24:34

shit and the concepts fine but it's not that original and it's awkward and possibly dystopian

24:41

and it's slightly terrifying yeah i don't like it uh so my favorite part is the matrix uh no

24:48

the favorite part is uh three minutes 50 uh that guy's face is fucking golden and it's literally

24:55

the only saving grace for me for that video and the worst part is everything else i i genuinely

25:03

really don't like this video and i think it doing the worst thing is which is just boring and that's

25:10

the worst thing you can be especially on this podcast my favorite part is the fact that he's

25:14

using a mini disc in the original version because i'm just a sucker for obsolete media formats my

25:19

worst part is the colorizing i don't know if this is just a dodgy youtube compression which is making

25:25

it look like this but there's just something about all the color in the film which looks really just

25:29

horrible and slightly dystopic and yucky i think my favorite part was the 90s nostalgia and it'll

25:36

probably never leave my mind i haven't heard this song since we brought it up on this show and yeah

25:41

i think it's just one of those ones i'll forget about it but once it comes up inevitably again

25:46

i'll be like oh yeah i remember that yeah worst part of the video is really dull and it has not

25:52

aged well i think it's aged worse than some of the uh 80s videos we've had on the podcast and i think

25:58

it's that sort of weird time where digital video just hadn't hadn't even you know it wasn't in it was

26:04

in its infancy um and it just is a very badly aged video i think that might be why i hate the

26:12

kind of look of it so much when i started it was all like said the dv cameras and stuff like that

26:16

and they all had this kind of look to them so just as a result every indie film looked shit

26:22

like you could use it well but most people didn't i guess and it has that kind of look to it was only

26:26

really when dslr's kicked off the indie films actually started looking good again so yeah i

26:32

think it's in that little gap

26:35

maybe right

26:36

okay conclusions

26:38

taser knows

26:39

nope nope no

26:41

enough for me

26:57

take a look at the show notes for links to today's video links to instagram etc

27:00

and our email

27:02

gone2farcast

27:03

at gmail.com

27:04

we'd love to hear

27:04

your thoughts

27:05

and any recommendations

27:06

of our videos

27:06

if you're enjoying

27:07

the podcast

27:07

please leave us a review

27:08

on Apple Podcasts

27:09

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27:09

or a podcast player

27:10

of your choice

27:11

and goodbye

27:13

bye

27:14

bye

27:16

bye

27:16

bye

27:21

oh this was really

27:22

bad

27:22

it was really boring

27:23

Peace.