20: Blue - Eiffel 65
Ep. 20

20: Blue - Eiffel 65

Episode description

A Scotsman, an Irishman and a Bulgarian get in their blue Corvette.

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0:00

This went beyond my wildest dreams. Thank you for making it trio, Neil.

0:13

Hello and welcome to We Can't Rewind, We've Gone Too Far, a podcast where a Scotsman, an Irishman,

0:18

and a Bulgarian discuss the worst, silliest, and weirdest as fuck music videos.

0:22

Hi, I'm Nelly.

0:23

Hi, I'm Dave.

0:24

Hi, I'm Neil.

0:25

During this podcast, it didn't take us long to realize that the 90s were a dark, dark place for music videos.

0:31

And nothing made it grimmer than shitty CGI and that unmistakable horrible Eurotechno beat,

0:37

mixed up with shitty autotune and earworm lyrics that make you want to rip your head off.

0:42

Anyway, here's Blue WD by iPhone65.

0:46

This week, we're going for the jugular.

0:48

Right in the jugular.

0:50

I wonder what color are the blue guys bleed.

0:51

Oh?

0:51

Yo, listen up, here's the story about a little guy that lives in a blue world.

0:59

And all day and all night and everything he sees is just blue.

1:04

Like him inside and outside.

1:07

Blue his house with a blue little window and a blue corvette.

1:12

And everything is blue for him and his self and everybody around.

1:17

Cause he ain't got nobody to listen

1:21

I tried to sort of word this like a song

1:24

So don't laugh because it'll put me off

1:27

That was the point, thank you for getting the point when I was writing it

1:31

So Dave, if you can put the backing track to this

1:35

I'll try

1:36

Yo, listen up, here's a story

1:39

About some Italian guys that lived in the impossible world

1:44

of the late 90s

1:46

Italian techno

1:48

when everything

1:49

was so

1:50

possible

1:51

possible

1:52

possible

1:53

wow you were in for that

1:54

the middle bit was a bit

1:56

a bit shite

1:56

but you know what

1:57

that could pass

1:59

this was

2:00

this went beyond my wildest dreams

2:03

thank you for making

2:04

trio Neil

2:04

I saw Nellie put that in the document

2:06

before she put Neil above it

2:08

and I was like

2:08

I'm not doing that

2:12

congratulations

2:13

your bravery has been noted

2:14

It's fair.

2:15

The video was released in 1999 by Blisco Media, a computer graphics division of Blis Corporation.

2:21

It's always an amazing start to find out that the music video was directed by a corporation.

2:25

After all, they do make the best music videos.

2:28

Former employees of the company who worked on the video recalled brainstorming sessions

2:32

they were a team full of sci-fi and gaming fans, naming Blade Runner and Star Wars as sources

2:36

of inspiration.

2:37

Thoughts and prayers for Ridley Scott and George Lucas.

2:40

But thankfully for Eiffel 65, Bliscorp had their backs.

2:43

The video was listed on NME's 50 worst music videos ever, and I do wonder why.

2:48

The video was aged like a fine wine. Shame the wine was on a two for one offer.

2:51

It's another CGI fest this week, but instead of Bulgarian Dungeons and Dragons, it's an

2:56

Italian space opera. We open with the band being observed by some strange blue aliens

3:00

from a distant planet. They proceed to abduct the lead singer and deposit him on stage to

3:04

perform a gig for the party-loving aliens. Meanwhile, the rest of the band give chase

3:08

in their very own spaceship, land on the alien mothership and proceed to violently murder

3:12

their way through the alien guards in the style of a playstation one action game shenanigans ensue

3:16

and the band manages to recover the lead singer but as they leave the aliens put a big sign up

3:20

declaring please come back and the band returns to put on a gig for them which begs the questions

3:25

why can't we all get along and why didn't they just phone their agent did you actually think they

3:28

had an agent according to the the behind the scenes stuff they didn't really seemed to me like it was

3:33

kind of like a art collective thing they were in um art in about five quads yeah a techno

3:40

collective

3:42

the best kind of collective in the 90s

3:44

so first question who is Don?

3:46

who is Don?

3:47

I didn't really get this bit in the notes

3:50

where does it mention Don?

3:51

I don't know I didn't write this

3:54

I thought you wrote this

3:55

I didn't write it

3:56

no I don't know where that's from

3:59

is that from last week's show?

4:01

could it be who is Donnie and Monchelle?

4:04

maybe but

4:05

I don't know where is Don?

4:08

I thought you wrote it in this picture

4:10

like 10 minutes or 2 minutes

4:12

you're trying to find a place to

4:13

Don

4:14

we've checked that off the list

4:15

let's move on

4:17

yes

4:17

right

4:18

so Don is

4:19

currently missing

4:20

and

4:22

we don't talk about Don

4:23

no

4:24

no we don't

4:24

all I'll say is that man knows how to

4:26

dissemble an AK-47

4:27

anyway

4:28

so I remember this pretty well

4:29

from when I was a kid

4:30

but the first impression

4:31

I think everyone got the time

4:32

and everyone still gets

4:33

is that their faces

4:35

on the aliens are

4:35

fucking horrific

4:36

they really hadn't

4:38

quite nailed down

4:39

doing CGI faces yet I don't think moving in a natural way and when they're kind of bopping

4:43

their heads along and singing along it just I remember finding it not as annoying as it

4:49

nowadays because I was eight and I was probably target audience I'd imagine I don't remember

4:54

hating it but also I kind of remember being kind of scared to watch the video which is kind of

5:00

funny because it grew up watching the x-files since I was four or something and yet I found

5:05

this video horrifying to watch and don't even mention I don't think I ever really knew what

5:09

were because it's just like a rhythm and you just sort of put your own words to it sometimes but

5:13

we'll get to this yeah i know i know yeah we'll get to that it's always just stuck with me and

5:19

i don't think it's a negative um thing it's not like that bastard crazy frog but you know it's i

5:23

think the thing about crazy frog is that that was specifically made to be a gag video to a gag song

5:30

well this one i think they genuinely thought that they were creating this amazing piece of art

5:34

like the the employees like the cgi artists who worked on the video and they're talking about like

5:39

you know, brainstorming sessions and how they're all full of ideas

5:42

and they want to create this amazing sci-fi world.

5:45

And it's like, really?

5:47

Is that what you managed to create?

5:49

Probably with the video, just right off the bat.

5:51

It's not self-aware enough.

5:54

They did something amazing and they're probably proud of it.

5:58

They actually, the second video or second single that Eiffel 65 came out with,

6:02

they had the aliens back in that again.

6:04

And I'll stick a link to that in the show notes.

6:06

So they definitely seem to want to keep going with it.

6:08

They thought they were onto something golden here.

6:10

They wanted this to be almost like a character that lives on throughout, I don't know, the

6:16

album or the videos or...

6:17

So what happened there?

6:19

Basically, the aliens came back in the next video.

6:22

On top of that, the alien had its own song.

6:25

And the alien, or I guess it's one of the specific aliens, was called Zerotl.

6:29

Zerotl.

6:30

Yeah.

6:30

All right.

6:31

He has his own website you can still go to called Zerotl.com.

6:34

And you can see this in the show links.

6:36

I'm looking at the website and it's quite lo-fi.

6:39

Yeah, I'm actually surprised that it still operates.

6:42

Yeah, someone's really dedicated to renewing that domain every year.

6:45

Because the corporation company people, they still exist.

6:49

So it's literally at the bottom of their bills every month and they just forget.

6:54

Does anyone know what the Rottle.com is?

6:57

No? Okay, we'll just leave it going.

6:59

Okay, I'm just...

7:01

Someone's kink.

7:02

Hey, if someone is into blue aliens, we're absolutely not to judge.

7:06

Someone will be. Don't Google that.

7:09

No, I want to go to D.I.T.A.T.

7:10

If you ignore the Zerotl cinematic universe as a standalone video, do you think it holds up any better?

7:17

I don't know. I genuinely don't know.

7:19

This video is both the worst thing ever, yet everybody remembers it.

7:23

Yeah, that's true.

7:24

Is it actually a genius masterpiece that we just completely overlook?

7:28

I actually didn't realise it was as old as it was.

7:31

I can remember people singing this all the way into when I was in high school and stuff like that.

7:36

So I obviously had some staying power in Scotland at least.

7:40

But, you know, Scotland in the 90s and 90s and shit techno kind of go hand in hand.

7:45

No, they were always there.

7:47

I definitely remember listening to it being out in clubs or something when I was a teen in Bulgaria in the mid-90s.

7:56

It's a definite phenomenon that still sticks and I don't know if it's just the nostalgia for it.

8:01

I don't know if it's just because it was around when I was growing up

8:05

if the power of nostalgia has its control over me in this situation.

8:09

But I don't listen to it and go, this is a terrible song,

8:12

even though musically it's simple as fuck.

8:14

The lyrics are simple as fuck.

8:15

So objectively, it's not a great piece of art.

8:18

However, whenever I listen to it, I don't automatically go,

8:21

oh, this is a piece of shit.

8:22

Maybe it's just one of those lightning in a bottle situations

8:24

where they got something really catchy and it just stayed on forever.

8:28

Did you guys watch the Vice documentary about it?

8:31

Yeah.

8:32

I found it really interesting that obviously when they were in their Bliscoe commune,

8:36

you know, it had balls that were paper thin and everyone could hear everyone.

8:41

And, you know, someone literally heard the melody being played on a piano.

8:45

They wrote the song and had lyrics and whatnot within two hours.

8:49

It was made fast and sort of had its moment in time.

8:52

It had this weird sort of glitch where it just kept on being in people's heads.

8:56

And it was kind of the first ever viral style song or video that, you know, once people watch, they never forget it.

9:03

The Vice documentary we're talking about is Neil found it beforehand.

9:06

And there's a link in the description if you want to watch that.

9:08

It's pretty good for a Vice video.

9:10

It's not doing the usual Vice bullshit.

9:12

So that's fun.

9:12

I tried to watch it genuinely, but I stopped it halfway through because there's a moment where when he was talking about the thought process behind the actual lyrics,

9:21

how they were very impressed with the idea of like being blue because it's almost like a universal

9:26

feeling which you could be you know you could be sad or you could be a smurf and i just could not

9:32

i just absolutely could not put it past me that they are so full of shit that they thought that

9:37

they sounded yeah they just thought they sounded amazing on that i usually find that with films and

9:42

stuff like that uh when people say oh this is a metaphor for that most of it was a coincidence

9:47

and they just made that up later for a crowd to hear.

9:50

Yeah.

9:51

So, a propolis nothing, gentlemen,

9:53

I did the thing which you just told me not to do,

9:55

but I did it anyway.

9:56

And I looked absolutely deviant at.

9:59

Oh, God, don't do that.

10:00

No, no, no, no, no, no.

10:02

I'm very happy to say no penises.

10:07

Okay.

10:08

It's very, very, it's very tasteful.

10:11

It's artfully done.

10:12

It's very artfully done.

10:13

Turn my VPN on before I click this.

10:15

There is one sort of a furry thing going on,

10:20

but nothing sexual.

10:22

Very, very tasteful.

10:23

Oh, good question.

10:23

It's actually got the band in it as well, and a dog.

10:26

No, no, no, no, no.

10:27

That's the lead singer.

10:29

But as a furry, I guess,

10:31

clearly some people still feel about this.

10:34

The last video, the last pictures they posted,

10:37

it's from last year.

10:38

Someone is still making fan art for this fucking bullsuck.

10:43

So what Neil was saying about it being a glitch

10:45

and it kind of just keeps on going.

10:47

Apparently it's still going.

10:48

Yeah.

10:48

Oh my God, that last one's a bit disturbing

10:50

because the alien's like the same size as all the band members.

10:53

I'm sure there's like an uncensored version of this

10:56

which is not posted online, which I don't care to see.

10:59

Well, shout out to Zerotel's fan community.

11:02

Welcome to the podcast.

11:04

Keeping the dream alive.

11:06

Email.

11:07

Go on to forecast at gmail.com and explain.

11:10

Please don't email your fanart of Zerotto.

11:13

So do you want to talk about your unfortunate connection?

11:17

Yes.

11:18

The song is kind of has a permanent connection in my head to Rangers and Celtic,

11:23

which for people who don't know are two football teams in Glasgow.

11:25

They don't really like each other.

11:27

There's kind of a rivalry thing going on.

11:29

My school was predominantly full of Rangers fans and they would always sing,

11:33

I'm blue, if I was green, I would die.

11:36

Because Celtic are green, Rangers are blue.

11:38

So I'm blue, if I was green, I would die.

11:40

And I think they did sing that a Rangers game for a while.

11:43

It's always in my head been connected to probably the most annoying thing about Glasgow,

11:47

which is a stupid football rivalry, which dominates a lot of the discussion when it should just fuck off, in my opinion.

11:54

Can you tell I'm not a football fan?

11:56

True, but think of it that way.

11:58

As far as modifying songs to offend your football rival goal, this is not quite like the worst thing you could listen to.

12:07

It's a Rangers chant, which isn't full of bigotry.

12:09

Yes, yeah, let's put it that way.

12:11

It's actually better than most of them.

12:12

I'm blue.

12:26

I'm blue.

12:42

I think it was five people working on this video.

12:45

And it was a thing they said that none of them was like properly trained on 3ds Max,

12:51

which 3ds Max nowadays is a nightmare to work on.

12:54

I can imagine how it was in like 20 years ago.

12:56

Yeah, for someone who is not trained into this,

13:00

I was almost, I'm not going to use the word impressed,

13:03

but also like not disgusted by the rigging of their creations.

13:09

The actual animation is garbage and the actual character creation is garbage, but the rigging was not...

13:15

I've seen much worse even from like modern movies.

13:17

Do you want to explain rigging for people who don't know, including me?

13:20

Not me, but I'll get from actual animation Conan because he knows what he's talking about.

13:25

Every rigging.

13:27

Does he have a theme tune yet?

13:28

Yeah, jinx.

13:31

If you want me, Dave, I can sing some lyrics.

13:34

I think I've unlocked a new skill today.

13:37

Achievement unlocked. Sing a song.

13:38

Okay, so rigging is all about basically inserting a skeleton into a 3D model to give it a bone and making it move.

13:49

Because otherwise, you use the skeletons to rotate the model, basically, and the bits of the model.

13:55

So to rig something is to give it a skeleton and make the 3D model move in the correct way with the skeleton.

14:04

These guys did do some rigging on their models.

14:06

It's not very good.

14:08

Well, for 1998, it's probably all right.

14:10

The thing that I kind of took notice of when I watched it

14:14

was the fact that you can tell some parts they animated themselves

14:18

and some parts they bought some mocap data and plugged it in.

14:23

The bit like right at the beginning when they're in,

14:24

like the guys are like driving the spaceship or whatever.

14:27

The animation is very simple.

14:29

They are moving one or two bones at a time.

14:32

And it's just kind of like moving left and right,

14:34

like rotating like not really doing anything complicated and it doesn't look very good it's

14:39

like very typical like i have made something and bring something for the first time i'm going to

14:44

animate it and then like halfway through they're like fighting the guys are running around and it's

14:49

like properly animated with like very kind of detailed animation and i'm like yeah that's that's

14:54

a mocap they've got some data of a mo from some mocap studio somewhere and shoved it onto their rig

15:00

and they're just like this is why we have a fight scene now because we bought some fight scene mocap

15:05

it was about like last week i was saying they they looked like they'd bought in a bunch of stock

15:08

models so in this one you reckon they bought stock mocap yeah yeah like the model they have

15:14

their little blue man is clearly something they made like they're very proud of it the animation

15:18

is like custom to it so like they're singing or they're waving they're doing like their little dance

15:24

that is clearly custom animation and it's awful

15:30

um i'm just saying it's it's it's not professional um excuse me they got paid for that and like

15:38

when you when you see them running the running animation is the same animation for both models

15:43

when the two blue guys are running down the hall it's exactly the same animation i literally just

15:47

cut to that in my screen yeah it's literally the same animation and also it looks really bad on the

15:52

model because the model isn't super

15:54

well rigged for that animation

15:57

so the model's kind of a bit squished in a

15:59

weird way because the mocap is the mocap

16:01

data and they've just put it on the model

16:03

they're like right here's an animation which

16:04

telling like an arm bone

16:07

to rotate like this here's our model

16:09

completely different from what this was supposed

16:10

to do but it'll work anyway do it

16:13

and the model's all like squished up a little

16:15

bit not very comfortable

16:16

right okay two very different

16:19

types of animation in there

16:21

one okay and one very clearly like to the mouth movements when they're in the ship the mouth

16:26

movements are very telling yeah i was i think that's the one that always sticks me because it

16:30

look it's it does that uncanny valley thing where it's actually slightly disturbing yeah absolutely

16:35

not a great one that well so thank you for explaining animation to i think what i was saying

16:40

earlier some of it's not bad i'm not talking about the models they are clearly shit but um

16:45

the actual environments sometimes sometimes the lighting looks okay like i think neil mentioned one

16:50

one shot in a corridor.

16:51

Yeah, there's a couple of moments, yeah.

16:53

So obviously that's a,

16:54

as Scott was saying,

16:55

it's a,

16:56

that was a purchased

16:58

3D made

17:00

environment

17:00

and they just made

17:02

Mr. Blue Man,

17:03

Zotro,

17:04

whatever you want to call him,

17:05

just run through it, yeah.

17:06

Zorotto,

17:07

how dare you, Neo?

17:08

Zorotto.

17:10

Zorotto.

17:10

That actually makes sense.

17:11

It probably did buy

17:12

all the other stuff

17:13

which probably explains

17:14

why that looks good.

17:15

Cowboys.

17:16

Cowboys.

17:17

Speaking of the,

17:18

like,

17:18

the actual character

17:19

design let's talk about this why did they have big blue blue balls axis for heads it kind of looks

17:27

like they're they're going for a cross between like a child's drawing of an alien maybe green guy

17:32

usually that and like something from star trek because they've got the weird head but regis on

17:36

their head wait did it say star wars so i started looking into blue aliens from star wars and none of

17:42

them really look like that did i say star i mean star trek yeah no but because they said star wars

17:47

oh they said Star Wars

17:47

oh okay

17:48

yeah

17:48

I started looking

17:49

but nothing

17:50

yeah it's

17:51

it's part of my

17:53

nightmare

17:53

if you

17:54

as a kid

18:11

just watching them all

18:12

getting slaughtered

18:13

by the band right now

18:14

oh yeah

18:15

let's talk briefly

18:16

about this part. Okay, so the whole concept of this video, from what I understand, I guess,

18:21

is that those blue aliens are so bored of life that they find this random Italian band,

18:27

kidnap them, and that's apparently the highlight of their, like, I don't know, life?

18:33

One of the Hitchhiker's guidebooks, I think it might be the one that wasn't written by Douglas Adams,

18:37

the newest one. There's a new one? Yeah, it's okay. It's fine. One of the plots is, like, these aliens

18:43

who are living on Pluto

18:45

become obsessed with Earth's TV

18:46

because they've all lost their memory

18:48

and the only media they can find.

18:50

The aliens have obviously been floating around

18:52

watching Earth's TV

18:53

and they've taken a liking to Eiffel 65,

18:55

the latest sensation sweeping the nation.

18:57

They've decided to abduct them

18:58

so they can put a gig on for them.

18:59

Isn't that the plot to one episode of Futurama

19:03

where some race of aliens

19:04

kept on watching American sitcoms

19:08

for some reason?

19:09

And they thought that was real life.

19:11

So some TV show,

19:12

which you can't remember the name of,

19:13

got cancelled. Did you agree with that?

19:15

They kidnapped the

19:17

actors because they thought they were real or something

19:19

and they were like, you know, tell us how

19:21

this story ends. This is

19:23

also the story to Galaxy Quest, now I think about it.

19:26

This is

19:27

well-trodden ground in the sci-fi.

19:29

We've got three off the top for it.

19:32

Four if you can include this.

19:33

Of course we can include this. Neil, do you

19:35

have any input to this trope

19:37

that we accidentally discovered? No comments.

19:40

He seems awful cagey

19:41

about that yeah maybe neil's a blue alien i've explained so much neil show yourself every bit

19:47

take everything off it's a bit cold for that well it's fine if there's a problem you turn blue but

19:53

it's fine don't come in the water see if he floats burn him yeah but basically basically from

20:01

what we can gather these all these aliens wanted was eifel 65 to come on the ship and play a gig for

20:06

them so they abduct the lead singer take him up then the rest of the band who also have a spaceship

20:11

I don't know if I mentioned that.

20:12

Go on, go and try and save them.

20:13

But they murder like 20 or 30 of the alien guards in the process.

20:18

It's a bit of a are we the baddie sort of situation this one.

20:20

I think it's a problem with the moment when the aliens were like,

20:22

oh yeah, please come back to us with a massive sign.

20:25

And they thought, hmm, yeah, that's legit.

20:27

We should do that.

20:28

Although we just murdered half of their planet.

20:30

What's the worst that can happen?

20:32

I think it all boils down to a communication issue.

20:35

It has so many things in life.

20:37

Indeed.

20:38

What you're trying to say is that their relationship is based on abuse.

20:41

and monetary control.

20:44

Monetary control.

20:46

Capitalism strikes again.

20:48

Is that why they're blue?

20:50

Because that's like

20:52

final form of capitalism.

20:53

This is actually set in the future

20:55

and all the capitalists

20:56

have left the earth

20:57

and become these little blue guys.

20:58

It makes perfect sense now.

20:59

It does make perfect sense.

21:00

Also makes sense why they're so

21:02

like ready to, you know,

21:04

to kidnap

21:04

and then to shoot down people

21:06

who don't agree with them.

21:07

But the moment the people

21:08

they want and need run away,

21:10

They're like, no, come back, please.

21:13

I do, actually.

21:14

Can I see the connection you're making now?

21:15

Yeah.

21:15

We have discovered the conspiracy yet again.

21:18

Because I was kind of defending the aliens,

21:19

but the aliens did just kidnap the guy.

21:22

So it was kind of their fault anyway.

21:23

Side note, why did they kidnap only the lead singer?

21:26

What do they think will happen?

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He's going to be singing this masterpiece a cappella or something.

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People always overvalue the lead singer

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and undervalue the rest of the band.

21:34

I think that's a prime example right here.

21:36

It's going to sound a bit shy, isn't it?

21:37

Or just him?

22:02

Double D. Double D. Double D.

22:02

Double D. Double D probably one of the most famous cases of misheard lyrics in all of

22:06

History is pretty much open to interpretation what they're saying.

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If you're not listening closely.

22:11

I'm blue, I believe I'm a guy.

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If I were green, I would die.

22:14

If I die, I would eat apple pie.

22:17

I believe I can fly.

22:19

Without a beat, I could die.

22:20

Grab a flea, grab a fly.

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I'm in a needle for guys.

22:24

I'm a green apple guy.

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I'm a bean, I'm a guy.

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This one has been stuck in my head ever since I've said it.

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In Aberdeen, I would die.

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I could have beat up at night.

22:36

Double D, double die.

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I would meet other guys.

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I would be, I would bye.

22:42

All will bleed, all will die.

22:44

I flew the sea and the sky.

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I need me or I'll die.

22:49

We did it, guys.

22:50

We did it.

22:53

I've got a game as well for the listeners at home.

22:55

Future Me has pasted all of these into the show notes.

22:58

So if you go to your podcast player of choice and go to your show notes,

23:02

focus on one of the sentences,

23:04

And I swear to God, you will start hearing the sentence instead of dabba-dee dabba-die.

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Because I was reading it earlier and I read in Aberdeen I would die.

23:12

And then that was all I could hear.

23:13

I'm going to play the song now.

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Find another lyric and...

23:35

Okay, I've just blown everyone's mind.

23:38

In the future.

23:39

Are we doing final points?

23:40

Who wants to start?

23:41

There is not much to say about this video, is there?

23:44

I'm fairly certain there is no human being on the surface of the planet

23:47

who has not encountered this magical piece of shit video.

23:51

And yet, the only reason why everybody still remembers it

23:54

is because of this piece of shit video.

23:57

You know, animation is garbage,

23:58

music is horrible,

23:59

lyrics are non-existent.

24:01

And yet we're still here talking about it

24:03

with Reminiscence 22 years later.

24:06

The sort of logical half of my brain.

24:08

Everything about this video and the song

24:10

I should hate.

24:10

There's very little redeemable about it.

24:13

However, I don't hate it.

24:14

I actually quite like it

24:15

and I don't understand why.

24:16

I don't know if it's just

24:17

the cold hard grip of nostalgia on me

24:19

or if they're doing some hypnosis

24:22

David Blaine shit,

24:22

but I do like it

24:23

and I don't know why.

24:24

make of that what you will. This song takes me back to about 2001 when my parents first bought a

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family computer that had access to the internet. Since about late 1999 I'd been craving the

24:33

opportunity to explore the world wide web but also during that time we got cable tv and had access to

24:39

music channels such as MTV and VH1. I think this was one of the first videos it just happened to play

24:44

within a few days of having access to this like new form of content. This video to me always looked

24:49

like a video game and at that time I was pretty much blown away by it but fast forward 20 years

24:55

later the song certainly looks like ass but I think in my opinion Blue's got a get out of jail

25:00

free card that I think kind of allows this badly aged music video to have a pass. So my favorite part

25:05

is the timing between 2 minutes 11 and 2 minutes 18 when the lead singer looks like he forgot how

25:12

the song goes because it's those very very complicated lyrics avoidance of strength I guess.

25:18

Yeah, he does.

25:19

He just looks very, very confused, doesn't he?

25:20

I sort of interpreted that as he was confused

25:22

while he was singing to Aliens,

25:24

but it does just look like he's forgot the song.

25:25

Well, to be honest, he could just be confused

25:27

why this is a complete silence around him,

25:30

why he's actually acapelling this da-ba-dee-da-ba-da-ba.

25:33

Where's my band going?

25:34

Oh, God damn it.

25:35

They had the auto-tune.

25:36

Where's the guy with the USB stick with the backing track?

25:39

And the worst part is,

25:40

three minutes, three seconds,

25:42

the sign, please come back,

25:43

which for Eiffel Tower 65,

25:47

Which I feel 65 apparently means that it's a-okay to walk back on the planet,

25:52

although they just literally incinerated half the population.

25:56

Well, they did come back for future videos, so they must have worked out their differences.

25:59

One can only hope.

26:00

My favourite part is 2 minutes to 83.

26:02

One of the band members is doing some sort of spin punching.

26:05

I can't even really describe it.

26:06

It doesn't look like an effective fighting technique.

26:08

He's just kicking ass and he's flying aliens all over the place and it's really good.

26:12

The worst part is the fact that the aliens just wanted to put a gig on

26:16

and the band go on a murdering spree.

26:18

Can't we all just get along?

26:19

My favourite part for me was a moment where the shadow and lighting

26:23

looked pretty good at 1 minute 18.

26:25

But until Scott sort of told me about the way the rigging works,

26:27

it actually looks pretty shit now with the way they run down the hallway.

26:30

But yeah, the lighting looks all right.

26:32

I mean, I thought, yeah, it's not bad, not bad.

26:34

I guess it was dark.

26:35

Dark hides a lot of flaws.

26:38

Yeah, worst part, I can't really forgive the aged animation.

26:41

I think in all fairness it looks shite now as it did back in 1999 but hey at least it looked good in my mind.

26:49

So Iron O's.

26:51

I don't know I'm gonna go with a very soft eye because I hate it but also I can't not recommend it to every single person but also I'm sure everyone has already seen it.

27:03

It apparently has some sort of magical lasting power,

27:06

which is maintained to this day,

27:07

judging by deviant art and other things.

27:09

Every logical bone in my body says I should hate it,

27:12

but I don't.

27:13

So it's getting an eye from me for some reason.

27:15

Don't know why.

27:15

It's full of flaws, but at the same time,

27:17

I think it's at this golden age

27:20

in that sort of style of music

27:22

that gets a wide pass from me for a lot of the flaws.

27:25

And I kind of love it in this weird, nostalgic way,

27:28

but I think it's one of those videos where,

27:31

I don't know, just takes people back.

27:48

okay i guess that's done for another week uh take a look at the show notes for today's links to

27:53

today's video links to instagram etc also email us at gone to forecast at gmail.com we'd love to

27:59

hear your thoughts and any recommendations for videos. If you enjoyed the podcast, leave

28:03

us a review on Apple Podcasts, Spotify or the podcast player of your choice.

28:07

Say goodbye everyone. Bye.

28:09

Bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye bye.

28:16

Oh Christ.

28:46

.